| | Richie Beirach Manhattan No Zensou CD - Import Richie Beirach Discography of CDs
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Our Price: $34.15 CDFor Sale Usually ships in 1-2 days (Only 1 available)
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Manhattan No Zensou Music | List Price | $36.99 (You save $2.84) | | Category | Rock/Pop Albums, Jazz CDs | | CD Universe Part number | 7293869 | | Catalog number | 35380 | | Discs | 1 | | Release Date | Jan 13, 2008 | | Additional Info | Jap Title; Japan |
Richie Beirach Manhattan No Zensou Songs | 1. | You Don't Know What Love Is |
| 2. | On Green Dolphin Street |
| 3. | If I Were A Bell |
| 4. | Manhattan Reverie |
| 5. | Etude |
| 6. | Transition |
| 7. | Stella By Starlight |
| 8. | Veils |
| 9. | Blood Count |
| Manhattan No Zensou Review
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Purchase Manhattan No Zensou CD To buy, Click on price to add to cart | Miles Davis Kind Of Blue CD (1959) Bonus Track; Remastered
Manhattan No Zensou album
$6.39 With BIRTH OF THE COOL, Miles Davis distilled a new tonal palette for jazz. As early as 1954, Miles reacted to the escalating chordal complexity of hard bop by fashioning an evocative blues based on a simple scalar pattern ("Swing Spring"). KIND OF BLUE was the ultimate fulfillment of this approach, with Miles providing his collaborators little more than outlines for melodies and simple scales for improvisation. By emphasizing the blues and the improvisor's melodic gifts, KIND OF BLUE precipitated a major stylistic development--modal jazz.
Charles Mingus had experimented with pedal points throughout the 1950s, and the melodic freedom of Ornette Coleman's Atlantic sides was also predicated on freedom from chord changes. But KIND OF BLUE was to prove the most influential, enduring work of its kind. There was just such a vibe about these 1959 sessions--Miles' lyric genius and burgeoning stardom, the innovative voicings and rarefied touch of pianist Bill ...
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$6.05 "Have Yourself A Merry Little Christmas" was nominated for a 1996 Grammy Award for Best Pop Instrumental Performance.
Over the past decade, since first gaining popularity with the Jeff Lorber Fusion, soprano saxophonist Kenny G has become one of the most celebrated instrumental stars in all of popular music. By fusing elements of contemporary jazz with the most lyrical aspects of pop and R&B, Kenny G has created an enduring sound signature and a fan base that rivals that of any vocalist.
It is precisely these lyric, vocal ...
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| | Michael Buble It's Time CD (2005)
Manhattan No Zensou album
$10.05 Michael Buble's third major US release (including the mostly live COME FLY WITH ME) stays on message--this young Canadian loves the lush, swaying music of his parents' and grandparents' generations. Buble's albums, however, are much more than mere back-in-the-day exercises. The production and arranging of ...
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$13.25 Alto saxophonist Steve Slagle, one of New York's underrated veterans, pays tribute to his home city with this engaging record. Joining him are guitarist Dave Stryker, bassist Cameron Brown, and drummer Gene Jackson. Slagle's good friend Joe Lovano appears on Monk's fiercely swinging "Thelonious," the spirited, Latin-tinged "Blackwell's Manhattan" (dedicated to the late drummer Ed Blackwell), and a free bop piece titled "Loftology" -- Slagle's tip of the hat to the loft scene of the '60s and '70s. There are two ballads: "What Comes Around Goes Around," which features vibraphone master Joe Locke, and "Mañha de Hudson," a beautiful, more modern piece featuring Slagle's alto flute and Stryker's acoustic guitar. On the other end of the mood spectrum, Stryker's slide guitar solo on the slow, swaggering "Bowery Blues" is remarkable, not least for its sheer unexpectedness -- you just don't hear slide guitar on jazz records. Wrapping up the album are Stryker's Latin/hard bop tune "Complicity" (again featuring Joe Locke), a swinging soprano sax feature titled "St. Mark's Shuffle," and a full-quartet reprise of the Scofield-like, funky title track, which opened the album first as a trio piece (apparently because Stryker got caught in traffic on the way to the recording session). As a ...
| | Charlie Parker Complete Dial Masters CD (2004)
Manhattan No Zensou album
$16.30 These four discs comprise the complete selection of alternate and master takes from Charlie Parker's Dial sessions in Hollywood and New York in 1946 and 1947 (plus an informal jam session from the home of Chuck Kopely in Los Angeles, shortly after Bird got out of the California State Hospital at Camarillo). This is the first time they've been available in one package since being issued on Warner Bros. in the late '70s. Individual discs containing the master takes alone are available from Stash as THE LEGENDARY DIAL MASTERS, VOL. 1 & 2.
Recorded between February 5, 1946 and December 17, 1947. Contains a booklet featuring track-by-track annotations, complete recording and personnel information, alternate titles, original source tunes and liner notes by Will Friedwald and Thomas Cunniffe.
Recorded between 1945 and 1947. Includes liner notes by J.G. Calvados.
This 39-track anthology collects all of the master takes saxophone legend Charlie Parker recorded for Dial Records, including "Ornithology."
In 1946 and 1947, Parker participated in nine sessions for the fledgling Dial Records and, in the process, recorded some of the most important music in the history of jazz. Parker virtually reinvented the language of the idiom--not only for the saxophone, but for all instruments. And it is in these sessions that Parker shines brightest, blowing his brilliant imagination into dazzlingly constructed lines of the highest harmonic complexity with the sharpest technical virtuosity.
It's hard to ask for a better track list. Some of the finest compositions of the bop era, many of which are penned by Parker, are here in their original, definitive versions. "Ornithology," "A Night In Tunisia," "Lover Man," "Relaxin' At Camarillo," and "Scrapple From The Apple" are only a few of the immortal classics that line the walls of this treasure trove. Naturally, the list of musicians participating in Parker's groups reads like a who's who of jazz: Dizzy Gillespie, Max Roach, Dodo Marmarosa, Duke Jordan, J.J. Johnson and a young Miles Davis, among others. If you can only buy one Charlie Parker recording, THE COMPLETE DIAL ...
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