| | Vader Impressions In Blood CD - Import Vader Discography of CDs
"Impressions in Blood", the album from Polish metal masters Vader, is sure to be one of this year's most applauded records. Following the success of "The Art of War", the bands masterful EP released earlier 2006, the album once again showcases why the world has long praised this highly regarded bands now signature and style. Impressions In Blood Music Vader Impressions In Blood Songs | 1. | Intro |
| 2. | Shadow Fear |
| 3. | As Heavens Collide... |
| 4. | Helleluyah!!! (God Is Dead) |
| 5. | Field of Heads |
| 6. | Predator |
| 7. | Warlords |
| 8. | Red Code |
| 9. | Amongst the Ruins |
| 10. | They Live!!! |
| 11. | Book |
| Impressions In Blood Music Impressions In Blood Review
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Purchase Impressions In Blood CD To buy, Click on price to add to cart | W A S P Babylon CD (2009) (Import) United Kingdom
Impressions In Blood
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$15.65 In the five years between the two releases, Metallica seem to have gotten back in touch with the raw power of their classic period, with a little help from legendary producer Rick Rubin. One listen to the 10-minute epic "Suicide & Redemption" ...
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$12.19 The third studio album from Canadian arena rockers Three Days Grace treads familiar ground, presenting 12 slabs of the kind of reliable, accessible, and serviceable hard rock that will always have an audience. 2006's ONE-X dealt heavily with vocalist Adam Gontier's personal demons, a theme that continues on LIFE STARTS NOW, albeit with a hint of sunlight. With a sound that lands somewhere in between Breaking Benjamin, Collective Soul, and Godsmack--Gontier sounds like a less volatile Trent Reznor--LIFE STARTS NOW treats the well-worn ...
| | Eddie Lang Blue Guitars 1 & 2 CD (1998) (Import) United Kingdom
Impressions In Blood
$17.79 Two virtuoso guitarists are featured alone, together and with a small cast of supporting players on the 1998 BGO double-album reissue compilation Blue Guitars, Vols. 1 & 2. Philadelphia native Salvatore Massara, known professionally as Eddie Lang (1902-1933) and New Orleans' own Alonzo Johnson, who worked under the name Lonnie Johnson (1899-1970) both played blues and jazz guitar about as naturally as most people manage to breathe. On approximately ten of the classic recordings assembled here, Lang masqueraded as "Blind Willie Dunn" in order to conceal the fact that theirs was a racially mingled act at a time when the recording industry was still segregated. Traversing the weave of examples from ...
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Impressions In Blood
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Impressions In Blood
$9.19 Slaughter emerged from the ashes of the Vinnie Vincent Invasion. When, after Vincent's 1988 sophomore release, ALL SYSTEMS GO, the ex-Kiss guitarist became too unbearable to work with, singer Mark Slaughter and bassist Dana Strum defected to form Slaughter with guitarist Tim Kelly and drummer Blas Elias.
Where the Invasion was more or less a vehicle to showcase Vincent's guitar shredding, Slaughter focused more on songwriting, combining sticky sweet pop-metal a la Dokken and Quiet Riot with the bombastic songwriting of classic rockers such as Queen and Led Zeppelin. Their 1990 debut, STICK IT TO YA, was a surprise hit, spawning such anthemic rockers as "Up All Night" and tear-jerking power ballads like "Fly to the Angels." Both were sizeable MTV hits.
Commercial hard rock bands were still immensely popular at the end of the 1980s, when Slaughter (named after lead singer Mark Slaughter) recorded its debut album, Stick It to Ya. Mining the same territory as "corporate" bands like Bon Jovi, Winger, and Warrant, Slaughter soared to the top of the charts and sold millions of albums. Slick and not terribly original, much of this material comes across as very contrived and calculated. Nonetheless, hook-laden tracks like "Up All Night," "She Wants More," and "Burnin' Bridges" are fairly catchy. But as hot as Slaughter was at the dawn of the '90s, its success would prove to be short-lived when alternative rock became the rage a few years later. [The album was remastered and reissued in 2003 with the addition of four bonus tracks: original demo versions of "Mad About You," "She Wants More," "Up All Night," and "Fly to the Angels."] ~ Alex Henderson
W/ 4 Bonus Tracks.
Recorded at Red Zone Studios, Studio 55, Pasha Music House, Los Angeles, California in May 1989. Includes liner notes by Mark Slaughter, Dana Strum.
Personnel: Mark Slaughter (vocals, guitar, keyboards); Tim Kelly (vocals, guitar); Dana Strum ...
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Impressions In Blood
$9.59 Megadeth achieved massive success with its aggressive fourth album, RUST IN PEACE, and its follow-up, 1992's COUNTDOWN TO EXTINCTION, combined the band's trademark thrash metal with hints of the more mainstream territory that would be further charted on the subsequent YOUTHANASIA. However, on COUNTDOWN, Megadeth never sacrifices its characteristic crunch. "Symphony of Destruction" and "Skin O' My Teeth" boast a slightly streamlined sound, but the anger, sarcasm, and signature snarl of frontman Dave Mustaine remain wholly intact. By this time, many major thrash groups had started slowing things down a bit, and Megadeth showed it could be just as powerful doing mid-tempo rockers as it could with high-velocity barnstormers. As always, Mustaine's dark lyrics tackle a range of personal, social, and political topics, the former best exemplified by the multi-faceted "Sweating Bullets," which features Mustaine carrying on a dialogue with his own tortured psyche.
Megadeth is one of the few metal bands to have successfully handled the transition to the '90s, and Countdown to Extinction is proof positive; although ...
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| | Maximum Freakbeat: An Essential 60'S Compilation CD (2008) (Import) United Kingdom
Impressions In Blood
$17.09 Freakbeat can be roughly defined as what happened to British youth when they began using drugs and electric guitars at the same time without knowing what they were supposed to make of those weird new sounds and colors crashing around in their noggins. The glorious cacophony of Pete Townshend's crazed, feedback-laden guitar solos from the Who's early amphetamine overdrive period are probably the definitive expression of the freakbeat ethos, but this collection of 21 beat-era tracks confirms that plenty of bands were headed in the same direction at the time. Not all of the acts featured here are from the U.K.; Australia, always a great nation for primal rock mayhem, is represented by the Elois (whose excellent "I'm a Man" kicks off the set) and the Missing Links ("You're Drivin' Me Insane"), Holland's the Motions serve up some deadly fuzz on "Everything (That's Mine)," the Ricketts from Germany crank out some killer noise guitar with "Action Painting" (though they're no match for the Creation in the fusion of sound and vision), and Iceland's Thor's Hammer confirm that the nation had great rock & roll long before the Sugarcubes were a gleam in anyone's eye. But the majority of this music comes from British acts, and outside of the Troggs, whose "Lost Girl" is full of gloriously creepy ...
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