| | Beverly Sills & Friends CD Sills, Beverly CDS
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Our Price: $9.82 CD For Sale Order within the next 13 hours and 3 minutes for same day shipping.
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| Category | Classical, Romantic Period, 20th Century Period, Classical Period, Baroque Period, Opera, Song, Classical Vocal Crossover, Aria, Cantata, Duet, Trio, Lied, Operetta, Scene, Barcarolle, Sextet |
Beverly Sills & Friends Music | List Price | $17.98 (You save $8.16) | | Label | Deutsche Grammophon | | Orig Year | 10/10/2006 | | All Time Sales Rank | 4293  | | CD Universe Part number | 7280158 | | Catalog number | 000733002 | | Discs | 2 | | Release Date | Oct 10, 2006 | | Recording Time | 2 20 |
Beverly Sills & Friends Classical Review Beverly Sills & Friends Songs | 1. Manon, opera in 5 acts: Act 3. Scene 1. Je marche sur tous les chemins (2:50) | | Common Name | Manon Opera In 5 Acts | | Composer | Jules Massenet (1842 - 1912) | | Conductor | Julius Rudel | | Performer | Beverly Sills | | Genre | Opera / Romantic Period | | Date Written | 1882-1883 | | Period | Romantic | | Country | France | | Venue | London, All Saints' Church, Tooting | | Recording Date | 07/1970 | | 2. Manon, opera in 5 acts: Act 3. Scene 1. Gavotte. Obeissons, quand leur voix appelle (3:58) | | Common Name | Manon Opera In 5 Acts | | Composer | Jules Massenet (1842 - 1912) | | Conductor | Julius Rudel | | Performer | Michel Trempont (Voice) Beverly Sills | | Genre | Opera / Romantic Period | | Date Written | 1882-1883 | | Period | Romantic | | Country | France | | Venue | London, All Saints' Church, Tooting | | Recording Date | 07/1970 | | 3. Manon, opera in 5 acts: Act 4. Un mot, s'il vous plait, Chevalier (3:33) | | Common Name | Manon Opera In 5 Acts | | Composer | Jules Massenet (1842 - 1912) | | Conductor | Julius Rudel | | Performer | Michele Raynaud (Voice) Helia T'hezan (Voice) Patricia Kern (Voice) Gerard Souzay (Voice) Nico Castel (Voice) Beverly Sills Nicolai Gedda (Voice) | | Genre | Opera / Romantic Period | | Date Written | 1882-1883 | | Period | Romantic | | Country | France | | Venue | London, All Saints' Church, Tooting | | Recording Date | 07/1970 | | 4. Lucia di Lammermoor, opera: Part 1. No. 4. Duet. Sulla tomba che rinserra (10:57) | | Common Name | Lucia Di Lammermoor Opera | | Composer | Gaetano Donizetti (1797 - 1848) | | Conductor | Thomas Schippers | | Performer | Beverly Sills Carlo Bergonzi (Voice) | | Genre | Opera / Romantic Period | | Date Written | 1835 | | Period | Romantic | | Country | Italy | | Venue | London, EMI Studios | | Recording Date | 08/1970 | | 5. Lucia di Lammermoor, opera: Part 2. Act 1. Sextet with Chorus. Chi mi frena in tal momento? / Chi ra (3:59) | | Common Name | Lucia Di Lammermoor Opera | | Composer | Gaetano Donizetti (1797 - 1848) | | Conductor | Thomas Schippers | | Performer | Adolf Dallapozza (Voice) Patricia Kern (Voice) Piero Cappuccilli (Voice) Justino Diaz (Voice) Beverly Sills Carlo Bergonzi (Voice) | | Genre | Opera / Romantic Period | | Date Written | 1835 | | Period | Romantic | | Country | Italy | | Venue | London, EMI Studios | | Recording Date | 08/1970 | | 6. I Puritani, opera: Part 1. Scene 2. Scene and Duet. O amato zio - Sai com'arde (6:09) | | Common