| | Marshall Smith Colours CD Marshall Smith Discography of CDs
2006 release from Marshall Smith (a band, not a person) featuring former A Witness members Alan Brown and Vince Hunt, the first time the two have collaborated since 1989. 10 tracks with uplifting Pop melodies including 'A Thousand Curves', 'Underground Music Artist' and 'Please Let This Go On Forever'. Euphonium.
Personnel: Alan Brown (vocals, guitar).
Recording information: Courtyard Studios, Stockport, England (12/2005).
Marshall Smith Colours Songs | 1. | Thousand Curves, A |
| 2. | Cross of Wages |
| 3. | Underground Music Artist |
| 4. | Please Let This Go on Forever |
| 5. | Happy to See Astrid |
| 6. | Slump on the Liko |
| 7. | Jumpin' a Red Light |
| 8. | Euphonium Fishgarden |
| 9. | Our Little Secret |
| 10. | Colours |
|
Colours Review
GuidelinesRemember to focus your comments on Marshall Smith Colours CD. Check our review guidelines for specific details regarding customer review policy. To submit your review, please fill out the above form and click "Submit Review." A staff member will then verify your review meets our guidelines. Upon approval, your review will be published within a few days. Please do not use this form to comment on web site errors or for order related questions. If you have concerns of this nature, please contact customer service by filling out this form.
Purchase Colours CD To buy, Click on price to add to cart | Glee Cast Glee: The Music, Vol. 2 CD (2009) Original Soundtrack
Colours album
 $9.58  
The second Glee soundtrack throws a bone to the show's supporting characters, ...
| | Michael Jackson - Video Greatest Hits - History V. 2: On Film DVD (1997)
Colours CD music
 $9.69 
| | Gov't Mule By A Thread CD (2009)
Colours music CDs
$11.89 
BY A THREAD is Gov't Mule's first studio album since HIGH & MIGHTY was issued in 2006. Since that time, bassist Andy Hess has been replaced by Jorgen Carlsson, though Hess appears on two tracks at the end of the album. Carlsson's playing style is much more aggressive than Hess', and is therefore closer - in spirit anyway - to Gov't Mule's original bassist, the late Allen Woody, though he possesses an adventurous sense of time and is harmonically more colorful than either Woody or Hess. Carlsson and drummer Matt Abst are a solid match, since Abst is a drummer used to shifting time signatures and allowing the unexpected in while still driving a band. The band's keyboardist and rhythm guitarist, Danny Louis, is a shape-shifter, playing to whatever is needed in a given track. His manner of coloring sounds inside and around a particular tune's framework is a large part of what makes Gov't Mule's sound so fresh here - despite the fact ...
| | Michael Jackson Bad CD (1987) Bonus Tracks; Remastered; Special Edition
Colours songs
$7.59 
Digitally remastered by Bernie Grundman (Bernie Grundman Mastering, Los Angeles, California).
Jackson's domination of the world record market continued following Thriller, although by comparison it was an almighty flop with only 12 million sales. ...
| | Kings Of Leon Only By The Night CD (2008)
Colours album
$8.99 
| | Breaking Benjamin Dear Agony CD (2009)
Colours CD music
$13.15 
| | Warren Vache Iridescence CD (1981)
Colours music CDs
$9.89
| | Best Of Southside Johnny & The Asbury Jukes CD (1992)
Colours songs
$6.75
| | Pretty Things CD (1965) Limited Edition; Remastered
Colours album
$10.25
THE PRETTY THINGS is an Enhanced CD containing both a full audio program as well as multimedia computer files including a promotional video of "Rosalyn."
All tracks digitally remastered from the original master tapes by Mark St. John and Andy Pearce (February 1998, Masterpiece Mastering, London, England).
Raucous to the point of making their peers the Rolling Stones look tame, the Pretty Things took the emerging British blues-rock sound of the mid-1960s and injected it with a heavy dose of manic energy. Given guitarist Dick Taylor's initial musical camaraderie with classmates Mick Jagger and Keith Richards (Taylor was in the Stones briefly before bowing out to attend art school), it's no surprise that the lesser-known group had much in common with the soon-to-be superstars.
