| | New Young Pony Club CD New Young Pony Club Discography of CDs
 (2 Customer Reviews)
This six-track (plus one video) EP peculiarly sums up two of New Young Pony Club's first three singles, released from 2004 through 2006. "Ice Cream," their first A-side (used for a 2006 Intel commercial), is included, as is the dance mix of "Get Lucky" and a B-side, but "The Get Go" (which is at least the equal of the other two A-sides) is not. Instead, there are three remixes of "Ice Cream." While everything is enjoyable, it's frustrating that this wasn't a tidy, all-inclusive compilation of New Young Pony Club's releases up to their first album. Nonetheless, this is a small serving of sharp, playfully detached indie pop that owes much to early B-52's, the Waitresses, Bush Tetras, Romeo Void, and even Elastica. That it's also kind of a tease makes some degree of sense. ~ Andy Kellman
New Young Pony Club: Tahita (vocals); Andy (guitar); Lou (keyboards); Igor (bass guitar); Sarah (drums).
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. New Young Pony Club Music | List Price | $8.98 (You save $1.79) | | Category | Rock/Pop Albums, Rock CDs, Enhanced CD | | Label | M.O.D. | | Orig Year | 2006 | | All Time Sales Rank |  85848  | | CD Universe Part number | 7295504 | | Catalog number | 18 | | Discs | 1 | | Release Date | Jan 23, 2007 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | New Young Pony Club | | Additional Info | Extended Play; Enhanced CD |
New Young Pony Club Songs | | New Young Pony Club CD THE NEW YOUNG PONY CLUB EP: |
| 1. | Ice Cream | $0.99 | |
| 2. | Get Dancey | |
| 3. | Descend | |
| 4. | Ice Cream - (Comets remix) | |
| 5. | Ice Cream - (Van She remix) | |
| 6. | Ice Cream - (DJ Mehdi remix) | |
|
New Young Pony Club Music Review Purchase New Young Pony Club CD To buy, Click on price to add to cart | Camper Van Beethoven Our Beloved Revolutionary Sweeetheart CD (1988)
New Young Pony Club
 $8.85  
After a couple albums and EPs on independent labels, Camper Van Beethoven made the step up to the majors with 1988's OUR BELOVED REVOLUTIONARY SWEETHEART. With their judicious mix of electric and acoustic instruments, ...
| | Black Rebel Motorcycle Club B.R.M.C. CD (2000)
New Young Pony Club
$11.69 
The brooding Los Angeles-based Black Rebel Motorcycle Club belies its roots in sunny California with a dark, edgy sound that is indebted to 1980s/early-'90s British shoegazer bands, particularly the architects of the sound, Jesus & Mary Chain. While many bands take at least a few albums to work up to their full sonic range, the BRMC presents a dense, wide-screen set of songs on its assured 2001 debut. (In fact, the group would spend subsequent releases scaling back the formidable aesthetic on offer here.)
"Love Burns" opens the record and establishes the BRMC template with slowly building intensity, as jangly guitar lines shift into thick layers of ...
| | All-American Rejects CD (2002) Enhanced CD
New Young Pony Club
$12.39 
Tyson Ritter and Nick Wheeler, the two college-age clean-cut men who form the nexus of the All-American Rejects, have a knack for driving home a pop hook. Clearly weaned on power pop's history from the Beach Boys and Big Star to the Cars and Weezer and other more modern proponents, the Oklahoma outfit serves up gentle pop radiance with a hint of Replacements-style brashness on its self-titled debut.
The All-American Rejects' songs ...
| | Hot Chip Warning CDs (2006)
New Young Pony Club
$11.69
| | Junior Boys So This Is Goodbye CD (2006)
New Young Pony Club
$11.59 
| | National Boxer CD (2007)
New Young Pony Club
$9.95
| | Youth Brigade Come Again CD (1992)
New Young Pony Club
$6.49
| | Berkeley EP's CD (1995) (Import) United Kingdom
New Young Pony Club
$16.65
From the U.K.-based Big Beat reissue label comes one of the most interesting entries in their "Nuggets From the Golden State" series. These recordings highlight some of the lesser-known artists that contributed to the Bay Area's mid-'60s cultural renaissance. The Berkeley EP's gather the contents of the unique extended-play releases of Country Joe & the Fish, Frumious Bandersnatch, Mad River, and Notes From the Underground. Although geography ultimately bound these four groups, their decidedly diverse styles and presentations accurately represent the extensive spectrum of pop and rock being produced in every strata of San Francisco's multifarious psychedelic music scene. The tracks featured here originally comprised the second issue/"talking edition" of Country Joe & the Fish's self-produced periodical Rag Baby. Parties interested in hearing the first and third of these releases are advised to seek out Collectors Items: The First Three EP's, which also features two contributions from Peter Krug. All three of these tunes would turn up on their debut long-player for Vanguard, albeit re-recorded and arguably less edgy than these original workings. Combining blues-based rhythms with a somewhat dated farfisa-driven instrumentation, the languidly trippy "Section 43" contrasts the presumably amphetamine-fuelled "(Thing Called) Love." Somewhere in between those seemingly incongruous extremes is "Bass Strings," with its eerie harp (read: harmonica) leads and noir lyrics. The criminally underrated Frumious Bandersnatch bridged the gap between garage punk and psychedelia on their Muggles Gramophone Works EP. With a dense sound that can be directly attributed to having no less than three guitarists performing all at once, the band only recorded a handful of tracks at the Sausalito-based Pacific High Recorders in the spring of 1968. Three of those sides were issued on their self-titled EP and are available on this release. "Hearts to Cry" is a languid rocker that churns some inspiring lead electric and bass guitar interplay. The lighter and more pop-oriented "Misty Clouds" recalls the Strawberry Alarm Clock. "Cheshire," while somewhat derivative of the slinky syncopation of Jimi Hendrix's "Foxy Lady," bristles with a guitar onslaught and subsequent wall of energy. As the track grinds and winds its way throughout some tricky tempo and key changes, the band likewise recalls the adeptness and agility of Quicksilver Messenger Service. Several members of Frumious Bandersnatch ...