Name | I Puritani Opera | | Composer | Vincenzo Bellini (1801 - 1835) | | Conductor | Julius Rudel | | Performer | Beverly Sills | | Genre | Opera / Romantic Period | | Date Written | 1835 | | Period | Romantic | | Country | Italy | | Venue | London, EMI Studios | | Recording Date | 08/1973 | | 7. I Puritani, opera: Part 1. Scene 2. Scene and Duet. Chi mosse a' miei desir il genitor? (3:33) | | Common Name | I Puritani Opera | | Composer | Vincenzo Bellini (1801 - 1835) | | Conductor | Julius Rudel | | Performer | Beverly Sills | | Genre | Opera / Romantic Period | | Date Written | 1835 | | Period | Romantic | | Country | Italy | | Venue | London, EMI Studios | | Recording Date | 08/1973 | | 8. I Puritani, opera: Part 1. Scene 2. Scene and Duet. Odi... Qual suon si desta? (4:11) | | Common Name | I Puritani Opera | | Composer | Vincenzo Bellini (1801 - 1835) | | Conductor | Julius Rudel | | Performer | Beverly Sills Paul Plishka (Voice) | | Genre | Opera / Romantic Period | | Date Written | 1835 | | Period | Romantic | | Country | Italy | | Venue | London, EMI Studios | | Recording Date | 08/1973 | | 9. Anna Bolena, opera: Act 2. Scene 1. No. 11. Scene and Duet. Dio, che mi vedi in core (7:13) | | Common Name | Anna Bolena Opera | | Composer | Gaetano Donizetti (1797 - 1848) | | Conductor | Julius Rudel | | Performer | Beverly Sills | | Genre | Opera / Romantic Period | | Date Written | 1830 | | Period | Romantic | | Country | Italy | | Venue | London, EMI Studios | | Recording Date | 08/1972 | | 10. Anna Bolena, opera: Act 2. Scene 1. No. 11. Scene and Duet. Sul suo capo aggravi un Dio (3:32) | | Common Name | Anna Bolena Opera | | Composer | Gaetano Donizetti (1797 - 1848) | | Conductor | Julius Rudel | | Performer | Beverly Sills | | Genre | Opera / Romantic Period | | Date Written | 1830 | | Period | Romantic | | Country | Italy | | Venue | London, EMI Studios | | Recording Date | 08/1972 | | 11. Anna Bolena, opera: Act 2. Scene 1. No. 11. Scene and Duet. Dal mio cor punita io sono (2:54) | | Common Name | Anna Bolena Opera | | Composer | Gaetano Donizetti (1797 - 1848) | | Conductor | Julius Rudel | | Performer | Beverly Sills | | Genre | Opera / Romantic Period | | Date Written | 1830 | | Period | Romantic | | Country | Italy | | Venue | London, EMI Studios | | Recording Date | 08/1972 | | 12. Anna Bolena, opera: Act 2. Scene 1. No. 11. Scene and Duet. Va', infelice, e teco reca (3:17) | | Common Name | Anna Bolena Opera | | Composer | Gaetano Donizetti (1797 - 1848) | | Conductor | Julius Rudel | | Performer | Beverly Sills Shirley Verrett (Voice) | | Genre | Opera / Romantic Period | | Date Written | 1830 | | Period | Romantic | | Country | Italy | | Venue | London, EMI Studios | | Recording Date | 08/1972 | | 13. Roberto Devereux (Il Conte di Essex), opera: Act 1. Scene 1. Nunzio son del Parlamento (5:56) | | Common Name | Roberto Devereux Il Conte Di Essex | | Composer | Gaetano Donizetti (1797 - 1848) | | Conductor | Sir Charles Mackerras | | Performer | Don Garrard (Voice) Kenneth MacDonald (Voice) Gwynne Howell (Voice) Beverly Sills Beverly Wolff (Voice) | | Genre | Opera / Romantic Period | | Date Written | 1837 | | Period | Romantic | | Venue | London, EMI Studios | | Recording Date | 06/1969 | | Notes | Composition written: 1837.
