| | Rabbani CD - Import Rabbani Discography of CDs
Various Artists : RabbaniArtist:Various Artists Release Title:RabbaniLabel:Hadra Track Listing1. Shilum Bamba / The Door Is Open... 2. Sine Die / Synthetic Life 3. Barak / Savage Driver 4. Inner Action / Signs From The Sky 5. Cycle Sphere / Driving Under The Influence 6. Suria Vs Spectra / Neuractive Sound 7. Hergma Vs Sine Die / The Teleporter 8. Sesto Sento / Magic Ball 9. Jaia / Epsilon Hadra Productions est trĂšs heureux de vous prĂ©senter sa 2nde compilation, Rabbani !Le titre de cette compilation Ă©voque lÂfinstant mĂȘme de la transe induite : lÂfattirance au moment des pratiques religieuses des Aiassaouas (tribu du Maroc dont est originaire DJ Driss) qui permet dÂfaccĂ©der a cet Ă©tat de Transe.CompilĂ©e par DJ Driss, fondateur de lÂfassociation Hadra et prĂ©sent sur la scĂšne Trance depuis une dizaine dÂfannĂ©es, cette compilation est plus orientĂ©e Full-On que la prĂ©cĂ©dente, Hadracadabra.Rabbani est le savant mĂ©lange entre des artistes connus et reconnus Ă lÂfinternational, tels Sesto Sento, JaĂŻa, Cycle Sphere, Inner Action, Suria ou encore Spectra, et des nouveaux artistes Hadra comme le mexicain Barak et Sine Die, Hergma et Shilum Bamba de Grenoble (France).Laissez-vous emporter par la vague dĂ©ferlante que constitue les 9 tracks explosifs de cette compilation, testĂ©s et approuvĂ©s sur les Dance Floors ! Rabbani Songs | 1. | Door Is Open... - Shilum Bamba, The |
| 2. | Synthetic Life - SinE DiE |
| 3. | Savage Driver - Barrak |
| 4. | Signs From The Sky - Inner Action |
| 5. | Driving Under The Influence - Cycle Sphere |
| 6. | Neuractive Sound - Suria Vs Spectra |
| 7. | Teleporter - Hergma Vs. Sine Die, The |
| 8. | Magic Ball - Sesto Senso |
| 9. | Epsilon - Jaia |
|
Rabbani Review
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Purchase Rabbani CD To buy, Click on price to add to cart | Owl City Ocean Eyes CD (2009)
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| | Massive Attack 100th Window CD (2003)
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After a five-year gap, the follow-up to 1998's lauded MEZZANINE finds Massive Attack picking up right where they left off, as though no time had passed at all. The trademark mix of downtempo electronica, slithery trip-hop, darkly ambient atmospherics, and spacious dub production touches is still strongly in place, and this time around Sinead O'Connor fills the dreamy-chanteuse role played on MEZZANINE by Cocteau Twin Elizabeth Fraser. The contrast of smooth, orchestral textures ...
| | Emma Shapplin Carmine Meo CD (1997)
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CARMINE MEO is a pop-classical hybrid by opera singer Emma Shapplin.
Every year or two somebody from the classical world gets the bright idea to record a classical album with a little something extra for the groundlings: some percussion, some sound effects, maybe some strings. Sometimes the result is insulting, sometimes it's just gilding the lily, and sometimes it works. Carmine Meo, however, sidesteps this problematic phenomenon altogether by making up its own classical music and then turning it into pop. That's right, most of the numbers on the album, even though they sound like lush, romantic arias, are originals.
And despite the disheveled-hair packaging of Emma Shapplin and the truly bad poem she contributes to the liner notes, it works. Why? Because Shapplin, notwithstanding her less-than-opera-caliber voice, sings with absolute conviction, and because her team is determined to entertain. So what if "Cuor Senza Sange" borrows its opening from ...
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Johann Johannsson's second album in a conceptual trilogy about American technology (the first being IBM 1401, ...
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Providing further grist for the evolution of electronica in the `00s are psytrance innovators Infected Mushroom. While IM's previous efforts dabbled in eclecticism far outside the purview of ...
| | Morcheeba Who Can You Trust? CD (1996)
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This U.K. trio injects the aesthetics of trip-hop with a lush, languid, easy-listening air for a concoction that demands a deep, comfortable couch and a top-of-the-line set of headphones. The hypnotic, understated delivery of vocalist Skye Edwards floats over the sweeping synth arrangements, slide guitar, Hammond organ, and subtle technological trickery of brothers Ross and Paul Godfrey. WHO CAN YOU TRUST?, the band's full-length debut, includes the singles "Trigger Hippie," "Tape Loop," and "The Music That We Hear."
Atmosphere is paramount for Morcheeba, and TRUST's track list passes through a spectrum of colors. The opener, "Moog ...
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| | John Foxx In Mysterious Ways CD (1985)
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Contains 3 bonus tracks originally released as non-album B-sides.
Former Ultravox singer John Foxx's final solo album of the '80s put some distance between him and the stylish new romantic sound he helped pioneer. Instead, even though he played most of the instruments and returned to producing himself after working with Zeus B Held, In Mysterious Ways goes for a fuller, somewhat more organic sound. Foxx adds arena-style guitars on "Lose All Sense of Time" and "This Side of Paradise," and near-gospel-ish backing vocals on "Enter the Angel." The intrusions on his trademark chilly synth pop aren't always welcome, and even the lyrics employ a surprising amount of cliché ("Stars on Fire"). However, the more conventional trappings can't completely dilute Foxx's talent and sense of style, and the gentle, gorgeous title track is one of his best. After this ...
| | Mink Lungs I'll Take It CD (2003)
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One of the best things about indie rock is its embrace of the silly as well as the serious. Bands such as the Flaming Lips, Ween, and, to a lesser extent, Pavement and the groups in the Elephant 6 collective never shied away from their goofier sides; more often than not, this improved their music and gave it a more well-rounded quality. The Mink Lungs want very badly to belong to this tradition, but on their second album, I'll Take It, they end up sounding like a novelty rock band, and not a terribly inspired one at that. While songs like "Men in Belted Sweaters" are definitely silly, their silliness doesn't reach the inspired or infectious levels of the aforementioned bands. It's not for lack of trying, however -- if anything, the Mink Lungs try too hard, using different sounds and quirky voices on each of I'll Take It's songs. The deep, rumbling vocals and surging guitars on "Black Balloon," "X-Ray Gun," and the title track never quite come together in a meaningful or successful way, and the slack tempos that dominate songs such as "The Secret Admirer" and "Awesome Pride" aren't especially engaging either. Indeed, it's hard to care about most of I'll Take It, which ...
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| | James Band Albin Backhanded Compliment CD (2008)
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Former front man of the band âTuesdays Waitingâ has amazed people with the first album Backhanded Compliment. The grassroots growth from this energized ...
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