| | Hirofumi Banba Hitori Umihekaeru CD - Import Hirofumi Banba Discography of CDs
Limited Edition Japanese pressing of this album comes housed in a miniature LP sleeve. Sony. 2006. Hitori Umihekaeru Music | List Price | $38.99 (You save $11.84) | | Category | World Albums, Japanese CDs | | Label | Sony BMG | | CD Universe Part number | 7288999 | | Catalog number | 1092955 | | Discs | 1 | | Release Date | Jan 01, 2008 |
Hitori Umihekaeru Review
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Skinny Puppy: N. Ogre, Cevin Key, D. Rudolph Goettel, Rave.
Even when the industrial revolution happened, few North American bands sounded as manic and dense as the mighty Skinny Puppy. Tackling unpopular political topics, blurring distorted vocals into synth lines, sampling news broadcasts and horror films -- these were the tactics that Skinny Puppy utilized on VIVIsectVI, one of their true masterpieces. It takes multiple listens to the album to even get to the songs underneath, but once the sonic wall has been punctured it is easy to hear why Ogre is so volatile. His rants, which alternate between a lazy drug moan and a harsh screech, were one of the few in the genre that actually sounded poetic amongst the noise and beats. He can completely carry a noise collage and transform it into a brooding song ("Harsh Stone White") or he can stick to a fairly normal song structure and simply scream his lungs out ("Human Disease (S.K.U.M.M.)"). And the music is absolutely confounding, constructed out of sounds and noises that somehow never seem overbearing despite the sheer amount of them. The most important lesson that Skinny Puppy teaches here is the lesson of variety. VIVIsectVI is still a challenging, multi-layered album years later because the music never stays still. The beat will just disappear, Ogre's vocals will suddenly go from a whisper to a scream, everything will disappear but a creepy sample, then the song will kick back in with a different beat and a new synth part. And that's just "Who's Laughing Now?," ...
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Long awaited release (10 years! In the making) for one of the most anticipated albums in the history of Black Metal. Featuring Hellhammer of Mayhem on drums, Aldrahn of DHG on vocals & Satyr from Satyricon on vocals & as co-producer. A very diverse and original album for the hard-core Black Metal ...
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Personnel: Felix Cavaliere (vocals, guitar); Hubert Laws (flute).
Liner Note Author: Richie Unterberger.
Photographer: George Rodriguez .
Rhino Flashback's Rascals collection Groovin' and Other Hits is a scattershot sampling of the band's singles with a strong album track or two tossed in. Because the collection only has two of the band's three number one singles ("Groovin'" and "People Got to Be Free," not "Good Lovin'") and misses quite a few of the biggest songs, it can't be considered essential or complete. There are other far better, not much more expensive hits collection that come closer to filling that bill. All this disc will give you is a vague but entertaining feel for what made the Rascals so great. ~ Tim Sendra
The Rascals move into the era of psychedelia with a vengeance on this album -- their best of their entire history -- which also retains a soulful core and adds a bit of a Latin beat. The original album on Atlantic was a monster seller thanks to the title track, practically the group's signature tune (number one on the pop charts, number three on R&B), but "Groovin'" was only one small strong point on the album of the same name. "Find Somebody" marked a return to the group's garage band sound with a psychedelic twist, including phased fuzztone guitars and some catchy lyrics and choruses. "How Can I Be Sure" is the second-best-known song off of this album, but it has a fully successful companion piece, "I'm So Happy Now," which applies similar instrumentation to very different (but pleasing) effect. Gene Cornish's "I Don't Love You Anymore" could be the finest pop song in the band's repertory apart from "How Can I Be Sure," with a delectable guitar part, scrumptious melody, and delicious chorus. "You Better Run" was more than a year old when it turned up on this album, and its garage band sensibilities are a bit more primitive than those of "Find Somebody," but it's a great piece of rock & roll. The band turns in one superb Motown cover, "A Place in the Sun," done in a surprisingly subdued fashion. And for a finale, Cavaliere and Brigati turn in an exultant period piece, "It's Love," whose soaring lyrics are matched by guest artist Hubert Laws' flute -- alas, his presence would point the way toward less effective, more disjointed work in the group's future, as they moved more deeply into psychedelia. ~ Bruce Eder
The (Young) Rascals' best-known album is this 1967 release, thanks to the title track, the group's biggest-ever single. An infectiously lazy quasi-bossa nova with more hooks than really should be allowed in any one song, "Groovin'" is a stone classic, one of the best and most-beloved singles of the '60s.
The ...
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