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Toilet Jokers Mississippi Mud CD

 Toilet Jokers Discography of CDs

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The Toilet Joker band started in the spring of 2003. As Steve Von Drasek and Andrew Munch rode home in 8th grade on their school bus, they started writing a song that later turned into the catchy tune "push it". As the song became popular throughout their school, they kept writing more and soon had lyrics to 5 different songs. A year later during the summer, Toilet Jokers decided to record their songs on their computer and soon put them together on a CD entitled Mississippi Mud. Now they are releasing Mississippi Mud to the public in hopes of spreading their music around the nation. You can also look forward to their new CD that will be coming out soon cleverly called Launching Submarines. Check out the Toilet Jokers on WWW.MYSPACE.COM/TOILETJOKERSREALSITE
Mississippi Mud Music


Detailed Mississippi Mud Music Information



Category Rap Albums, Spoken CDs
Label CD Baby
CD Universe Part number 7270089
Catalog number 94905
Discs 1
Release Date Jul 11, 2006
Toilet Jokers Mississippi Mud Songs


Toilet Jokers Mississippi Mud Album Track Listing



1.Popularity Doesn't Stink
2.Push It
3.Carpe Do-Do
4.WAR
5.Signs
Mississippi Mud Review


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LIFE AFTER DEATH was nominated for a 1998 Grammy Award for Best Rap Album. "Hypnotize" was nominated for a 1988 Grammy Award for Best Rap Solo Performance. "Mo Money Mo Problems" was nominated for a 1998 Grammy Award for Best Rap Performance By A Duo Or Group. The double-CD LIFE AFTER DEATH arrives in stores, ironically and tragically, less than three weeks after the Notorious B.I.G. was killed in a drive-by shooting in Los Angeles. Biggie Smalls, as he was known, quickly became one of rap's most respected MCs after the 1994 release of his debut album, READY TO DIE. His music sparked the comeback of East Coast hip-hop, while his very being added fire to rap's over-publicized East-West rivalry. For some (see "Playa Hater"), Biggie's success was too much to handle, and he became a primary target in hip-hop's continuing feud. Never feeding into that war on wax, B.I.G. chose to remain silent, until LIFE AFTER DEATH ...
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Shane’s anointing and love of music was evident at a very early age. He accepted Jesus into his heart as his personal savior when he was only 7 years old and from that time on Shane felt the hand of God on his life. When he was 8 he started singing in his home church and immediately fell in love with the songs and music of Dottie Rambo. He continued to sing anywhere God opened the door for him, churches, nursing homes, fundraisers, community events and festivals. Shane recorded his first two projects with Southstar Creative Group in Nashville, TN. The title cut from the first recording, “Hand Me Down Memories”, was released by Southstar to 700 radio stations on a CD with Grand Ole Opry star Jimmy C. Newman, and also on a compilation CD with Hope Street Music Group to 1500 radio stations world wide. That song went to number 24 on the Country Gospel Music Charts. The song “Teardrops”, from his second project, is a medium tempo country gospel song with a strong bluegrass influence. This song was released with Hope Street to radio stations and this song made it to number 27 on the Country Gospel Charts and was in the top 50 of several Music Charts in Europe. It is still showing up on play lists from radio stations around the world. Shane gives all the glory to God and is just happy that his music is being heard and played in areas he is not able to go. He prays that lives and souls are being touched and turned ...
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One House Left Standing
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The ferociously talented Claire Hamill charmed her way onto Island Records, although initially label head Chris Blackwell was a bit put off by her tender age. But the 16-year-old with the crystalline voice and powerful pen was determined, Blackwell relented and ended up co-producing her 1971 debut album alongside her manager John McCoy. The bulk of the ten-song set was composed by either Hamill herself or co-written with her then boyfriend Mike Coles. Invariably romantic themes predominated, so did songs about growing up, as did thoughtful, introspective numbers, with a pair showcasing the artist's youthful sense of fun. But how to market this ferocious talent? As a singer/songwriter? as a folkie? or as a soft-rocker? McCoy and Blackwell never did decide and brought in a group of top-notch musicians to create a set that encompassed all angles. The cutesy "Baseball Blues" that opened the One House Left Standing set Hamill up as the British Melanie; oddly, though, it wasn't chosen as the single, instead Blackwell opted for the searching "When I Was a Child." The powerful "Alice in the Streets of Darlington" featured on the flipside, and is one of two bonus tracks included on the Esoteric reissue. Neither were particularly representative of the album, which leaned in a somewhat folkier direction. The comic book horror of "Flowers for Grandma" is presented as a medieval ballad, the affecting "The Man Who Cannot See Tomorrows Sunshine" is more pastoral, "Consummation" features a lovely Western tinge, while "Smile Your Blues Away" dances into a banjo-led, knees-up ...
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