| | Mike Freedman Guitar Textures CD Mike Freedman Discography of CDs
Having a strong background in acoustic guitar as well as a love of film and mood music, Mike decided to bring these two elements together in this recording.Guitar Textures is 16 tracks of instrumental guitar music, accompanied by textural backing tracks, including live percussion and electric guitars, all of which were written, performed and mixed by Mike. Although varying in styles and mood, all of these tracks are intended to meld together into a soothing mix. You will find this music ideal for relaxation, massage, meditation or yoga. THERE IS OVER 1 HOUR OF MUSIC ON THE CD!I hope you enjoy the music and please visit my websiteor contact me for more info! Guitar Textures Music | Category | New Age Albums | | Label | CD Baby | | CD Universe Part number | 7269894 | | Catalog number | 94988 | | Discs | 1 | | Release Date | Dec 27, 2005 |
Mike Freedman Guitar Textures Songs | 1. | Acoustic Dream |
| 2. | Gentle Rain |
| 3. | Midnight Train |
| 4. | Meditation in B flat |
| 5. | Gentle Breeze |
| 6. | Blue on Blue |
| 7. | Open Land |
| 8. | Desert Sun |
| 9. | Sunday Morning |
| 10. | Celtic Reflection |
| 11. | First Dance |
| 12. | Drifting blues |
| 13. | Rice Lake |
| 14. | Meditation in D |
| 15. | Inner Search |
| 16. | Waves Of Peace |
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Guitar Textures Review
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Purchase Guitar Textures CD To buy, Click on price to add to cart | Darkness XBox 360
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On the eve of his 21st birthday, fearless mafia hitman Jackie Estacado is suddenly possessed by the terrifying and spectacular powers of The Darkness. Though his supernatural entity lets him wreak terrible havoc on his enemies, the Darkness also has a strong will of its own and now Jackie must learn how to control it. Gameplay features include a seamless and unique blend of modern crime drama and supernatural horror with both first and third person non-linear progression, ad well as highly destructible environments that enable players to stalk the gritty ...
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Following in the footsteps of the previous collection, A Windham Hill Christmas, Vol. 2 gathers more relaxing, sophisticated holiday music as performed by Windham Hill's roster of artists. The collection finds the right balance between traditional and contemporary, both in terms of its sound and its choice of songs. Will Ackerman and David Cullen's "I Wonder as I Wander" sounds gently modern, while Paul McCandless' "In Dulci Jubilo" has a slightly more traditional bent. Tracy Silverman and Thea Suits' strings and flute interpretation of "Away in a Manger" mixes both approaches and is breathtaking ...
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Originally conceived as music for multi-media installations, as an audio-only experience Sylvian's album provides us with a soporific dose of ambient sounds. The title track is made up of cyclical motifs of bells and sustained chords reverberating like ripples on a pond, punctuated by a rich gong-like guitar chord. This is suffused with hushed animal calls, fragments of fuzzy talk-radio programmes and the garbled falsetto of contributor ...
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And, of course, there's Pops Staples' "Freedom Highway," in which the vocalist here gives Mavis Staples a run for her money in offering the sense of determination and joy in the gospel and blues shout she got to use so rarely in her solo career. But there's more than this, too: Tippetts and Auger deliver the album's two bookends written by Al Jarreau, "Spirit" and "Lock All the Gates," as harder, funkier jazz numbers while never losing the airiness at their core. On the former, Tippetts is prodded and edged to the ledge by Auger and McDaniels, and the tune nearly lifts off. The only weak spot on this whole set is the Auger vocal on Milton Nascimento's "Nothing Will Be as It Was." It's not that the tune wouldn't have been a standout on an Oblivion Express record, but on this one it's pale in comparison to the solid groove consciousness and expression in Tippetts' Earth angel voice. Auger wrote a couple of winners here as well in both "Git Up" and "Freedom Pilot," and they stand up with the canonical tracks just fine. The former is as jazzy funk tune with some knotty twists and turns that Tippetts pulls off without a seam, and the latter is a soul groover. Finally, it should be mentioned that "No Time to Live," the Steve Winwood-Jim Capaldi tune, is given all the elegance of the original, but Tippetts adds her own sense of smoke and fire to its lyric, turning it inside out as a soul tune. The lead work of Doering as it punches through Auger's fat acoustic piano makes this little ballad soar. Ultimately, this is as necessary as any of the previous Auger/Driscoll (nee Tippetts) collaborations, and aurally reveals that for the two of them, time may move on, but their collaborative spirit is nearly effortless in its balance, dignity, feeling, and poise. ~ Thom Jurek
Julie Driscoll left Trinity, the band she fronted and directed with Brit soul-jazz icon Brian Auger, in 1969. She recorded a pair of solo albums, married Keith Tippett, a brilliant jazz improviser and bandleader, and recorded with Ovary Lodge, a free-form vocal ensemble, in 1977. In 1978 she and Auger reunited for Encore, a one-off studio offering that revealed the hole she'd left in the progressive pop scene of the late '60s. Her voice was in even better shape nearly a decade later: fuller, stronger, more throaty, without giving up a bit of her range. Auger, meanwhile, had remained very active with his groundbreaking soul-jazz-funk ensemble ...
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