| | Penta Funraiser CD - Import Penta Discography of CDs
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Our Price: $17.09  CDFor Sale Usually ships in 1-2 days
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Funraiser Music | List Price | $17.99 (You save $0.90) | | Category | Electronica Albums | | Label | Phantom | | CD Universe Part number | 7261162 | | Catalog number | 633137 | | Discs | 1 | | Release Date | Aug 01, 2006 |
Penta Funraiser Songs | 1. | It Is Done |
| 2. | Detonator |
| 3. | Inverter |
| 4. | Pigletango |
| 5. | Past Holidays |
| 6. | September |
| 7. | Eater Of Worlds |
| 8. | For The First Time |
| 9. | Flash Forward |
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Funraiser Review
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Purchase Funraiser CD To buy, Click on price to add to cart | Ryuichi Sakamoto Playing The Piano CD (2009) (Import)
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| | Cut Copy In Ghost Colours CD (2008)
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Australian electro-pop outfit Cut Copy are among the legions of indie acts defecting en masse to the low-end thump of ...
| | Radian Chimeric CD (2009)
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Austrian synth-bass-drums trio Radian has been making austere, arty post-rock (remember when that was a thing?) music since the late '90s. But unlike Tortoise or other, related acts, Radian has never seemed particularly interested in human concepts of beauty. In a way, their stark instrumental tracks recall Autechre more than any ordinary band -- alienation is as much a goal as a consequence of their steadily pulsing, jagged music. This new album, their first in five years, begins with the quite noisy, ugly "Git Cut Noise," which combines their usual thick bass and clicking drums with almost Einstürzende Neubauten-esque rattles, roars, and grinding sounds. This piece is revisited on "Git Cut Derivat," where it's reduced to quiet hums and ticking noises, almost perversely subtracting the very elements that seemed to define it in its first version. In between is the ten-minute "Feedbackmikro/City Lights," slightly less noisy than "Git Cut Noise" but even more trance-inducing and relentlessly restrained. The album's second half is more organic: "Chimera" ...
| | Grizzly Bear Veckatimest CD (2009) Digipak
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One of the most highly anticipated indie-rock releases of 2009, VECKATIMEST finds Grizzly Bear continuing its nearly exponential ...
| | Wax Tailor In The Mood For Life CDs (2009)
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| | Heavy Trash Midnight Soul Serenade CD (2009)
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On their third album, 2009's Midnight Soul Serenade, Heavy Trash keep delivering the good old rock & roll, rockabilly, and hillbilly soul that their first two albums handed out like candy at a Fourth of July parade. Jon Spencer and Matt Verta-Ray hit their stride right away on their debut and continue to be nothing short of great. They make no great changes to their sound here; it's still loose as geese on the rockers and pleasantly spooky on the ballads. Spencer and Verta-Ray still conjure all kinds of unhinged noise from the guitars, yet remain firmly within the bounds of the songs. Best of all, Spencer fully embraces his role as greasy, rockabilly crooner with an unrestrained joy and fervor. His performance on their cover of LaVern Baker's "Bumble Bee" is guaranteed to bring smiles, his unhinged howls on "Bedevilment" bring back memories of Lux Interior, and he's never less than entertaining. The whole record is just a flat-out blast, with the duo gleefully raising all kinds of ruckus, blasting through swamp blues, noisy punk blues, cornpone balladry, and nocturnal jazz poetry, and even laying down a song that could have been a chart-topper back in 1959, the sweetly rollicking "Gee, I Really Love You." It may heretical to say it considering the backgrounds of the participants, but Heavy Trash could be the best project either man ...
| | Stan Kenton At The Rendezvous, Vol. 2 CD (1958) Reissued
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| | Paul Oakenfold Another World CDs (2000)
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This is a continuous in-the-mix CD compiled and mixed by Paul Oakenfold.
Featuring the seamless mixing skills that have given him international recognition in the dance music underground, Oakenfold has crafted yet another in his series highlighting some of the more progressive strains of house music. The progressive trance style that has become Oakenfold's stock in trade, fuses pastoral symphonic soundscapes with arpeggiated synth passages reminiscent of European electronic artists such as Vangelis and Tangerine Dream.
Indeed, much of the track selection ...
| | White Party U.S.A. CDs (2004)
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| | Jazz In Chicago, Vol. 2 CD (2004) (Import) Argentina
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| | Klement Julienne Panamerican CD (2004)
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PANAMERICAN is the French import edition of Klement Julienne's sultry first album.
Klement Julienne certainly have an air-travel fetish. Naming their group after a terminal PA announcement (sampled on one of Alain Dahan's vintage sound effects records), he and fellow French producer Joseph Guigui continue their quest for the ultimate in aural first-class service, naming their first full-length after the iconic Pan American airlines. Pan Am may have been the company that invented the jet-setting lifestyle by offering the very commercial, first trans-Atlantic and trans-Pacific flights in history, but there is hardly anything groundbreaking about this CD. This pair strictly traffic in retro-Latin jazz and Bossa-pop, which means that the reggae-tinged "Jerko," ...
| | Kick Drum Inertia Neural Rectifier Syndrome CD (2006) (Import)
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| | Twisted System Core CD (2006) (Import)
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| | Imagination CDs (2007) (Import) Import
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| | Bix Beiderbecke Singin The Blues 1 CD (1990)
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When considering artists whose legends have grown to unmanageable size (see the Kirk Douglas film YOUNG MAN WITH A HORN, loosely based on Bix Beiderbecke's life), one needs to return to the original work to appreciate what all the fuss was about in the first place. Beiderbecke, a white Iowan jazzman from a well-to-do background, who indeed "lived fast and died young," left a small treasure trove of recordings from the mid-1920s that still deliver on their promise in the 21st century. VOLUME 1: SINGIN' THE BLUES would most aptly be credited to the formidable tandem of Beiderbecke and his more stable partner, Frank Trumbauer, the C-Melody saxophonist (as was a mid-'50s Columbia LP, titled simply BIX & TRAM). In various ensembles ranging from trio to 12-piece, these two icons weave in and out of several ingenious arrangements (courtesy of Don Murray and Bill Challis, among others), leading sections and making their distinctive, inspired solo statements. Beiderbecke is also heard on piano here, most notably on his self-penned classic, "In a Mist." If you only owned one Bix album, this exemplary collection would be it.
Recorded in New York, New York in 1927. Includes liner notes by Michael ...
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