The Pretty Things' self-titled 1965 debut is a restless set of tunes largely made up of Bo Diddley and Chuck Berry covers, with the quartet surging through a feisty take on Diddley's "Roadrunner" and a breakneck-paced rendition of Berry's "Oh Baby Doll," among others. Phil May, the group's hyperactive vocalist, makes Mick seem positively polite, while the rest of the band has clearly borrowed pages from the Keith Moon book of freewheeling musicianship. The resulting album may be too raw for some listeners, but for ardent fans of early Stones, Animals, and Kinks, THE PRETTY THINGS will be a welcome discovery.
The Pretty Things' debut LP was a legendary exercise in anarchy -- 30 minutes into the two days' worth of sessions, their original producer, Jack Baverstock (the head of the label, no less), walked out, and was eventually replaced by a slightly more sympathetic personality in the hopes of salvaging something from the efforts of the band, who, whatever their shortcomings in decorum or sobriety, were on their third successive charting single. The resulting album, made under the coordination (if not control) of drummer-turned-producer Bobby Graham, made the early work of the Rolling Stones -- rivals and one-time bandmates to the Pretty Things' Dick Taylor -- sound more like the work of the Beatles: very calculated, lightweight, and -- genteel. Pretty Things is recorded with practically every song and instrument pushing the needle into the red (i.e., overload). Normally, that would be a problem, except for the fact that a third of the repertory was written by Bo Diddley and most of the other two-thirds was inspired by him (even their version of Chuck Berry's "Oh Baby Doll" sounds like it was lifted from the Two Great Guitars sessions where the two legends crossed swords) -- and Bo spent most of his career with his amplifiers set on "11" in a world where ten was the max. "Roadrunner" is about as raw and loud as British rock & roll ever got up to that time, and it's just the beginning -- "Judgement Day" has a lead guitar ...
| | Kid Blue/Louise Goffin CD (2005) Reissued
Colours CD music
$10.49
In 2004 Wounded Bird combined Louise Goffin's first two albums on one disc. Her debut, 1979's Kid Blue suffered by unfair comparison to her mother Carole King's work. "Not as good as Tapestry" was the lazy, myopic verdict, and the album failed to take off. What no one thought ...
| | AC/DC Tribute: If You Want Strum You've Got It CD (2006)
Colours music CDs
$10.69 
Tributee: AC/DC.
| | Two Lone Swordsmen Wrong Meeting, Vol. 2 CD (2007)
Colours songs
$12.95
| | Samael Eternal CD (1999) Bonus Tracks; Reissue; Deluxe Edition
Colours album
$10.79
Having brought their unique electro-black metal vision to a stylistic zenith on 1996's spectacular Passage, there was really no way for Switzerland's Samael to go but down -- and down they went with an efficient but quite unremarkable follow-up in 1999's Eternal. Ironically, by achieving a more seamless blend of its predecessor's disparate sonic elements -- savage black metal, pulsing techno and industrial elements, orchestral backdrops, etc. -- Eternal's songs largely nullified the striking contrasts that had made previous efforts so special to begin with. One need look no further than ho-hum exercises like "Year Zero," "Ailleurs," and "Nautilus & Zeppelin" for proof, and very infrequent exceptions to this rule like "Supra Karma" and "Infra Galaxia" only helped to drive the point home by prioritizing those contrasts more clearly. Also less than impressive, the nearly comatose "Together" (clearly inspired by Swedish goth deathsters Tiamat) dragged its leaden chorus through the muck for what felt like an eternity, and several programmed drumbeats spread throughout seemed to have been lifted right out of ZZ Top's Eliminator. But the late-album oddity "Being" did show a belated creative spark by mixing honky tonk piano with sarcastically snazzy death metal grunting, which was at least good for a well-needed laugh. In the end, however, Eternal wound up disappointing expectations that had been raised inordinately high by Samael's most recent albums, sending the group into a career tailspin it would only emerge from some five years later. ~ Eduardo Rivadavia
Having brought their unique techno-inflected death metal vision to fruition on 1996's remarkable Passage, there was only one way for Switzerland's Samael to go. You guessed ...
| | Mache Seibel Red Hot Mama CD (2008)
Colours CD music
$18.19
|
|
|
520503 
Email a Friend
