| | Bridget St John Jumblequeen CD - Import Bridget St John Discography of CDs
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Our Price: $19.69  CD Backorder: (Usually ships in 3-10 days) 
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This 1974 album by the cult British singer-songwriter was her last recording for two decades. It's by turns searingly honest and achingly beautiful, and the production, by Ten Years After bassist Leo Lyons, gives St. John's songs plenty of room to breathe, with help from such storied contributors as the singer Beverley Martin, the guitarist Stefan Grossman, and the experimental musician Ron Geesin.
In 1974, Bridget signed to Chrysalis Records and released her 4th album, Jumblequeen. This was a great folk-rock album, produced by Leo Lyons of the band Ten Years After. The album includes support from excellent musicians including the folk guitarist Stefan Grossman, Chick Churchill (Ten Years After) and Mike Giles (King Crimson). It also features harmony vocals from Beverley Martin. This CD is now reissued in agreement with Bridget St John, and it includes three previously unreleased bonus tracks, recorded in 1975. 'Bumper To Bumper' features Famous Jug Band guitarist Pete Berryman and 'Grow' has Ron Geesin on piano. Bridget St John Jumblequeen Songs | 1. | Sparrowpit |
| 2. | Song For the Waterden Widow |
| 3. | I Don't Know If I Can Take It |
| 4. | Some Kind of Beautiful |
| 5. | Last Goodnight |
| 6. | Curious & Wooly |
| 7. | Want to Be With You |
| 8. | Jumblequeen |
| 9. | Sweet Painted Lady |
| 10. | Long Long Time |
| 11. | 3db Australia (Help Me Fly Again) - (Bonus Track) |
| 12. | Bumper to Bumper - (Bonus Track) |
| 13. | Grow - (Bonus Track) |
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Jumblequeen Review
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Purchase Jumblequeen CD To buy, Click on price to add to cart | Mink Deville Cabretta/Return To Magenta CD (1997) (Import) Australia
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The Small Faces present their four disc U.K. import reissue release OGDEN'S NUT GONE FLAKE.
Having begun their career as the archetypal Mod band, the Small Faces latterly embraced traces of flower-power's whimsy. Astute enough not to sacrifice their identity, the quartet retained a distinctive perspective, as evinced by a string of superb pop singles, including "Here Comes The Nice" and "Itchycoo Park." A sense of pop melody and adventurism culminated on this album which encompassed tongue-in-cheek fun ("Lazy Sunday") and passionate love songs ("Afterglow"). Steve Marriott's voice remains completely self-assured and the group's characteristic organ-based swell is often enhanced by P.P. Arnold's emotional backing vocals. Eccentric comedian Stanley Unwin narrates the concept suite "Happiness Stan," but the music is strong enough to withstand the novelty tag. OGDENS' NUT GONE FLAKE was the Small Faces' swan-song, at ...
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Bridget St. John's first album was a wholly acoustic, almost wholly solo folk affair, though different from many British folk albums of the time in that it was comprised entirely of self-composed material. St. John sang low-key, reflective, slightly sad songs that were unsurpassed, really, in their extraordinary level of containment. That's not say they were brilliant, or even as good as those of another British singer/songwriter of the time known for reserved meditations, Nick Drake. There was, however, the sense of an unflappable woman whose temperature would remain unchanged by nothing short of an equatorial sun. Her deep voice makes her sound at times rather like a Nico who can sing more in tune, without Nico's gothic or more bizarre streaks. Perhaps there's a tinge of Françoise Hardy without the pop sensibility, too, if you're looking for another comparison. It's music for wandering through meadows on overcast days, though a sameness to the presentation (the slide guitar on "Many Happy Returns" makes for a welcome dash of urgency) and ...
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