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Purchase Tribute To She Wants Revenge CD To buy, Click on price to add to cart | Zac Brown Foundation CD (2008)
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A 1997 reunion concert of the quintessential members of Fleetwood Mac (Lindsey Buckingham, Mick Fleetwood, Christine McVie, John McVie, and Stevie Nicks) to commemorate the 20th anniversary of the release of their classic, multi-million selling album, "Rumours." Filmed in conjunction with MTV over three nights at a sound stage in Los Angeles, the band performs titles from the album, such as "Don't Stop (Thinking ...
| | U2 No Line On The Horizon CD (2009)
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There's no shortage of legendary producers in line to work with music world titans U2; when work with Rick Rubin broke off, Brian Eno and Daniel Lanois stepped in. The resulting NO LINE ON THE HORIZON, 2009's offering from the Irish rockers, continues in the grand U2 tradition, as soaring pop anthems like opening single "Get on Your Boots" pair with experimental melanges like "Tripoli," on a striking album featuring touches of all the albums come before, yet hinting at new worlds for Bono to conquer.
After spending the 1990s experimenting with electronic music and returning to arena-ready rock during the first few years of the 21st century, U2 stakes out territory somewhere between those two points on 2009's NO LINE ON THE HORIZON. Enlisting its go-to production trio of Brian Eno, Daniel Lanois, and Steve Lillywhite, the Irish quartet seems intent on crafting a quirkier companion piece to HOW TO DISMANTLE AN ATOMIC BOMB, and they succeed with restless tracks such as "Get on Your Boots," which sounds like "Vertigo" hijacked by T. Rex, and "Stand Up Comedy," a wiry number that lets the Edge cut loose with barbed guitar lines. Some of most striking songs on HORIZON are the ones that venture farthest from U2's comfort zone, as on the surprisingly weighty title track, a tune that counterbalances its nearly industrial heft with a high-pitched keyboard melody, and, of course, Bono's soaring vocals. Although ...
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On her debut solo album after three duo records with Chip Taylor, singer/songwriter and fiddle player Carrie Rodriguez offers a mixture of her diverse musical background, which is rooted in Southwest country and blues styles but also boasts a sophistication nurtured at the Berklee College of Music. Rodriguez tends to de-emphasize her fiddle work in favor of an ensemble sound and her own singing, which employs a rural Southern accent that is liable to remind listeners of Lucinda Williams. Unlike Williams, however, she is more interested in setting moods and creating musical textures than in rocking out. Her songs tend to be taken at a slow tempo, with lots of interaction between musicians including guitarist Bill Frisell and pedal steel player Greg Leisz. The title track, which leads off the album, is typical. It oozes along, with impressionistic lyrics that ...
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