| | Patty Stevenson & Craig Siemsen One Person CD Patty Stevenson & Craig Siemsen Discography of CDs
Recorded live in studio, One Person is the first duo recording of these acclaimed performers. Drawing from original songs and tunes written by other artists including Sara Carter, Kate Wolf, Larry Penn, and Ginny Reilly, STEVENSON & SIEMSEN have created a beautiful tapestry highlighting their tight harmonies and masterful accompaniment on guitars, piano, harp and mountain dulcimer. Patty Stevenson & Craig Siemsen One Person Songs | 1. | Railroading on the Great Divide |
| 2. | Oh, Won't You Lend Me Your Cane |
| 3. | Doing Alright |
| 4. | One Person |
| 5. | Time to Go |
| 6. | Here in California |
| 7. | Sweet Tooth |
| 8. | Forever Child |
| 9. | Has Sorrow Thy Young Days Shaded? |
| 10. | Pocket Bread and Peanut Butter |
| 11. | More Than Candy |
| 12. | Sitting Down Polka |
| 13. | Low End of Normal |
| 14. | Diamond Glider |
| One Person Review
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Purchase One Person CD To buy, Click on price to add to cart | Burl Ives Have A Holly Jolly Christmas CD (1965)
One Person songs
$4.65 (MP3 Available for Download)
| | Joan Baez Greatest Hits CD (1996)
One Person album
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| | Richard Thompson Sweet Warrior CD (2007)
One Person CD music
$12.09 (MP3 Available for Download)
| | Robert Earl Keen The Rose Hotel CD (2009)
One Person MP3 Album
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| | Tracy Chapman CD (1988)
One Person music CDs
$9.69 (MP3 Available for Download)
| | Harry Chapin Short Stories CD (1974)
One Person songs
$5.99 (MP3 Available for Download) The pensive tales ...
| | Long Weekend Feel The Way CD (2002)
One Person album
$11.39 THE LONG WEEKEND's debut long player has been eagerly awaited over the three years the duo have occupied Melbourne's vibrant music scene. Singing/songwriting partners Jackie Moffatt and Andrew Tragardh are THE LONG WEEKEND. Together with an itinerant mix of local like-minded musicians, THE LONG WEEKEND has wed the worlds of power pop, rock, folk and country to great effect.Melodic guitars, soaring harmonies and energetic rhythms charge the band's infinitely infectious songs which speak of escaping the nine to five, the pure and simple joys of love and the desire to belong - to someone, to something, to somewhere. The escapist lyrics are heartfelt: Tragardh was a big firm lawyer and Moffatt in the fashion industry before both opting out of the corporate lifestyle. From the up-beat fresh summer sounds of Heading for the Sun to the haunting combination of cello and harmonium on Holy Night, THE LONG WEEKEND are unafraid to explore diverse musical territory without straying too far from their pop sensibilities. Moffatt and Tragardh share the vocal duties on THE LONG WEEKEND's debut album 'Feel the Way', and the songs are richer for it. Tragardh's searching vocals tell the tale, the bittersweet clarity of Moffatt's driving it home. While the mood is undoubtedly upbeat, the atmospheric layering of guitars and minor progressions on So Clearly and Flowers prove that even THE LONG WEEKEND can have its wistful, reflective moments. Working with producer Greg Arnold (ex Things of Stone and Wood), and engineer Chris Dickie (Dave Matthews Band, Kasey Chambers), the band has created a beautifully crafted 10-track debut, recorded at 001 Studios in ...
| | Chris Koza Patterns CD (2006)
One Person CD music
$15.19 This is the new CD, and while Exit Pesce might still be fresh in your ears, Patterns will be even fresher. The lush arrangements and occasional samples are just a couple of the differences between Exit Pesce and the new release, Patterns, which finishes up as a more polished, moodier offering than the debut release. One music critic in the Twin Cities summarized its ...
| | Duck Baker The Salutation CD (2006)
One Person MP3 Album
$18.99 Duck Baker is one of the most highly regarded fingerstyle guitarists of his generation. His repertoire ranges from traditional Irish music through old-time mountain music and bluegrass to blues, gospel, ragtime, swing and modern jazz. Baker has a reputation as a virtuoso but his performances depend as much on his humorous and informative stage manner and relaxed, tuneful vocals as on technical bravura. Baker's greatest success has come in the guitar world; his arrangements have influenced hundreds of players who have learned from his books and recordings, and his compositions have been recorded by other pickers like Stefan Grossman, John Renbourn, Pat Kirtley, and Joe Miller. He has appeared at guitar festivals and concerts all over America and Europe, but it is perhaps more important to realize that he has made a considerable name for himself in several different musical camps. Unlike some guitarists who borrow superficially from various traditions for their solo performances, Baker has developed by learning to play each style in group situations and basing his solo arrangements on that experience. Duck was born Richard R. Baker IV in 1949 and grew up in Richmond, Virginia. His teenage years were devoted to playing in rock and blues bands before becoming ...
| | Laddie Ray Melvin In The Aftermath CD (2006)
One Person music CDs
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| | Padraig Rynne Bye A While CD (2007)
One Person songs
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| | Lara Ewen Ghosts And Gasoline CD (2007)
One Person album
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| | Lindsay Tomasic What In The World CD (2007)
One Person CD music
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| | M Bison Not Bad! CD (2008)
One Person MP3 Album
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| | Tony Joseph The Road To Happiness CD (2009)
One Person music CDs
$11.15 Tony's love of music started as it does with many people that pursue music as a career path-at a very young age. He began singing, probably when he first learned what singing was. He has always had a true love for great melodies and vocal harmonies, and remembers being drawn to groups that emphasized them, such as The Eagles, Firefall, and Ambrosia, as well as many of the great R&B Motown groups. He was not only impressed with their vocals, but also with how their songs were constructed.As a songwriter, Tony hopes to have his songs create an identity that others can relate to that will inspire a feeling of knowing what he is trying to convey, or, move people in a way that they will somehow find their own story within his work. Tony says; "Growing up, I played saxophone and clarinet and found it hard to sing with an apparatus in my mouth, so as you might expect, I put the horns aside. In high school, I was a member of choir and "toyed" with the idea of forming a band; however, looking back, it would have been impossible for me to totally commit to music due to my heavy involvement in athletics and my eventual selection into professional baseball as a pitcher at the age of 17." "Although I did not directly pursue music as a career at that time, I had already begun the process of songwriting and finding out what it was that inspired me, as well as what it was that I needed to do as a writer that would inspire others without compromising myself." "My true involvement and dedication to music did not come until I entered college and formed and fronted my own bands. Yes, like everyone else starting out, our band played our share of copy material while writing our own songs during our "down time" and slipping an original song into our sets whenever we could get away with it."We certainly "paid our dues" by traveling for many years and playing bars and club circuits from 8 or 9 pm until 2 a.m.. I typically performed six sets a night, six nights a week and spent the "off day" driving hundreds of miles to get to the next gig. However...as grueling as it was at times, I would never trade those years for anything. It was a great learning experience as well as "a school" for learning the trade so to speak.""Songwriting became an obsession for me early on. It was always something that just came to me. I describe it as a "word processor." I may be anywhere at anytime and see an image or hear a word or phrase and need to jot it down immediately. The "vision and sound" for the song somehow registers and remains in my thoughts. Ultimately, when I sit down to write, it all just starts coming to me. I may tweak some rhymes and lines here and there, but the bulk of the lyric will just flow. Nothing is ever forced. I usually have the "sound" that I want when I begin writing from my ...
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