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Watkins, Judd - The Other Side CD Cover Art
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Judd Watkins The Other Side CD

 Judd Watkins Discography of CDs

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the other side of judd watkins is jazz.

baltimorean,judd watkins began to persue his professional career as a vocalist 35 years ago. his perception and knowledge of musical roots of blues and jazz led him to be pursued by many groups and many performances in the baltimore/washington area. these experiences showcased his inventive and formidable style,catapulting him into a union with the "post pop band" formed by webster lewis in boston,mass. this group toured the us and europe for 12 yrs. the highlitesbeing a performance at carnegie hall in ny(sept 1974)and in europe on the same bill with with jazz greats as dizziegillespie,sonny rollins,and don cherry. an album entitled "live atclub 7" recorded in oslo norway resulted in this experience. now after mellowing with age and experience,judd now presents his first jazz cd with theexpert accompaniment and the musical engineering of guitarist o'donel levy. with thius union,you hear the clear,rich,melodious sounds of judd,s baritone voice. this is displayed in his renditions of "here's to life" and "somewhere over the rainbow.

judd is blessed with the ability to communicate through music and of course through song and singing is what he loves. please enjoy the baritone voice of judd watkins.

The Other Side Music


Detailed The Other Side Music Information



Category Jazz Albums
Label Judd Watkins
CD Universe Part number 7270773
Discs 1
Release Date Jul 05, 2006
Judd Watkins The Other Side Songs


Judd Watkins The Other Side Album Track Listing



1.A Very Good Year
2.For All We Know
3.Fly Me to the Moon
4.Funny
5.I Wish You Love
6.Memories
7.Somewhere Over the Rainbow
8.Wives and Lovers
9.God Bless the Child
10.Here's to Life
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Many people think of smooth jazz as something that didn't start until the 1980s, but arguably, smooth jazz started around 1966-1968 with the overtly commercial, pop-drenched albums that guitarist Wes Montgomery recorded during the last few years of his life. Love it or hate it, Montgomery's more commercial output had a major impact on Peter White and many other guitarists who have contributed to smooth jazz (including George Benson, Lee Ritenour, Earl Klugh, Chuck Loeb, and Henry Johnson). Musically, a lot has changed since the '60s, but the more things change in music, the more they inevitably stay the same -- and 2009 found White (like Montgomery 41, 42, and 43 years earlier) still struggling with a desire to improvise and a desire for mass acceptance (the thing ...
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Yoshiko's live LP is an exploration of life, a journey into experimentation memories and emotions. The album is a moment of clarity. 'Crab in the Starry Night Sky ' is not about technique and skills.

It is about music and expression of feelings it is simple as water flowing. The painter use his canvas as mean to materialized ideas, Yoshiko's using silence as canvas to transcribe the magnificence of her music . You can without any effort perceive trough 'A-No-Ko-Ro' that devotions and artistic sensibility are reflecting on her arrangement, compositions and performances.

Love, pleasure, pain, 'saudade' ,life are everywhere and behind every single notes she has been playing in ' CHEGA DE SAUDADE '. Each compositions are a little peace of life, it is a difficult exercise to express life in words, the album is everything words can not express, the music is speaking for itself. - - Frederic Traore, A&R AOC IncMusic met Yoshiko Furuta early in her childhood. Music was part of her being, like a close family member, a trusted friend, sometimes a dreadful companion but more often an inspiring guide. The walls of the little native Hiroshima house was vibrating with Gospel music, haunted by Louis Armstrong 'hello Dolly' and Sinatra 'my way'.

Naturally at the age of six, as water follows it's course down the mountain, Yoshiko begun to learn playing an instrument allowing her to express her growing creative urges.

What better instrument than an Electric Organ to express a wide range of feelings? After few years of studies, practices, and much discipline, Yoshiko began to compose. 'Everything is Music' to Yoshiko, the meaning of composition became 'transcribing what is already there'. Along with the rigorous practice needed to become a musician she had developed an instinctive relationship with the instrument, dancing and singing are the other medium through which Yoshiko expressed herself. As a kid Yoshiko gave multiple live performances in front of enthused audiences. As a teenager, she owned a rock band with which she performed at various gigs, contests and other events. After graduating high school she picked up sound engineering. At the age of 21 she officially became an instructor 'ORGAN INSTRUCTOR' and the same year she joined the 'TECHNECS INSTRUCTOR'S CONCERT' of Sanko Music School where she was elected 'BEST PERFORMER' that same year. Later on, being attracted by Jazz instinctive creativity, she than decides to study jazz at 'KOYO Conservatory' tie up with 'Berklee College of Music' in KOBE Japan. She was interested in 'IMPROVISATION' to express her music. Yoshiko professional career has started at that point, she played in venues such as 'Satin Doll', in Kansai Area and 'J-mood' Tokyo regularly to mane few.

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