| | Bill Evans Montreux II CD - Import Bill Evans Discography of CDs
Bill Evans Montreux II Songs | 1. | Introduction-Very Early | |
| 2. | Alfie | $0.99 | |
| 3. | 34 Skidoo | $0.99 | |
| 4. | How My Heart Sings | $0.99 | |
| 5. | Israel | $0.99 | |
| 6. | I Hear A Rhapsody | |
| 7. | Peri's Scope | $0.99 | |
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Montreux II Review
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Purchase Montreux II CD To buy, Click on price to add to cart | Swingle Singers Best Selection CD (2008) Japan
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This release is something of a departure for ...
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| | Roy Haynes Whereas CD (2006)
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| | Medeski, Scofield, Martin & Woo Out Louder CD (2006)
Montreux II album
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2006's OUT LOUDER marks the second collaboration between New York's downtown avant-groove trio Medeski, Martin & Wood and guitar giant John Scofield. The band backed Scofield on his 1997 outing A GO GO, but the results here surpass even the scintillating outcome of their first meeting. With musicianship of this caliber, however, and a ...
| | Canned Heat Anthology CD (2007)
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| | Anthony Braxton Birmingham 1985 CDs (2002)
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(Birmingham) 1985 is probably the least essential of the four double-disc sets that Leo devoted to Anthony Braxton's November 1985 tour of Great Britain. Of course, the hardcore Braxton fans who this release is designed for will want it because this tour of Braxton's Forces of Motion Quartet (Marilyn Crispell on piano, Mark Dresser on bass, and Gerry Hemingway on percussion, with Braxton on reeds) looms fairly large in the composer's legend. However, in comparison to Quartet (London) 1985, which has the most exciting ...
| | Jovino Santos Neto Canto Do Rio CD (2003)
Montreux II songs
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Keyboardist Jovino Santos Neto contributed all 11 songs to this enjoyable set of modern Brazilian jazz. The music is much more difficult to play (often utilizing tricky time signatures and challenging structures) than it is to listen to, for Neto's tunes are full of rich melodies, subtle surprises, and happy feelings. The reeds of Hans Teuber and guest Harvey Wainapel add a great deal to the performances, as do the vocals of Flora McGill on three numbers. Neto's electric piano ...
| | Natalia This Time CD (2007) (Import)
Montreux II album
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| | Jean Mann Seasons CD (2003)
Montreux II CD music
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October 2006:Thank you all for helping me to give blue flower friday- \"blossom\" (my first album) a hugely successful run!! It is presently sold out, out of print. BUT: YOU CAN STILL DOWNLOAD \"blossom\" DIGITALLY! Right here at CDBABY! cdbaby.com/blueflowerfridayBonus: Listen to sneak preview of \"daisies and fire\" tunes here: www.myspace.com/jeanmann. To see how you can make it come to be even sooner, go here: www.jeanmann.com/music.htmlpost house concert blog:Last night, we joined Jen Forceful and Sunni-V (and wa whole mess of other folks) for a house concert at Linda S and Mike\'s place with Jean Mann.Otis and I had gone to a previous house concert by Jean last June. That was a great time, and this time was just as big a treat. Jean played guitar and sang, and was accompanied by her sideman-sidekick Bill on bass, mandolin, slide guitar, and accordion. Jean performed mostly original tunes, including two numbers (that will appear on her new CD) that got their \"world debut\" perfomances last night; she also covered some songs by the likes of Steve Miller, Bonnie Raitt, and Joan Osborne (and I think Jean\'s version of \"One of Us\" is just fantastic).The music is what I would call folk-rock if I had to put a label on it, but that\'s a bit reductive: the song \"Pink\" has a haiku-like elegance in the lyrics and some vocal bits that are reminiscent of the best of Tracy Chapman; \"The Dance\" is a haunting waltz which could easily have been lifted from the soundtrack of a French art film. Whether opening with a playful rendition of \"Space Cowboy\" or introducing her ephemeral \"Daisies and Fire,\" Jean\'s vocal control and evocative phrasings were captivating. I\'d certainly sit her at the same table with Sarah Harmer and Nekko Case at my musical cafe.Check out Jean\'s website and pick up one of her CDs. It\'s good stuff that has earned its place in our rotation.\"\"I am enjoying the CD(Seasons) I purchaced at the lavender fest on Saturday. It was a good thing my downstairs neighbor was out that night. I was blasting your CD and dancing with my cat at one in the morning.\" -AnnelieseCheck out the latest review at soundaffects.net:http://www.soundaffects.net/cdreviews/jeanmann0404.htmlor read it here:Jean Mann: SeasonsApril 2004By: Sara Zeno soundaffects.netThe airy music and vocals of Jean Mann\'s Seasons offer a welcome simplicity in our world of continuous noise. Her songs live in a world inhabited by the constant and enchanting presence of the moon, sun, water and trees. Without interruption or flourishes, Mann\'s lilting (and sometimes haunting) voice muses over the undiluted structure of acoustic guitar.The Dance, a waltz that invokes visions of the old world, opens the album. It includes the evocative sounds of mandolin and cello, performed by Beau Gordinier and Kim Blanchard, respectively. Their talents pepper Seasons with nostalgia-flavored sounds.Mann\'s perspective distinctively colors her songs. ...
| | Eric Dolphy Dolphy,Eric Vol. 1-At The Five Spot CD (2007) (Import)
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| | Confuse The Cat New Medicine CD (2007) (Import)
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| | Sounds Of Nature: Our Favorite Garden Birds - Sound Guide CD (2007)
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| | Dead Or Alive Sophisticated Boom Boom CD (1984)
Montreux II CD music
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Whether or not Dead or Alive was the first synth-goth band in history is a bit open to debate, but they were unquestionably in on the ground floor somewhere. Burns and his crew created a weird sort of landmark with Sophisticated Boom Boom, though ultimately it's a bit more memorable as being the dry run for later successes as opposed to being fully notable on its own. By this time, the murky gloom of earlier singles was starting to give way to a more freely mainstream approach, though the combination of Burns' outrageous appearances and his utterly over-dramatic singing style helped ensure they never went down totally easy on the charts. Pretty much everything on the album came from somewhere else: the squiggly early-'80s keyboards/beat neo-disco production, the occasional blasts of clattering drums, the gang shout choruses, and the overall air of sex, sex, and more sex. If anything was the role model, clearly Duran Duran's massive success had gone to Burns' head, from the dry slap-bass to the synth melodies. The end result was nicely assembled, though, and the help of the Kick Horns on brass, Zeus B. Held's production, and Tim Palmer's engineering resulted in a nice sounding package. Perhaps unsurprisingly, the best effort comes via the cover of "That's the Way (I Like It)," even though the end result is unforgivably stiff in comparison to the original. Burns himself, meanwhile, is the understandable centerpiece to everything, rolling his "r"'s, hyping himself just by breathing, and finding ever more ways to project and project again. As for what it's all about, the song titles make that much clear: "What I Want," "Do It," "You Make We Wanna." It's terribly amusing in context to hear Wayne Hussey's guitar playing crop up, as on "Misty Circles" -- the eventual feel of his work in both the Sisters of Mercy and the ...
| | Art Ruprecht At The End Of The Day CD (2008)
Montreux II music CDs
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“At The End Of The Day” is the 2008 smooth-jazz release from guitarist, Art Ruprecht. Hailing from St. Louis, MO, his varied influences range from Ricky ...
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