| | 69 Boyz 199quad CD 69 Boyz Discography of CDs
Imagine all the men during spring break crowded into a record-your-own-rap booth at the Daytona Beach mall, and spilling all their thoughts into the mouths of one or two guys. Now picture these guys have a little bit o' soul and a sense of humor. The 69 Boyz, whose album was produced by fellow Floridians 95 South, of "Whoot (as opposed to the more famous "Whoomp!") There It Is" fame, turn what might have been average rap tracks into a non-stop party jam on NINETEEN NINETY QUAD.
The talk is about sex, sex and more sex, with the occasional diversion. The hilarious "Hennessy" turns Arrested Development's "Tennessee" into a drinking song. "Take me to another bar/Take me to the ABC/So I can get a 2-liter cup/And a fifth of Hennessy." "Survival Of The Fittest" is a gangsta rap befitting a gangsta of love (or lust). In kindergarten the narrator found himself "Feeling on the teachers and giving them looks/Instead of taking all the kids' coloring books." Finally in "Teenie Weenie," the 69 Boyz turn the microphone over to the objects of their raps, the women.
Recorded at The Bass Station, Orlando, Florida.
69 Boyz: Thill Van, Fast, Slow, Rottweiler "Mike Mike".
199quad Review
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This compilation includes 20 of the sultry songs by France's ultimate sexpot: Brigitte Bardot.
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At a glance, this 35-track, two-CD set looks like it's combining two 1960s albums by the Ministry of Sound with bonus tracks. It's not; the Ministry of Sound issued just one single, and this is a witty facsimile of how their discography might have played out if things had turned out differently, complete with mock artwork for two LPs, one from 1966 and one from 1968. So almost all of these 35 cuts, all recorded between 1966-1968, were previously unreleased; the only two that actually came out in the 1960s were on the 1966 single "White Collar Worker"/"Back Seat Driver." The group did deserve better than just one official single, but nor was its output particularly deserving of deluxe treatment. Fans of John Carter, who sang and helped write some of the tracks, will be familiar with the kind of idiosyncratic spin on late-'60s harmony pop the Ministry of Sound offered, combining elements of sunshine pop, the Beach Boys, the Beatles at their poppiest, pop-psychedelia, and maybe a bit of the early Bee Gees. This blend is particularly prevalent on the second and better of the CDs, which groups the more sophisticated and psychedelically inclined tracks into the mock album Midsummer Nights Dreaming, with its very British lyrical blend of everyday life and fairytale imagery. It's an attractive sound, and so well produced it's hard to believe these weren't actual releases. But it's just not as memorable, hooky, or penetrating as the best work in this general field, though the melancholy "Rain Rain Rain" comes close with its slight sub-Brian Wilson circa 1966-1967 vibe. It's odd to hear a riff that almost approximates the one heard in Cream's "Sunshine of Your Love," however, on the 1966 single "White Collar ...
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