| | Helene Segara Quand L'Eternite CD - Import Helene Segara Discography of CDs
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2006 studio release from great French pop singer. This album is produced by Jean Pierre Pilot and feature duets with Bashung and Zazie.
Personnel: Hélène Ségara (vocals); Yves Jaget (guitar); Jean-Philippe Fanfant (drums); Jean Pierre Plot (programming).
Helene Segara Quand L'Eternite Songs Quand L'Eternite Review
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The ninth of twenty volumes in the Smithsonian Folkways series dedicated to the music of Indonesia is virtually a sequel to volume eight; both deal with the unusual vocal traditions on the island of Flores, east of Bali. Associated with the funerals and agricultural festivities of the Ngada and the Manggarai, most of the music heard on Vol. 9 might strike some western listeners as uncommonly dissonant. This entire question is an outgrowth of conventional western preconceptions of melody and harmony. For a simple solution to this perceived problem, remember Ornette Coleman when he sat in with the Master Musicians of Jajouka, Morocco in January 1973. Surrounded by men blowing into the North African ghaita or double reed shawm, Coleman remembered saying to himself: "at last -- here there are no wrong notes." Faced with more than an hour of rarely heard Indonesian choral music, listeners are advised to surrender Ornette Coleman-style to an entirely non-western world of sound. And be grateful that Philip Yampolsky spent about ten years recording, researching, and documenting this music, preserving it for all to experience at will. ~ arwulf arwulf
This volume supplements Volume 8 with more "virtually unknown" choral music from the barren island of Flores, east of Bali. In this mostly Roman ...
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The Dirty Hearts are either good at being bad or bad at being good, but good luck divining a definitive answer from their naughty New Wave. The local quartet's debut strikes such an alluring balance between contentment and catastrophe it's almost impossible not to get swept along, and its breakneck pace renders petty details like who did what to whom almost irrelevant. If you can catch them, there's some salient observations on modern relationships here, accentuated by taunting boy-girl vocals and disguised by sugary hooks that conceal their sharp edges until long after Romeo is bleeding. Try robotic love poem "The Body Song," Spoon-like "Style," and fluid "Take Her All Around" for starters, bearing in mind the Pixies' smirking specter is never very far away. If anything, this baker's dozen guitar-keyboard concoctions is a shade monochromatic, but so were the Thin Man movies, and they've held up just fine. - The Austin ChronicleNot to judge an album by its cover, but it's worth mentioning that the picture of Frankie Medina and Calida on the inside of the Dirty Hearts' self-titled debut release is damn sexy, and smacks of more than just a little cheap motel grit. But then that seems to be the line that group is working throughout the album. From the opening riffs on the first track "New One," there's a definite raw surge of energy in the sound that is coupled with a palpable sensuousness. Calida's sultriness mixes in with Medina's blitzkrieg of punched-out verses to keep the song torn with indecision. There's a strutting beat that kicks lyrics like "You look so beautiful / Walkin' down Congress suckin' on a red bull / I see them stop and stare / Everybody wants some, I've already vacationed there" into high gear, and the song ends with the Calida's intentionally perky and cloying call out of "Hey Frankie!" and the singer's dismissive and indifferent response "Oh no, not you again / It's just so boring. / I think I'll just put on / My old shirt." "New One," especially with its abrupt ending, works perfectly in playing off of the dynamic between the core duo of the group. The songs are at their best when they're exploiting that play between Calida's and Medina's vocals, as in "The Body Song" or "Take Her All Around." But just as "New One" leaves us with the feeling that Frankie is bound to settle once again with the admittedly sexy girl that he nonetheless detests, the album also seems unwilling ...
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