| | Sex, The City, The Music: St. Tropez CD
Sex, The City, The Music: St. Tropez Music Sex, The City, The Music: St. Tropez Songs | 1. | Kidnapping - Karl Heinz-Schaffer |
| 2. | French Up Song - Vegomatic |
| 3. | Kiss Moi - Sportes |
| 4. | Ce Matin La - Linky |
| 5. | I Am a Lady - Her Majesty's Sound |
| 6. | Jacques - Klement Julienne |
| 7. | Countryside - I N Fused (Rubin Steiner Mix) |
| 8. | Scheherezade Mon Amour - Monsieur Blumenberg |
| 9. | Rosemarie Trockel - Cubismo Grafico |
| 10. | Peu Importe - Barbara Carlotti |
| 11. | 3, 4, 5, 6, 7 - Le Professeur Inlassable |
| 12. | Hemisphere dans une Chevelure, Un - AS Dragon |
| Sex, The City, The Music: St. Tropez Review
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Purchase Sex, The City, The Music: St. Tropez CD To buy, Click on price to add to cart | Ultra Chilled 01 CDs (2001)
Sex, The City, The Music: St. Tropez album
$15.95 This is a continuous in-the-mix CD compiled and mixed by DJ David Waxman.
Despite the rather unfortunate title, Ultra Chilled, Vol. 1 assembles some of the most established names in down-tempo electronica and trip-hop, mixing them with some relative unknowns. The flow from Dido to Gorillaz to St. Germain to Morcheeba is deceptively smooth, as is what will be most listeners' introductions to acts like Zero 7 and Goldfrapp, with each song seamlessly blending into one another. The sequencing ...
| | Global Underground: Locations CD (2002)
Sex, The City, The Music: St. Tropez CD music
$13.85 Constructing a mix album out of others' mix albums is a baffling proposition, but Global Underground: Locations does just that. ...
| | Ultra Chilled 02 CDs (2002)
Sex, The City, The Music: St. Tropez music CDs
$16.59 The blueprint for Ultra Chilled, Vol. 2 is the same as the solid first edition in Ultra's downbeat series -- which rose above the heap of substandard, ...
| | Ultra Chilled 03 CDs (2002)
Sex, The City, The Music: St. Tropez songs
$15.85
| | Willy Chirino Son Del Alma CD (2004) Bonus Track
Sex, The City, The Music: St. Tropez album
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| | Il Divo Ancora CD (2005) (Import) Germany
Sex, The City, The Music: St. Tropez CD music
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| | Nasty Savage CD (1985)
Sex, The City, The Music: St. Tropez music CDs
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| | M O D U.S.A. For M.O.D. CD (1987)
Sex, The City, The Music: St. Tropez songs
$9.89 The first offering from S.O.D. (Stormtroopers of Death) vocalist Billy Milano's M.O.D. (Methods of Destruction), U.S.A for M.O.D. follows the S.O.D. formula with precision. The music on this debut is similar to the N.Y. hardcore-influenced ...
| | Electric Eels Eyeball Of Hell CD (2001)
Sex, The City, The Music: St. Tropez album
$11.59 The Electric Eels somehow manage to create a cavernous sound that could only be described as the sonic equivalent of incurable depression ("Natural Situation"). Some called them the predecessors of punk rock, but really, all this album proves is that the band was banging out grinding, bass-less garage rock while the White Stripes were still in diapers ("Cold Meat"). Over minimalist ZZ Top-type swaggering that makes you want to slap on a fake beard and a pair of cheap sunglasses, the Electric Eels' lead singer, Dave McManus, is the only part of the band that comes alive. McManus' vocal style is probably the only element punk rock borrowed from this group. He manages to yelp like a pained Guy Picciotto of Fugazi during "Girl" and even manages to out-whine Jello Biafra on a cover of "Dead Man's Curve." Still, the music itself is not particularly original, only noisy. A good example of sheer chaos is "Jazz Is (Part 2)," where the listener gets an idea of what would have happened had free jazz saxophonist Ornette Coleman kicked Ozzy Osbourne out of Black Sabbath ...
| | Gary Wilson Mary Had Brown Hair CD (2004) Bonus Tracks
Sex, The City, The Music: St. Tropez CD music
$13.49 Mary Had Brown Hair is Gary Wilson's first new material since he re-emerged in 2002, after reissues of his late-'70s work turned the world on to his crooked and flower-caked smile. But despite his nearly 30-year station break, he's ignored the musical interim. Mary doesn't draw on the whatever-wave climate of 2004, despite parts of it being owed to Wilson's original mercurial horn-dog muse. Nor does the album feature cumbersome, press-hogging guest shots -- this isn't the hipsterati Supernatural. Instead it spools out snips of Wilson's broken fusion style, gluing them together for another neurotic soundtrack to would-be chrome lovers and penned-in thoughts. On Mary there's a second Gary sitting on the real Gary's shoulder. This alternate is in 2-D, sputtering like blistered beta playback. He brandishes the severed arm of a foxy-ass mannequin and speaks in manipulated tone-bank warbles. This other Gary often speaks for the original, who's overcome with love and indecision, anger, or sexual frustration. The sped-up voice tells us "Gary Saw Linda Last Night," and how he was sad. "But then I was glad," Gary himself says, "'Cause now I'd be alone." For, as much as he longs for companionship, it's easier to not subject himself to the pain, to return to the comfort of darkness and the avenue. "Gary's in the Park" bounces all chipper, like a 24-hour supermarket's incidental music remixed for use in cocktail lounges. But while out searching for tail, Wilson and his wavering alter ego turn angry at some perceived slight. They were happier alone, when love was just potential. This is the shift in Mary Had Brown Hair. While Wilson always did more wanting than getting, his desires now seem to guide him to a ...
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