Composition revised: Italy. | | 14. Maria Stuarda, opera: Act 2. No. 6. Finale. Deh! l'accogli! (8:04) | | Common Name | Maria Stuarda Opera | | Composer | Gaetano Donizetti (1797 - 1848) | | Conductor | Aldo Ceccato | | Performer | Beverly Sills | | Genre | Opera / Romantic Period | | Date Written | 1834 | | Period | Romantic | | Country | Italy | | Venue | London, The Concert Auditorium, Fairfiel | | Recording Date | 06/1971 | | 15. Maria Stuarda, opera: Act 2. No. 6. Finale. Va', preparati, furente (2:59) | | Common Name | Maria Stuarda Opera | | Composer | Gaetano Donizetti (1797 - 1848) | | Conductor | Aldo Ceccato | | Performer | Christian du Plessis (Voice) Patricia Kern (Voice) Eileen Farrell (Voice) Louis Quilico (Voice) Beverly Sills Stuart Burrows (Voice) | | Genre | Opera / Romantic Period | | Date Written | 1834 | | Period | Romantic | | Country | Italy | | Venue | London, The Concert Auditorium, Fairfiel | | Recording Date | 06/1971 | | 16. Les contes d'Hoffmann, opera in 4 acts: Act 3. Barcarolle. Belle nuit, o nuit d'amour (4:15) | | Common Name | Les Contes D'hoffmann Opera In 4 Acts | | Composer | Jacques Offenbach (1819 - 1880) | | Conductor | Julius Rudel | | Performer | Susanne Marsee (Voice) Beverly Sills | | Genre | Opera / Romantic Period | | Period | Romantic | | Country | France | | Venue | London, EMI Studios | | Recording Date | 07/1972-08/1972 | | 17. Les contes d'Hoffmann, opera in 4 acts: Act 3. Scene. Cher ange! (2:04) | | Common Name | Les Contes D'hoffmann Opera In 4 Acts | | Composer | Jacques Offenbach (1819 - 1880) | | Conductor | Julius Rudel | | Performer | Beverly Sills | | Genre | Opera / Romantic Period | | Period | Romantic | | Country | France | | Venue | London, EMI Studios | | Recording Date | 07/1972-08/1972 | | 18. Les contes d'Hoffmann, opera in 4 acts: Act 3. Duet. Malheureux, tu ne comprends donc pas (6:01) | | Common Name | Les Contes D'hoffmann Opera In 4 Acts | | Composer | Jacques Offenbach (1819 - 1880) | | Conductor | Julius Rudel | | Performer | Norman Treigle (Voice) Beverly Sills Stuart Burrows (Voice) | | Genre | Opera / Romantic Period | | Period | Romantic | | Country | France | | Venue | London, EMI Studios | | Recording Date | 07/1972-08/1972 | | 19. The Ballad of Baby Doe, opera in 2 acts: Act 1. Scene 2. Willow, where we met together (Willow Song) (3:01) | | Common Name | The Ballad Of Baby Doe Opera In 2 Acts | | Composer | Douglas S. Moore (1893 - 1969) | | Conductor | Emerson Buckley | | Performer | Beverly Sills | | Genre | Opera | | Date Written | 1956 | | Country | United States of America | | Venue | New York, City Opera | | Recording Date | 06/1959 | | 20. The Ballad of Baby Doe, opera in 2 acts: Act 1. Scene 2. Oh, Mr. Tabor! (1:14) | | Common Name | The Ballad Of Baby Doe Opera In 2 Acts | | Composer | Douglas S. Moore (1893 - 1969) | | Conductor | Emerson Buckley | | Performer | Beverly Sills | | Genre | Opera | | Date Written | 1956 | | Country | United States of America | | Venue | New York, City Opera | | Recording Date | 06/1959 | | 21. The Ballad of Baby Doe, opera in 2 acts: Act 1. Scene 2. Warm as the autumn light (4:08) | | Common Name | The Ballad Of Baby Doe Opera In 2 Acts | | Composer | Douglas S. Moore (1893 - 1969) | | Conductor | Emerson Buckley | | Performer | Frances Bible (Voice) Walter Cassel (Voice) Beverly Sills | | Genre | Opera | | Date Written | 1956 | | Country | United States of America | | Venue | New York, City Opera | | Recording Date | 06/1959 | | 22. Le Toreador, opera: Act 1. Aria. Ah! vous dirai-je, maman (6:19) | | Common Name | Le Toreador Opera | | Composer | Adolphe Adam (1803 - 1856) | | Performer | Charles Wadsworth (Piano) Beverly Sills Paula Robison (Flute) | | Genre | Opera / Romantic Period | | Date Written | 1849 | | Period | Romantic | | Country | France | | Venue | New York, Rutgers Presbyterian Church | | Recording Date | 03/1972 | | 23. Der Hirt auf dem Felsen ("Wenn auf dem hochsten Fels ich steh'"), for voice, clarinet (or cello) & p (11:45) | | Composer | Franz Schubert (Dresden) (1797 - 1828) | | Performer | Gervase de Peyer (Clarinet) Charles Wadsworth (Piano) Beverly Sills | | Genre | Romantic Period | | Date Written | 1828 | | Period | Romantic | | Country | Austria | | Venue | New York, Rutgers Presbyterian Church | | Recording Date | 03/1972 | | 24. Meine Seele hort im Sehen (German Aria No.6), hymn for soprano & continuo, HWV 207 (7:04) | | Catalog No. | HWV 207 | | Composer | George Frederick Handel (1685 - 1759) | | Performer | Leslie Parnas (Cello) Charles Wadsworth (Harpsichord) Beverly Sills Paula Robison (Flute) | | Genre | Aria / Baroque Period | | Date Written | circa 1724-1726 | | Period | Baroque | | Country | Germany | | Venue | New York, Rutgers Presbyterian Church | | Recording Date | 03/1972 | | 25. Artaxerxes, opera in 3 acts: Act 3. Scena 3. Aria. The soldier tir'd of war's alarms (3:30) | | Common Name | Artaxerxes Opera In 3 Acts | | Composer | Thomas Arne (1710 - 1778) | | Performer | Charles Treger (Violin) Leslie Parnas (Cello) Charles Wadsworth (Harpsichord) Beverly Sills | | Genre | Classical Period / Opera | | Date Written | 1762 | | Period | Classical | | Venue | New York, Rutgers Presbyterian Church | | Recording Date | 03/1972 | | Notes | Composition written: 1762.
Composition revised: Persia. | | 26. La Costanza vince il rigore, cantata for 2 voices, violins & oboe (7:15) | | Composer | Antonio Caldara (1670 - 1736) | | Performer | Leslie Parnas (Cello) Charles Wadsworth (Harpsichord) Beverly Sills | | Genre | Baroque Period / Cantata | | Date Written | 1710 | | Period | Baroque | | Venue | New York, Rutgers Presbyterian Church | | Recording Date | 03/1972 | | 27. Lo! Here the Gentle Lark (5:17) | | Composer | Henry Rowley Bishop (1786 - 1855) | | Performer | Charles Wadsworth (Piano) Beverly Sills Paula Robison (Flute) | | Genre | Romantic Period / Song | | Date Written | 1819 | | Period | Romantic | | Country | England | | Venue | New York, Rutgers Presbyterian Church | | Recording Date | 03/1972 | | 28. Der Zarewitsch, operetta in 3 acts: Act 1. Aria. Einer wird kommen (5:06) | | Common Name | Der Zarewitsch Operetta In 3 Acts | | Composer | Franz Lehár (1870 - 1948) | | Conductor | Julius Rudel | | Performer | Beverly Sills | | Genre | Opera / Operetta / Romantic Period | | Period | Romantic | | Venue | Croydon, Fairfield Halls | | Recording Date | 05/1971 | | Notes | Composition written: Germany. |
Composers : Adolphe Adam, Antonio Caldara, Thomas Augustine Arne, Vincenzo Bellini, Gaetano Donizetti, Douglas S. Moore, George Frideric Handel, Henry Rowley Bishop, Franz Lehar, Jules Massenet, Jacques Offenbach, Franz Schubert [Dresden] Conductors : Aldo Ceccato, Emerson Buckley, Sir Charles Mackerras, Julius Rudel, Thomas Schippers Genres : Aria, Baroque Period, Cantata, Classical Period, Opera, Operetta, Romantic Period, Song Performers : Adolf Dallapozza, Carlo Bergonzi, Beverly Sills, Stuart Burrows, Charles Treger, Charles Wadsworth, Christian du Plessis, Don Garrard, Eileen Farrell, Frances Bible, Nicolai Gedda, Gerard Souzay, Gervase de Peyer, Gwynne Howell, Helia T'hezan, Justino Diaz, Kenneth MacDonald, Leslie Parnas, Louis Quilico, Michel Trempont, Michele Raynaud, Nico Castel, Norman Treigle, Patricia Kern, Piero Cappuccilli, Paul Plishka, Paula Robison, Susanne Marsee, Shirley Verrett, Walter Cassel, Beverly Wolff
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