| | Casey Shea Take The Bite CD Casey Shea Discography of CDs
Casey Shea (CaseySheaMusic )\"Casey\'s stage persona is equal parts James Brown, Elvis Presley, and Bono...But then comes the surprise, etched in cursive on the head of a pin. Listen closely, and the songs are beautiful heartfelt, and wrenching. \" - MTVNews \"Sublime combination of wry, insightful lyrics and simply perfect songcraft. \" - CMJ\"As if John Lennon were still alive today and collaborated with Ryan Adams. \" - Underrated MagazineCasey Shea spent a handful of years fronting rock bands in Tallahassee and Nashville before setting out for New York City in January of 2004 to focus on a solo career. A gifted performer with undeniable charm, Casey delivers his songs in a unique way that earns him an audience\'s devotion...think Bill Murray meets John Lennon. Melody drives diverse songwriting that is at once quirky and heart wrenching, and the result is a rare treat that is both musically gratifying and raucously entertaining. The charismatic front man for New York\'s Lower East Side sensation, The Undisputed Heavyweights, has built a new band around his solo material where influences such as The Beatles, Bob Dylan, Beck and Tom Petty shine through in an original sound with an uncommon familiarity right off the bat. Currently, Casey is keeping busy playing around premiere NYC venues as a solo artist and with The Undisputed Heavyweights. He has recently returned to the studio for a full length, full band follow up to his self recorded solo debut, \"Take The Bite. \" For more information visit caseysheamusic , and be sure to click on the cows. Casey Shea Take The Bite Songs | 1. | Lartigue |
| 2. | You Were Meant To Be Free |
| 3. | Life In A Cube |
| 4. | Battery |
| 5. | We're All The Same |
| 6. | Lazy Saturday |
| 7. | Stuck In May |
| 8. | We Are One |
| 9. | Crying Out |
| 10. | The River Still |
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Take The Bite Review
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'!To whirl audibly through air.' At first glance, just a dictionary definition of the verb 'swish'. However, ear-to-the-street live poetry crowds will testify that it's also a good description of the stir created by the brand of poetry that Richard Smartt Jr. is writing and performing around the UK. '[verb]swish' ...
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Chris Allen is the former lead singer, songwriter, heart and soul of the Cleveland-based band Rosavelt, who Paste Magazine calls a "first-rate chronicler of life's minor ups and downs," while the Cleveland Plain Dealer noted, "[Allen's] songs read like Raymond Carver short stories." Voted Best Songwriter in Cleveland, OH (2006), he is currently playing dates from New York to Alaska in support ...
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On their sophomore disc, Welsh metal band Lostprophets immediately launch into a heavy, staccato guitar riff that is joined by electronic tweaking, and it's clear that this opening track, "We Still Kill the Old Way," is going to rock. But then vocalist Ian Watkins jumps in, tempos shift, and before long the soaring chorus takes the song to even grander heights. This knack for being unpredictable defines Lostprophets and easily separates them from any run-of-the-mill nu-metal contemporaries.
In fact, much of START SOMETHING tips its hat to another band that resisted being pigeonholed: Faith No More. Watkins's dynamic voice often echoes the singing of FNM frontman Mike Patton, while the group's blend of fierce guitars, tight rhythms, keyboards, and mellow interludes also shares similarities with the elder band. However, Lostprophets are no mere FNM clone; they take that group's sonic template and apply to it to the musical landscape of 2004, even incorporating some of the emo elements used by acts such as Vendetta Red. On anthemic tracks such as "Last Train Home" and "I Don't Know," Lostprophets show vitality and inventiveness that is rare in early 21st-century rock.
As sonically powerful as Start Something is, and as convincing as Lostprophets' earnest vocalizing and layered instrumental dynamics are, it's just so damn difficult to take the Welshmen seriously when every megabyte of their sonic output is a patent appropriation of the post-grunge movement's most salable proofs. Incubus, Hoobastank, and Linkin Park -- close your eyes and this is what you hear, these groups' defining characteristics jammed like shards of jagged glass into the soft Lostprophets loam. The Mike Patton scream Prophets vocalist Ian Watkins perfected on 2001's Fake Sound of Progress has -- like it did for Brandon Boyd and Doug Robb -- mellowed into a blandly earnest yawp capable of keeping things thick enough for the dudes but still rife with those heartfelt intakes of breath that the ladies love. (Check "Goodbye Tonight" ...
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