| | Pogues Hell's Ditch: Expanded & Remastered CD Pogues Discography of CDs
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After the embattled recording of the Pogues' Peace and Love, with Shane MacGowan clearly at odds with his bandmates and their musical direction while contributing little in the way of new songs, Hell's Ditch seemed at once like a step forward and a step back for the group. While Peace and Love suggested the Pogues had grown weary of the hot-rodded Celtic sounds that had been their trademark, Hell's Ditch found the band back in more familiar territory and sounding much refreshed; if there wasn't anything as manic as the high points of Rum Sodomy & the Lash or If I Should Fall from Grace with God, these sessions reveal the Pogues had found their feet and were sounding like a band again, and while a few of MacGowan's songs lead them through his fascination with Asian and Latin accents, the musicians were able to fuse them with their own trademark style rather than being subsumed by them; the Pogues rarely sounded as graceful or a comfortable as they do on Hell's Ditch. However, MacGowan's songwriting still hadn't regained the fire and acidity that made the group's first three albums so powerful, and Terry Woods and Jem Finer don't quite pick up the slack. More importantly, while Joe Strummer's production served the band well, he was seemingly too fond of MacGowan to tell him when his vocals were all but unintelligible, and many of the songs are all but sunk by Shane's sloppy, mush-mouthed, and booze-addled delivery, which is difficult to unravel even by his standards. While there are many pearly moments on Hell's Ditch that suggest the work of a happier and more unified band than on their previous albums, MacGowan's poorly focused performances are a handicap the Pogues couldn't overcome, and it seems appropriate this was the band's last studio album with their primary songwriter and frontman. ~ Mark Deming
The Pogues: Shane MacGowan (vocals); Philip Chevron (guitar); Jem Finer (banjo); Terry Woods (mandolin); Spider Stacy (whistle); James Fearnley (accordion); Darryl Hunt (bass guitar); Andrew Ranken (drums).
Hell's Ditch: Expanded & Remastered Music Pogues Hell's Ditch: Expanded & Remastered Songs Hell's Ditch: Expanded & Remastered Music Review Buy Hell's Ditch: Expanded & Remastered CD Purchase Hell's Ditch: Expanded & Remastered CD To buy, Click on price to add to cart | Motorhead - Boneshaker: Live At Brixton Academy DVD (2001)
Hell's Ditch: Expanded & Remastered
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| | Pogues If I Should Fall From Grace With God: Expanded & Remastered CD (1988) Remastered
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| | Pogues Peace & Love: Expanded & Remastered CD (1989) Bonus Tracks; Remastered
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| | Pogues Red Roses For Me: Expanded & Remastered CD (1984) Bonus Tracks; Remastered
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| | Pogues Rum, Sodomy, And The Lash: Expanded & Remastered CD (1985) Bonus Tracks; Remastered
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| | Andy Pratt CD (1973) Japan
Hell's Ditch: Expanded & Remastered
$22.55 Andy Pratt's self-titled album is a very quirky, idiosyncratic album that definitely establishes Pratt as a major force in the singer-songwriter arena. He also sounds very depressed as many of the song titles indicate (e.g. "Inside ...
| | Terranova Peace Is Tough CD (2003) (Import) Germany
Hell's Ditch: Expanded & Remastered
$14.59 Contains an untitled hidden track following "Voodoo ...
| | Reggae CD (2005) (Import) France
Hell's Ditch: Expanded & Remastered
$39.39 Creon. 2004.
| | Twista Kamikaze CD (2004) Re-Issue; Bonus Tracks; Reissue; Edited
Hell's Ditch: Expanded & Remastered
$13.89 With a flow so speedy that the Guinness book recognized him as the world's fastest rapper over a decade ago, Chicago hip-hop legend Twista ironically scored a breakout hit with the song "Slow Jamz." However, when he kicks in his trademark rapid-fire flow in the second verse of that song, the veteran's skill is instantly overwhelming. It's not just that Twista's been honing his style for years, it's ...
| | Liquid Loop Reset CD (2005)
Hell's Ditch: Expanded & Remastered
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| | Lowlights Dark End Road CD (2005)
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| | Modern Life Is War Witness CD (2007)
Hell's Ditch: Expanded & Remastered
$9.99 Throughout the history of punk, just when it seems like the scene has turned into a wave of mediocre soundalike bandwagon jumpers, some band releases an album that gives grizzled old scene veterans hope that at least someone out there still gets it. The third full-length by Modern Life Is War is, on the surface, not really all that different from releases by any number of similar post-hardcore acts, but Midnight in America has enough personality to make it interesting on its own merits. There's an unexpected bluesy vibe to this album, not in the imitative Jack White way, but more in the tradition of the Gun Club and the Birthday Party, two early-'80s post-punk acts whose fondness for corrosive noise was filtered through a warped extension of early Delta blues. It makes sense, really: after all, what is blues but the original emo? Modern Life Is War don't really sound anything like the Gun Club or the Birthday Party -- and despite their update/first-person revision of the standard "Stagger Lee," no one will ever mistake them for Mississippi John Hurt -- but singer Jeffrey Eaton has a similarly haunted tone to his vocals, and the melodic hardcore of the band's ...
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