| | Justin Timberlake Futuresex / Lovesounds CD Justin Timberlake Discography of CDs
(5 Customer Reviews)
Timberlake spared no expense recruiting some of the best producers on the scene. Beatmaker extraordinaire Timbaland is a primary collaborator, and his experimental stutter-funk landscapes make for the album's best moments (the title track, for example, or the spare, driving lead-off single "Sexyback"). Early Prince is a major touchstone for much of the disc, but Timberlake also draws on rolling, Dirty South jams ("Chop Me Up") and smooth, urban-contemporary loverman R&B ("My Love"). Its obsession with the bedroom notwithstanding, FUTURESEX/LOVESOUNDS shows Timberlake moving toward an exciting musical maturity.
Music critics and highbrow listeners may look down their nose at Justin Timberlake, doubting that the celebrated former N'Sync leader is good for more than light, frothy dance-pop. Timberlakes's sophomore effort, FUTURESEX/LOVESOUNDS, should make both camps rethink that stance. While the album certainly sets out to entertain, it's also full of ambitious, well-constructed grooves that prove the superstar is serious about getting down and dirty. The album steps up the Michael Jackson-influenced sound of JUSTIFIED by delving deeper into club music, hip-hop, and funk, creating a bumping, writhing soundtrack for a set of songs unabashedly about sex.
Amp - Amended Produc
Personnel: Justin Timberlake (vocals, guitar, piano); Timbaland (rap vocals, various instruments, programming); T.I., Three 6 Mafia, will.i.am (rap vocals).
Rolling Stone (p.86) - 3.5 stars out of 5 -- "[H]is best new tracks are thrilling....Some of the up-tempo stuff flirts with mechanical muscle-flexing..." Rolling Stone (p.106) - Ranked #26 in Rolling Stone's "The Top 50 Albums Of 2006" -- "[O]ne of the year's most enduringly pleasurable hits." Entertainment Weekly (p.70) - "Superior tracks like 'LoveStoned' and 'What Comes Around,' suggest a happy middle path, where Timberlake can equally embrace Timbaland's canny beats and his own vocal helium." Entertainment Weekly (p.128) - Ranked #4 in Entertainment Weekly's "Top 10 Records Of 2006" -- "[T]he two Tims create a boldly forward-thinking soundtrack for nocturnal amusements like club cruising and rump shaking." Q (p.122) - Ranked #36 in Q Magazine's "100 Greatest Albums of 2006" -- "[A] hyper-confident mix of stripped-down R&B and '80s electro soul." Vibe (p.142) - "He's still got a lithe, lovely vocal instrument and a falsetto that evokes El DeBarge." Mojo (Publisher) (p.116) - 3 stars out of 5 -- "[The titles] leave no doubt as to the chief Timberlake brand value, and the louche synth funk and electro-flavoured R&B therein make a pretty seductive back-up argument." Futuresex / Lovesounds Music Justin Timberlake Futuresex / Lovesounds Songs Futuresex / Lovesounds Music Futuresex / Lovesounds Music Review Average Rating: (4 out of 5 stars)   Very good album! If you're the type of person who loves to dance, then I would recommend this cd to you. Submitted by shalmciver (FL, USA)  Was This Review Helpful? Yes No
A WAIST OF YIME,MONEY AND CD SPACE!!!! JUSTIN U ...JUST DIDNT COME WIT IT Submitted by hisnameisjavon (jack-ton,florida) Was This Review Helpful? Yes No
great cd This is his greatest cd! Every song bangin from the start of the cd to the end! My favorite songs: My Love and What goes around/Comes Around! Any real music fan should listen to this cd! Submitted by datghettokid (ghetto rialto, ca) Was This Review Helpful? Yes No
Beautiful talent he keeps amazing me!! I beleive he has a talent that will keep on fleurishing over the years ..Ladies hes here to stay.. Amazing sexy voice, perfect words,associates with the best people and when he moves well let me say he makes me dream my mind out!!!I wish he wrote me a symphony !! Lucky Miss Diaz!!! Submitted by virgiliaxx (Montreal,Quebec,Canada) Was This Review Helpful? Yes No
Embracing Urban/Suburban Culture The mix of featured musicians creates a broader spectrum of listeners. Skating along the genres of Pop/R&B/Hip-Hop and dare I say Jazz? Nevertheless, a refreshing mix. Almost even diving back into decades of old school jazz and R&B specifically the early 90's. Submitted by SSoblit (Washington, DC, USA) Was This Review Helpful? Yes No
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$11.29 Issued in late 2007, BLACKOUT is the much-touted comeback album that was designed to pull Britney Spears out from under the considerably large personal and professional shadows that had crept into her life. From Spears's bizarre head-shaving incident to her parental custody struggles to her critically reviled MTV Video Music Awards performance, most of the year was an exceedingly long train wreck for the pop superstar, and those events, to some degree, inform BLACKOUT, which stands out as a defiantly bold dance-pop offering.
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$21.65 2 LPs on 1 CD. Both are available separately on CD and cassette.
This live set is drawn from Marvin Gaye's 1983 tour, and while it is relatively well recorded (the crowd noise is a bit intrusive at times), only die-hard Gaye fans should bother. Although he was never less than charismatic on-stage, Gaye was most at home in the studio, where his soft and subtle vocal phrasings could be layered into amazingly expressive suites. For live performances he tended to strip his melodies down and resort to larger gestures (up to, and including, taking off his clothes) in a probably unavoidable attempt to be the consummate showman. While it is interesting to hear a live version of "Sexual Healing," one of Gaye's greatest songs, it is also obvious that the gentle tension that makes the song so arresting in its studio version gets dissipated here in this ten-minute expansion. Gaye hits the right notes, but the hushed intimacy is gone. ~ Steve Leggett
Never overly reliant on the Holland-Dozier-Holland machine, Marvin Gaye weathered their departure pretty well, turning to Norman Whitfield (for the epochal "I Heard It Through the Grapevine") as well as Ivory Joe Hunter, Ashford & Simpson, Frank Wilson, and, for two songs, his own pen. One of Gaye's other R&B hits from In the Groove, the impassioned "You," is in the Four Tops style (it's patterned after "Reach Out"), while "Chained" is another brilliant performance and production of a sub-standard tune. The Brill Building standard "Some Kind of Wonderful" and "There Goes My Baby" were early-'60s throwbacks in sound and feel, quite a jarring effect in context. After "I Heard It Through the Grapevine" became one of the biggest hits of 1968, Motown re-released the LP as I Heard It Through the Grapevine. ~ John Bush
In something of an odd pairing, Motown combined Marvin Gaye's 1968 album I Heard It Through the Grapevine with 1976's I Want You onto a single compact disc or cassette in 1991. Both are now out of print. ~ Sean Westergaard
The British Marvin Gaye collection I Heard It Through the Grapevine gathers 20 fairly representative singles from the '60s and '70s, ranging from ...
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