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Johnson, Michael D - Get Free From The Blues CD Cover Art
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Michael D Johnson Get Free From The Blues CD

 Michael D Johnson Discography of CDs

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Michael D. Johnson's musical influences of are clearly heard in his dynamic blends The Blues, Motown, Southern Rock, Jazz, Improvisation, Contemporary Jazz, Classic Rock, Gospel and Worship music. Michael D. Johnson is a Contemporary Christian musician who has been performing original music that uplifts both the soul and the spirit since 1978.

This music will truly get your feet moving and put a smile on your face and provoke you to thought.

Michael plays a verity of instruments Acoustic Guitar, Electric Guitar, Synthesized Guitar, Slide Guitar, Bass Guitar, Banjo and Blues Harmonica. In addition to performing and recording, his strengths include lead vocals, vocal harmonies, composing & arranging musical productions and sound engineering. Every sound you hear on this CD is performed and composed by Michael D Johnson.

Get Free From The Blues Music


Detailed Get Free From The Blues Music Information



Category Blues Albums
Label Soundingboard Studio Records
CD Universe Part number 7269433
Discs 1
Release Date Jul 03, 2006
Michael D Johnson Get Free From The Blues Songs


Michael D Johnson Get Free From The Blues Album Track Listing



1.Fear Knocks
2.Going To The City
3.Resurrection Life
4.Two Masters
5.How Long
6.Love One Another
7.There's Been A Change
8.Children Of The Day
9.Love The Lord
10.Children
11.The Weaver
12.Music Speaks
13.Behold
14.Somebody Loves You
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Originally released on Argo (4003). Includes liner notes by Andy McKaie. Digitally remastered by Erick Labson (MCA Music Media Studios, North Hollywood, California). When Etta James signed with Chess Records in 1960, the label decided to pair her raw, bluesy singing with a full backing band and lush orchestrations. AT LAST!, her Chess debut, shows the formula working to fine effect, as it highlights the singer's facility ...
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Mess of Blues contains ten cuts, all of them chosen by Healey from what he considered "audience favorites," rather than his own or his fine band's preferred tunes. Four of these were recorded in front of audiences at the Islington Academy in London and, appropriately enough, at Healey's Roadhouse (his club) in Toronto. The other six were cut at Studio 92 in Canada by Norm Barker and Richard Uglow. Make no mistake: while this an electric blues record to be sure, the very eclectic selection of tracks also puts the words "blues-rock" in bold print. One example is the scorched earth reading of Neil Young's "Like a Hurricane." But there are others, too: the New Orleans-funked up second-line rhythmic pulse shoved right ...
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The debut album by Alabama-born soul singer Ellis Hooks is a breath of fresh air on the blues and R&B scenes. For starters, Hooks' songs and sound are entirely unaffected by modern notions of sterility and restraint, or even worse, revivalism. These 13 songs burn with the same fire that the great Southern soul and R&B tracks did from the days of yore -- without sounding like them. With producer Jon Tiven -- who, along with wife Sally, also co-writes with Hooks -- the singer has crafted an entirely upstart outing, one that touches upon Wilson Pickett, Sam Cooke, and Otis Redding, but feels like one of the gritty New York streets Hooks has busked upon. The brokenness and hope that lie in the rough grain of Hooks' voice in "Everything's Falling Around Me" feel as much like a prayer as a wish for transcendence, supported by the biting chunkiness of Sally Tiven's popping bass strut and Jon Tiven's knotty six-string fills. Hooks goes into the groove and lets it cover him; he's singing to the heavens, but also to anyone else who is in earshot and can provide help. At the heart of the shimmering sweet soul in "Blaze Up the Town" is a tale of acceptance and reportorial regret. With a small chorus of backing vocals and wah-wah guitars trussing up the center of the mix, Hooks is free to indulge his confusion and frustration -- he seeks freedom, but doesn't want to hurt anyone in the process. In his voice is the sound of the truth as it falls subjectively out of the heart of the singer. But one also has to wonder if there has ever been a more searing, honest love song than "Your Love Is Too Strong." Here is a testament to the Beloved that Doc Pomus wishes from beyond that he had written. The instrumental arrangements here just bubble under the raw power in Hooks' singing. Tiven is a fine guitarist but, more than this, as a producer he understands that immediacy is the only way to provide the proper intimacy for ...
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Artist InformationInstrumentationProduced by Colin Campbell, Dennis Ferbey. Mixed by Dennis Ferbey at Canadian Sound Concepts Ltd. Anita Bonkowski: Drums on; When I Get To Feel This Way; Somethings Aren't Meant to Last; Its This Job I Do; and The Colour Of Oil. Gary Preston: Harmonica on Shut Down Blues. Jerry Adolphe: Drums on; Gravy Train; Drivin' Back to Your Arms; There's a Wild One Going On; Gotta be Safe; You ...
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