| | Carly Simon Into White CD Carly Simon Discography of CDs
(8 Customer Reviews)
Although ostensibly an album of standards for children, Carly Simon's INTO WHITE is designed to be at least as inviting for adult listeners. Featuring musical direction from Simon's son Ben Taylor, who co-wrote the tune "I'll Just Remember You" and sings harmony vocals with his sister Sally Taylor (their dad James Taylor is represented by a warm version of his lullaby "You Can Close Your Eyes"), INTO WHITE touches on folk, jazz, and country alongside Simon's standard soft rock. There's even a bossa nova tune, Antonio Carlos Jobim's classic "Manha de Carnaval." Along with these, the Cat Stevens-penned title track, Paul McCartney's "Blackbird," and other pop hits are transformed into quiet, delicate re-arrangements that focus on Simon's fine vocals.
Personnel: Carly Simon (background vocals); Peter Calo (guitar, dobro); Jan Hyer (cello); Teese Gohl (strings, flute, piano, keyboards, bass synthesizer, kalimba); Jimmy Parr (background vocals).
Dirty Linen (p.80) - "Overall, the disc has echoes of Simon's guitar-based singer/songwriter style, but with a more mature atmosphere and attitude." Into White Music | Category | Rock/Pop Albums, Pop CDs, Folk, Singer/Songwriter, Rock | | Label | Columbia | | Orig Year | 2007 | | All Time Sales Rank | 15879  | | CD Universe Part number | 7279620 | | Catalog number | 686138 | | Discs | 1 | | Release Date | Jan 02, 2007 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Carly Simon | | Engineer | Jimmy Parr | | Personnel | Carly Simon - background vocals Peter Calo - guitar, dobro Teese Gohl - strings, flute, piano, keyboards, bass synthesizer, kalimba Jan Hyer - cello Jimmy Parr - background vocals
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Carly Simon Into White Songs Into White Music Review Average Rating: (5 out of 5 stars)    List All Reviews Pure Class, Pure Gold Let me first say: No, I’m not a lifetime Carly Simon follower. Sure, I know the classics like “You’re So Vain”, “Anticipation”, “Haven’t Got Time For The Pain”, and maybe a few more if I think about it. I heard the tail end of “Oh Susanna” on Good Morning America, and I thought, “Hmm, that’s a song I haven’t heard for while; was that really Carly Simon?” In Starbucks, I heard “You Can Close Your Eyes”, and I thought: “Wow , I didn’t know she was singing with James Taylor again (she’s not: it’s their son Ben and daughter Sally). There’s the album, “Into White”. So, I bought it, popped it in the car CD and off to work. And: I’ve traveled back to Carly Simon --- I think seriously back.
This album is pure class, pure talent, and pure beauty. It seems not even percussion is included: doesn’t need it. There’s simply not a weak song anywhere in this album. “Manha De Carnival”, hauntingly beautiful; “Jamaica Farewell” brings you to a warm tropical breeze; “You Can Close Your Eyes” shows her children’s amazing talents so well developed, heirs of their parents’ musical gifts.
And like all things that earn the title “classic”, this music is ageless. “Blackbird”, of McCartney fame, is my 14 year old son’s favorite (thank God, the kid knows a good thing!). My 14 year old niece fell in love with “Quiet Evening”--- as any one could: envision moonlight over a Caribbean shore, couples dancing on an outside patio around white cloth table tops with champagne glasses half emptied…OK, you get the point.
And speaking of McCartney: if Ben Taylor’s talent is a Lennon, then this guy David Saw is his McCartney. Both “Quiet Evening” and “I’ll Just Remember You” are untouchable in their evocative emotionality. Here’s the problem: Now my sister-in-law has pulled out Carly’s “Reflections” and I can’t stop listening to “Like a River”, and the pick up and dance “All I Want Is You”. And then there’s “Film Noir” she shows me with the heart rendering “Every Time We Say Goodbye”. And “Better Not Tell Her” from “Have You Seen Me Lately”. So now I have to admit it: I just sent in for “Moonlight Serenade” and “Carly Simon: Clouds In My Coffee: 1965-1995”.
Suffice it to say, in an era of bubble gum “hits” spewing out like candied popcorn at a movie theater kiosk, I am a believer in Carly Simon’s ageless talent. A thousand years from now on some intergalactic transport, this singer/songwriter will be played forth again and again. I now realize why she’s earned the title: “Legendary”.
Submitted by sailmd (Boston, MA)  Was This Review Helpful? Yes No
A Lovely Album by the Great Carly Simon! This is a soft, lovely, lullaby album by Carly. In perfect voice, Carly never ceases to amaze me. Submitted by cryptkeeperfun (South Carolina) Was This Review Helpful? Yes No
mesmerizing AS soon as I heard this album I suggested my son give it to his wife for valentines day. It crosses the generations. I can sing the songs along with my grandaughters. Beautiful melodies that hold you in a trance. Submitted by Judy (Hanover. PA.) Was This Review Helpful? Yes No
mesmerizing AS soon as I heard this album I suggested my son give it for his wife for valentines day. It crosses the generations. I can sing the songs along with my grandaughters. Beautiful melodies that hold you in a trance. Submitted by Judy (Hanover. PA.) Was This Review Helpful? Yes No
"INTO WHITE A CLASSIC" THE REVIEWS SAYS IT ALL!!! Submitted by mpoppe (houston,tx) Was This Review Helpful? Yes No
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$10.79 Originally released on Glitterhouse in Europe in 1991 but only seeing an American issue two years later as Caroline took advantage of the band's newfound major-label status, Tab...25 for many remains the high point of Monster Magnet as extreme downer psych/space rock. For good reason as well, thanks to the over half-hour-long title track that takes up the bulk of the space on the disc. Finding a perfectly steady head-nodder of a groove that wouldn't sound out of place at all on a Loop album, say, and with extremely strung-out guitar soloing madness to boot, "Tab...25" sounds exactly like the nightmarish orange-eye image on the back cover looks: weird, alien, and not quite in control of itself. Dave Wyndorf's singing consists mostly of the occasional wordless wail and slurred vocal, often treated with as much delay and flanging as the guitars themselves, though his one spoken-word break, however slightly inaudible, provides a bit of a rock to cling to amid the slow-grind chaos. Even more feedback and noise gets added as it goes, and while for some listeners patience will be tested, as a massive epic it just can't be beaten. Topping that is impossible, so wisely the group doesn't try, but the other two cuts also do the business in their own ways. "Longhair" is 12 minutes long, but rather than stonily zoning out, the band's rhythm section fires up and rips along, occasional breakdowns for breath aside, while the guitarists whip out some great, blunt playing that Hawkwind could be proud of. Wyndorf's singing is distorted on the verses to sound like bubbling molten lava come to life, while the instrumental conclusion slows down just a touch to concentrate on more almighty riffs before one last explosion. The brief "Lord 13" is much calmer in comparison, though still shot through with a tribal electric psych intensity that's worth hearing. ~ Ned Raggett
Originally released on Glitterhouse in Europe in 1991 but only seeing an American issue two years later as Caroline took advantage of the band's newfound major-label status, Tab...25 for many remains the high point of Monster Magnet as extreme downer psych/space rock. For good reason as well, thanks to the over half-hour-long title track that takes up the bulk of the space on the disc. Finding a perfectly steady head-nodder of a groove that wouldn't sound out of place at all on a Loop album, say, and with extremely strung-out ...
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