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Our Price: $14.29  CDFor Sale Usually ships in 1-2 days
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Squarepusher: Tom Jenkinson (vocals, guitars, ukulele, keyboards, vocoder, electric bass, programming, background vocals).Q (p.149) - 3 stars out of 5 -- "The hail of bleeps, acid squelches and drum 'n' bass breaks on 'Plotinus' and 'The Modern Bass Guitar' are dementedly fast....The sheer speed can be exhilarating." Hello Everything Music | List Price | $16.99 (You save $2.70) | | Category | Rock/Pop Albums, Rock CDs, Dance, Electronica, Drum & Bass | | Label | Warp | | Orig Year | 2006 | | All Time Sales Rank |  97335  | | CD Universe Part number | 7274728 | | Catalog number | 148 | | Discs | 1 | | Release Date | Oct 17, 2006 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Personnel | Tom Jenkinson - vocals, guitars, ukulele, keyboards, vocoder, electric bass, programming, background vocals
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Squarepusher Hello Everything Songs Hello Everything Review
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Purchase Hello Everything CD To buy, Click on price to add to cart | Organ Grab That Gun CD (2004)
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 $12.85 
The Organ's 2002 debut EP Sinking Hearts was more captivating than most of that year's full-length releases: over the course of just 15 minutes, the band crafted chiaroscuro meditations on falling in and out of love that were just as light and jangly as they were dark and brooding. The EP was a promising beginning, and Grab That Gun, the Organ's first album, builds on that promise by delivering more appealingly moody music instead ...
| | Black Heart Procession Spell CD (2006) Digipak
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| | Roots Of Dubstep CD (2006)
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| | Various Artists Bargrooves - Black CD (2006) (Import)
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| | L Pierre Dip CD (2007)
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Recording information: Seven-A.
| | Holy Fuck LP CD (2007)
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| | No Doubt CD (1992)
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| | 10,000 Maniacs Earth Pressed Flat CD (1999)
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| | Mayflies USA Summertown CD (1999)
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$14.69
Summertown is the sound of a band proud to carry the banner for classic and alternative power pop groups from the 1960s to the 1980s. It sounds like a reviewer's cop-out, but how much you like this stuff seems to depend on how enamored you are of the form as a whole, rather than the content in ...
| | Blues Joint CD (1998)
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| | Very Best Of Stray Cats CD (2004) (Import) Germany
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| | Adam Pascal Civilian CD (2004)
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| | Brian Bennett Worth Fighting For CD (2003)
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Brian Lee Bennett#1 ...
| | Archie Shepp I Know About The Life CD (1981)
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$17.45
Recorded in 1981 in a quartet setting featuring the great drummer John Betsch, bassist Santi Debriano, and pianist Ken Werner, I Know About the Life doesn't so much explore these standards as re-contextualize them in the canon. Opening with Thelonious Monk's "Well You Needn't," Shepp does to Monk's tune what Monk did regularly with pop tunes: he smears the melody all around a different harmonic context, adds a boatload of blues feel and a smattering of soul. His double times with Betsch in the middle of the cut are stunning and humorous, and in spite of his solo honks and squeals, he never loses sight of Monk's tune. On his own "I Know About the Life," one can hear Lockjaw Davis, Ben Webster, and John Coltrane in his playing as Shepp builds on the deep soul and blues roots of his 1970s records like Cry of My People. The other two cuts here, a steaming muscular and frenetic read of Coltrane's "Giant Steps," and a nearly ...
| | Laura Aidanblaise Get Thee To The World CD (2007)
Hello Everything music CDs
$16.45
Armed with stark instrumentation, a soulful voice, and lyrics taken from that mysterious middle ground where heart, mind, and soul intersect, Laura Aidenblaise is a unique talent with much to offer the world of music.Although neither of Laura's parents were musicians, her father was a dub reggae producer in the '70s, while her mother spent a brief period during the late '60s and early '70s as an illustrator and painter; given such backgrounds, you can certainly understand why she feels quite comfortable declaring, "The creative spirit is still in my blood."While Raffi may have been the musical order of the day during Laura's earliest childhood years, her musical influences were across the board from the very beginning. She still remembers the first time she heard Patsy Cline's greatest hits ("I was in my mom's car during a long drive, falling asleep as I listened to the music"), and, at the age of six, she began trying to emulate the way Joey McIntyre's voice sounded on those early New Kids on the Block albums. From there, however, she moved on to her mother's collection of Ella Fitzgerald albums. "I was really influenced by show tunes," she says. "I wanted so badly to go perform on Broadway that I began teaching myself show tunes on the piano."Laura was an '80s child, arriving into "The 'Me' Generation," where the power of MTV found pop singles overwhelming genres like disco and classic rock; as a result, it was the more popular musical artists of her childhood, singers like Mariah Carey and Madonna, who first began to power her creative spirit."I remember the first time I heard 'La Isla Bonita,' by Madonna," Laura says. "I was sitting on a park swing, and it came floating out the window from someone's apartment, and that did it: I went and recorded my first cover of it on an old tape deck. I was only five years old! But being the only child of a lively mother who sings all the time leaves you both driven with imagination and free to explore…and I was taught an appreciation for music early in life. These pop singers struck me not so much with what they were saying – I had lots to say myself from the get go! – but because of their rhythms and the internal beats they expressed. Over the years, I've been able to take pieces from all of these different genres and create my own sound."Though more or less a self-taught guitarist ("My uncle gave me a vintage guitar and showed me my first three chords"), Laura actually played clarinet in high school, taking inspiration from the Acker Bilk records in her mother's collection, but she concedes that she never focused that hard on great instrumental playing. Indeed, Laura's most valuable instrument may well be her voice; she received formal voice training from ages 12 – 16, which resulted in performances at several music recitals…not to mention the singing of a few Sarah McLachlan numbers at her high school talent show!While Laura's vocals are filled with tremendous emotion, a considerable degree of that power comes from the lyrics she sings; it should come as no surprise, then, that the songwriting process is a crucial one for Laura. "Words may sit for a long time," she explains, "but if I feel they want to be heard, I work ...
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