| | Beautiful Girls Water CD Beautiful Girls Discography of CDs
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Our Price: $11.39  CDFor Sale Usually ships in 1-2 days
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The musical world of the Beautiful Girls is a fearless placed that encompasses many seemingly disparate styles. WATER is their 2004 album, containing 12 tracks of their danceable, reggae and blues inflected music.
Water brings together ... Beautiful Girls Water Songs Purchase Water CD To buy, Click on price to add to cart | Israel Iz Kamakawiwo'Ole Facing Future CD (1993)
Water songs
 $13.29  
| | Mike Bloomfield Super Session CD (1968) Bonus Tracks; Remastered
Water album
$6.75    (MP3 Available for Download)
| | Beautiful Girls Learn Yourself CD (2004) (Import) Australia
Water CD music
$14.59 (MP3 Available for Download)
| | Beautiful Girls We're Already Gone CD (2005) Bonus Track
Water MP3 Album
$11.99
| | Matt Costa Songs We Sing CD (2006) (Import)
Water music CDs
$42.05
| | Beautiful Girls Ziggurats CD (2007)
Water songs
$11.19 (MP3 Available for Download)
| | Sheila E Romance 1600 CD (1985) Import
Water album
$12.79
| | Final Approach CD (Import) Japan
$39.39 | | Strictly Ballroom Dancing CD (2005) Import
Water CD music
$9.99
| | Union Carbide Productions In The Air Tonight CD (1987)
Water MP3 Album
$13.89  (MP3 Available for Download)
| | Fall Out Boy Infinity On High CD (2007) (Import) Bonus Track; England
Water music CDs
$14.05
Like My Chemical Romance, the wildly popular emo band Fall Out Boy opted to follow its breakthrough record (in this case, 2005's FROM UNDER THE CORK TREE) with a highly ambitious outing. Although it doesn't quite aspire to the concept-album grandeur of the aforementioned group's BLACK PARADE, 2007's INFINITY ON HIGH showcases a wider musical palette for FOB, which is immediately apparent on the disc's bold first single, "This Ain't a Scene, It's an Arms Race," a dynamic track that mixes a jaunty R&B-tinged melody with the ensemble's signature guitar-fueled energy. Even songs that hew closer to Fall Out Boy's punk-pop template bristle with restless creativity, as on the surging "Carpal Tunnel of Love," which finds frontman Patrick Stump nailing an unexpected soaring falsetto during the remarkably catchy chorus. While INFINITY ON HIGH might rattle fans of the Illinois-based band's less glossy, more direct earlier material, the album is a fitting progression for the earnest group, and stands as an intriguing response to the glare of the mainstream spotlight.
A funny thing happened to Fall Out Boy on the road to Infinity on High: they got famous. Before 2005's From Under the Cork Tree they were just another pop-punk unit from suburban Chicago happy to break even at shows with gas money. Next thing anyone knew, they were headlining arenas and being heralded as the new face of pop-punk alongside their peers in My Chemical Romance. It was a position that never seemed to rest easy with the guys, and because of this, Infinity on High seems a bit conflicted. Fall Out Boy wants to charm everyone here. They want to prove themselves to critics by moving past the confines of emo, allowing a love of all things pop to come right to the forefront. Yet they also want to resonate directly with those day-one fans who may long for the intimate VFW shows of yesterday. This disparity makes points of the record seem awkward, and for the first time, the band appears to over-think things. Pete Wentz's lyrics are oftentimes resentful, full of fame-induced angst, and really emphasize his need to drive home his position that stardom has not changed the band. So it's in weird contrast to these sentiments that Jay-Z is the one opening the album and calling out haters who said FOB would fail. The glorification of their celebrity abruptly switches into Patrick Stump stating (pleading?) that the band is not buying into the hype -- nor do they even want it. "Make us poster boys for your scene/But we are not making an acceptance speech" is defiant, and when his sweet voice asserts, "Crowds are won and lost ...
| | Lil Wayne Tha Carter III - Clean Version CD (2008) Edited
Water songs
$13.09 (MP3 Available for Download)
Although his first studio album in three years has been long-awaited and repeatedly delayed, Lil Wayne has been anything but absent. Since THA CARTER II, Weezy has left an impressive mass of recordings--from mixtapes (authorized and otherwise) to guest appearances--in his wake as he blusters through the rap industry. In the third installment of the THA CARTER series, Wayne shows he's earned the right to ego-trip as he lets his off-kilter flow, freak-out lyrics, and vocal acrobatics run wild over 16 tracks. Scaling the heights of hubris on "Dr. Carter," he plays an MC/doctor treating a certain music genre diagnosed as lifeless and closes with a quintessential Weezy snarl: "Welcome back hip-hop/I saved your life." Wayne then shifts to alien-mode for the E.T.-inspired "Phone Home." Later on, he details his sexual conquest of a female cop on "Ms. Officer." As expected, THA CARTER III is rife with big name producers (The Alchemist, Kanye West, Wyclef Jean, David Banner, Swizz Beatz, will.i.am) and guest artists (Jay-Z, Babyface, Busta Rhymes, Juelz Santana, Fabolous, T-Pain) from all coasts.
How Tha Carter III came to be "the most anticipated rap album of 2008" is a story that involves the usual delays and promises of a masterpiece, plus a whole lot of bullet points that could only exist in the absurd world of Lil Wayne. There's his complete annihilation of the mixtape game, the ridiculous amount of guest shots he granted since Tha Carter II made him a hip-hop superstar, that photograph of him kissing his mentor, Birdman, rumors of addiction to the sizzurp, plus the gargantuan ego and aggravating aloofness (Wayne will ignore all incoming beefs and infuriate challengers even further by offering the lethal "I don't listen to your records"). His "best rapper alive" quote is discussed to death, but if that claim includes creating perfectly crafted full-lengths in a 2Pac style, the evidence won't be found here. Tha Carter III is instead a surprisingly casual album that takes numerous listens to sort out, and only part of a puzzle that is scattered across mixtapes, guest shots, and Internet ...
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