| | Drama CD Mahotsukaino Musume Soundtrack CD - Import
Mahotsukaino Musume Soundtrack Music | List Price | $54.99 (You save $3.74) | | Category | Soundtrack Albums | | Label | Phantom | | CD Universe Part number | 7261744 | | Catalog number | 72098 | | Discs | 1 | | Release Date | Aug 28, 2006 |
Mahotsukaino Musume Soundtrack Review
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Purchase Music From Mahotsukaino Musume CD To buy, Click on price to add to cart | Who Tommy CDs (1969) Hybrid; Bonus Tracks; SACD Hybrid; Remastered; Deluxe Edition
Mahotsukaino Musume Soundtrack album
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This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
This is a Super Audio CD playable only on Super Audio CD players.
The definitive rock opera, TOMMY liberated the Who from a "singles band" stigma, marking them as a substantial artistic force. Composer Pete Townshend had flirted with the conceptual format on two previous releases, but here his vision is spread over two ambitious records that play to the Who's main strengths. Anthems such as the raucous "Pinball Wizard" and the surprisingly ...
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Audio Mixer: Doug Derryberry.
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This is a reissue edition of Gordon Giltrap's ultra-rare 1987 Christmas album, MIDNIGHT CLEAR. Long out of print, it is once again available thanks to La Cooka Ratcha Records.
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Weishan Liu (劉維姍) is a guzheng master performer, composer and educator.She was born in China and began training in the classical style of the guzheng from the age of eleven when the acclaimed guzheng master Cao Zheng (1920-1998) picked her as his student at the Shenyang Music Conservatory. She later also studied under Yan Li and Zhao Yuzhai.Her breakthrough came at the 1974 Chinese national traditional music competition where, playing her original composition The Magnificent Bronze Gorge, she won first prizes in both the composition and performance categories. She went on to become the top guzheng soloist at the Central Song and Dance Ensemble of China, making recordings and performing and touring with them, as well as often performing for visiting heads of state.Liu moved to the United States in 1982 and continued performing her unique style of guzheng music. She has performed with the Chinese Orchestras of Berkeley and Los Angeles, as well as with the Bay Area Women’s Philharmonic Orchestra, the Palo Alto Philharmonic Orchestra, and she has performed composer Chen Yi’s modern compositions with the ensemble Earplay. She was a pioneer in the teaching of guzheng overseas. Over the past two decades she has trained well over a thousand students, many of whom have become professional performers and teachers themselves. She also founded the San Francisco Guzheng Music Society to promote the music of the guzheng and traditional Chinese music and culture. ...
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Nearly all of Wes Anderson's films have had a strong sense of childlike wonder, but FANTASTIC MR. FOX, which is based on Roald Dahl's charming book, is his first film specifically for children. The movie's soundtrack manages to take nearly all of Anderson's musical fascinations -- Anglophilia, Francophilia, '60s pop and rock, and music from other gentler and/or quirkier times -- and tailor them to a younger audience. Though Anderson's films and their soundtracks have been criticized for valuing style over substance, FANTASTIC MR. FOX's stylization is fitting, given that the film's characters are stop-motion animal puppets. The soundtrack's songs and Alexandre Desplat's score mix delicacy and rough-and-tumble energy while reminding listeners of what children's movies and music used to be like before being cool took precedence over everything else. While there are two songs from Anderson favorites the Beach Boys, "Heroes and Villains" and "Ol' Man River," it's Burl Ives who contributes the most songs to FANTASTIC MR. FOX. Ives' grandfatherly tone made him one of the most enduring and endearing voices in children's entertainment, and the tracks that appear here ("Fooba Wooba John," "Buckeye Jim," and "The Grey Goose") dig into his pastoral ...
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