| | David Sylvian Approaching Silence CD (1999)
New Young Pony Club
$6.99
Originally conceived as music for multi-media installations, as an audio-only experience Sylvian's album provides us with a soporific dose of ambient sounds. The title track is made up of cyclical motifs of bells and sustained chords reverberating like ripples on a pond, punctuated by a rich gong-like guitar chord. This is suffused with hushed animal calls, fragments of fuzzy talk-radio programmes and the garbled falsetto of contributor Robert Fripp.
"Epiphany" takes sampled material of passing trains and hushed church bells and a plaintive human wailing phrase to make an all-too-brief interlude. Continuing in much the same atmospheric vein "The Beekeeper's Apprentice" is a summer doze in a wooded glade. Imagine chandeliers tinkling in ...
| | Bodaiga Spectral Nether Street CD (2000) (Import) United Kingdom
New Young Pony Club
$21.65
| | Daslu Classic CD (2005) (Import) Import
New Young Pony Club
$22.35
| | Fred Lonberg-Holm Terminal Valentine CD (2007)
New Young Pony Club
$10.75
The sheer musicality of Fred Lonberg-Holm's cello playing cannot be denied. No matter how many free music projects he involves himself in, he cannot help but return to the notion of song as a player. On Terminal Valentine, Longberg-Holm teams with bassist Jason Roebke and drummer Frank Rosaly, and performs a series of short to middle-length pieces that have song at their root, though they explore the margins of certain frameworks of harmony, lyric and time. "Three Note Song" sounds, in the beginning, as if it could have been part of the tribute to the late Fred Katz he put together in 2002. On "And You Smile," the feeling of the love song comes through not only in the head where the melody asserts itself, but also in the dancing snares of Rosaly and the interpolating bass of Roebke. "Shift of the Eye" begins with a bassline that is quickly extended into another mode by cellos and cymbals, rim shots and floor toms are whispered through the middle and bottom to create the feeling of narrative, though it ...
| | Holly Mcnarland Chin Up Buttercup CD (2009)
New Young Pony Club
$10.49
Since the release of her debut Sour Pie in 1995, Holly McNarland has released one critically acclaimed album after another. In unflinching lyrics, lingering melodies and a powerhouse voice, Holly has spent the past decade cataloguing her life with music. Chin Up Buttercup is the singer-songwriter’s fifth record, a narrative that reflects on motherhood, loss and the everyday. Recorded in local Vancouver studios over the last two years, the album stems from Holly’s rocky relationship, a difficult break up, “and just plain living life,” she says. As always, the album showcases the singer songwriter’s inventive compositions and lyrical depth, as well as her trademark, razor sharp one-liners.Much has happened since the Winnipeg-native with the commanding pipes put out EP independently. Following the success of Stuff, her Universal debut in 1997, Holly shipped out to Vancouver, where the birth of her son sparked a creative spell that would become her third album, Home Is Where My Feet Are. In many ways, Chin Up Buttercup picks up where that record left off. From the sensual “Memory of A Man,” to the bubbly “Da Da Da,” written in part on her son’s kazoo, Chin Up Buttercup is beautifully eclectic, exuding the confidence of a songwriter in her creative prime. Haunting acoustic guitar melodies alternate with heavier riffs, Holly’s commanding vocals playing overtop it all, from her inimitable screams to the honeyed whispers. Much has been made of Holly’s walloping voice, specifically that it comes from such a small frame – she stands 5’4.” The singer shrugs it off: “I sound like my mom. My mom on speed.”Chin Up Buttercup is a reference to the family car, a buttercup yellow Plymouth Fury she tooled around in Winnipeg. Buttercup is also the name of Robin Wright’s character in the cult classic A Princess Bride, a film her seven-year-old son Nege adores. And so both car and album were christened. Holly’s inspiration for the album ran the gamut from Nege’s poetic observations, to concern about becoming a single mother, to disdain and finally a close friendship with an ex-husband. “Part of writing is just it’s so therapeutic, and I know it’s been said a million times, but it is. For me, my close pal in any difficult situation ...
| | Kinks Preservation Act 2 CD (2007) (Import) Japan; Mini LP Sleeve
New Young Pony Club
$36.59
| | Pat Mckernan Live In Melborne CD (2007) (Import)
New Young Pony Club
$26.29
|
|
|
Email a Friend
