| | Peter Hammill Silent Corner & The Empty Stage CD Peter Hammill Discography of CDs
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One of the best of Hammill's early solo albums. The thought-provoking, questioning lyrics of "Forsaken Gardens" and "A Louse Is Not a Home" query the fundamental premises of modern society (a theme later continued on The Noise) while "Rubicon" is a truly sensual love song. Throughout the album, Hammill's vocals scour the depths and reach to the skies and explore every place between sometimes harsh, sometimes as gentle as a lullaby. Always effective. ~ Ali Sinclair
Additional TracksMojo (Publisher) (p.119) - 4 stars out of 5 -- "[Like] musical deep-cave diving -- forbidding and risky but exhilarating." Silent Corner & The Empty Stage Music | List Price | $15.98 (You save $4.39) | | Category | Rock/Pop Albums, Rock CDs, Pop, Art Rock | | Label | Caroline | | Orig Year | 1974 | | All Time Sales Rank |  41650  | | CD Universe Part number | 7274306 | | Catalog number | 70511 | | Discs | 1 | | Release Date | Nov 07, 2006 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Peter Hammill | | Additional Info | Reissue; Remastered |
Peter Hammill Silent Corner & The Empty Stage Songs Silent Corner & The Empty Stage Music Silent Corner & The Empty Stage Review
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Representing a stylistic left turn for Peter Hammill, this raucous, messy, rock platter was often cited as an influence by the first wave of punks in England (the second album was often cited for being David Bowie's influence for Diamond Dogs). While ...
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One of the best albums ever made about the end of a relationship and the trauma that results, Over is the harrowing document of the failure of a long-term relationship Peter Hammill had been in. With a brief side-step to examine the loss felt by parents when their children move out ("Autumn"), Hammill exposes feelings of guilt, rage, betrayal, attempts at understanding, and attempts at healing. From the self-recrimination of the furious "Crying Wolf," to the angry lashing out of "Time Heals," through the heart-wrenching ...
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The Future Now is one of Peter Hammill's best and most disconcerting albums since the mid-'70s. Filled with beautiful piano ballads, strange experiments, and anthemic rock songs, it stands as multi-faceted as the artist -- who, incidentally, shaved half of his facial hair for the eye-catching cover shot. Hammill has never mastered the art of the opening track, and this album marks no exception: "Pushing Thirties" is a bland, surprise-less rock song. Once you pass that gate though, wonders succeed one another in your ears. In the ballad department, "If I Could" shines like a diamond. This beautiful love song about a man who will never be able to keep his wife from leaving would remain a regular feature in Hammill's concerts for the next 25 years, but no later recording matches this studio version. "The Mousetrap (Caught In)" -- the story of an actor performing the same play for the last 30 years -- is another highlight. Unstable fuzz guitar (reminiscent of Robert Fripp, although he is not credited as a guest) give "Trappings" and "Mediaevil" a strange atmosphere, ...
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Peter Hammill's seventh album has been recorded with the same lineup as The Future Now (with the singer handling most instruments,David Jackson on sax, and Graham Smith on violin) but yields very different results. The spirit of experimentation that prevailed on the earlier opus has, for the most part, vanished in favor of tighter mainstream songs. After the slightly-too-sweet opening ballad, "My Favourite," comes "Careering," ...
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Pearls of Dew was founded in 2003 as a follow-up project to the band “Klangzeit”. Now being a duo they released an EP called “Kunstprodukt” and several remixes for bands like “Lights of Euphoria”, NamNamBulu and Boytronic. In 2005 British guitar player Tim Gordon joined them and they recorded their first Longplay Album “Alpha”.The album contains 12 brandnew original tracks as well as 2 Coverversions. (Troops of tomorrow & Get closer)Alongside with harsh, straight electronic tunes you will find intense and dreamy tracks which became a kind of “trademark” for Pearls of Dew. ...
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