| | Hermeto Pascoal Slaves Mass+3 CD - Import Hermeto Pascoal Discography of CDs
Limited Edition Japanese pressing of this album comes housed in a miniature LP sleeve. WB. 2006. Hermeto Pascoal Slaves Mass+3 Songs | 1. | Mixing Pot (Tacho) | |
| 2. | Slaves Mass (Missa Dos Escravos) | |
| 3. | Little Cry For Him (Chorinho Pra Ele) | |
| 4. | Cannon (Dedicated to Cannonball Adderley) | |
| 5. | Just Listen (Escuta Meu Piano) | |
| 6. | That Waltz (Aquela Valsa) | |
| 7. | Cherry Jam (Geleia de Cereja) | |
| 8. | Open Field (Campo Aberto) | |
| 9. | Pica Pau (take 1) | |
| 10. | Star Trap (part 2) | |
| Slaves Mass+3 Review
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Purchase Slaves Mass+3 CD To buy, Click on price to add to cart | Ray Davies Kinks Choral Collection CD (2009)
Slaves Mass+3 album
$14.38 Orchestral and choral arrangements of rock songs have been a curious subgenre ever since the mid-'60s when Andrew Loog Oldham arranged The Rolling Stones Songbook for syrupy strings, but The Kinks Choral Collection stands apart from the pack for the simple reason that it's not the project of some associate or admirer, but rather chief Kink Ray Davies. His very presence as arranger and lead vocal means The Kinks Choral Collection isn't nearly as stuffy and middlebrow as so many of these orchestral rock albums; he manages to inject some semblance of rock & roll by pushing the songs forward with guitar, and letting the rhythms swing instead of plod. This looseness is the first big surprise of the album. The second is its unrepentant but quite possibly accidental silliness, how many of the major guitar riffs are transposed for choir, an audacious idea in concept that's simply goofy in practice. These choral chants hamper the hardest rocking songs here -- "You Really Got Me," "All Day and All of the Night," "Victoria" -- and they're mercifully absent from the slower tunes, songs that benefit from the gentle layered harmonies. In comparison ...
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$8.99 Since she emerged in the late '80s, many of the acclaimed Japanese composer/keyboardist's most popular contemporary jazz hits featured either a very prominent sax melody or a great deal of exotic percussion and Eastern-flavored instrumentation. Since signing with Narada Jazz in 2000, Matsui's work has drawn more from her classical piano background, featuring intricate percussion but none of the pop-soul sax textures that defined her early work. This beautiful recording, licensed by Shout! Factory from a previous Japanese release, should fascinate longtime fans who wondered what her most compelling work would sound like as new age solo piano works. A few tracks, most notably "Whisper From the Mirror" and "Between the Moons," feature some electronic percussion ...
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