| | Rockabye Baby! Lullaby Renditions Of The Smashing Pumpkins CD
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Our Price: $13.09  CDFor Sale Usually ships in 1-2 days
Our Price: $10.89
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Each release in the Rockabye Baby! series takes the best-known songs of a particular artist and places them in a lullaby processor that involves chimes, bells, and vibraphones -- renditions that are slightly more involved than the music that comes out of the average baby mobile. Whether the original versions are heavy and aggressive or light and subdued, these lullaby versions are uniformly appropriate for their purpose. And, in some cases, they even happen to tease out an unlikely amount of melodicism not apparent in the originals. The Smashing Pumpkins volume features versions of "Tonight, Tonight," "Cherub Rock," "Today" (a natural pick), "Disarm," and "Farewell and Goodnight." ~ Andy Kellman Rockabye Baby! Lullaby Renditions Of The Smashing Pumpkins Music Rockabye Baby! Lullaby Renditions Of The Smashing Pumpkins Songs Rockabye Baby! Lullaby Renditions Of The Smashing Pumpkins Review
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2 LPs on 1 CD. "Fear Of Tomorrow" was released in 85, and "Terror Squad" in 87.
Artillery's first album, 1985's Fear of Tomorrow, had already lost a little something in terms of wild spontaneity when compared to their heavily traded tape demos, but its 1987 successor, Terror Squad, though blessed with improved production, proved to be even more regimented and overwrought. Album opener "The Challenge" arguably qualified as the band's most memorable and (within reason) accessible composition yet, but the same standards were only occasionally replicated thereafter by portions of the title track and "Hunger and Greed." Otherwise, token new material like "In the Thrash," "Let There Be Sin," and "Therapy" found Artillery bogging down into convoluted arrangements, better suited to showcasing their instrumental technique (reminiscent of Exodus) than songwriting abilities. Add to this singer Flemming Ronsdorf's increasing propensity for crotch-squeezing falsettos (an almost inescapable habit of the '80s metal aesthetic) in place of his more distinctive growls, and the histrionics -- instrumental and vocal -- wind up overpowering the content. Thankfully, even when not at the top of their game, Artillery still possessed the instincts to keep their thrash more interesting than most (check out semi-epic "At War with Science" for a smorgasbord of riffs and the brilliantly titled "Decapitations of Deviants," with its amusing lyrics about "No time to relax in the grass"), and for this reason, Terror Squad kept most of their existing fan base satisfied. ~ Eduardo Rivadavia
Artillery's first album, 1985's Fear of Tomorrow, had already lost a little something in terms of wild spontaneity when compared to their heavily traded tape demos, but its 1987 successor, Terror Squad, though blessed with improved production, proved to be even more regimented and overwrought. Album opener "The Challenge" arguably qualified as the band's most memorable and (within reason) accessible ...
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