| | C.P.E. Bach: Symphonies 1-4; Cello Concerto In A CD Bach, C.P.E. / English Concerto / Mcgillivray CDS
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C.P.E. Bach: Symphonies 1-4; Cello Concerto In A Music C.P.E. Bach: Symphonies 1-4; Cello Concerto In A Music C.P.E. Bach: Symphonies 1-4; Cello Concerto In A Review
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C.P.E. Bach: Symphonies 1-4; Cello Concerto In A Songs 1. Symphony for orchestra in D major (Orchester-sinfonien No. 1), H. 663, Wq. 183/1: 1. Allegro di molt (11:19) Windows Media Real Audio | | Common Name | Symphony For Orchestra | | Catalog No. | H 663 / WQ 183 | | Composer | Carl Philipp Emanuel Bach (1714 - 1788) | | Conductor | Andrew Manze | | Performer | George Stoppani (Cello) | | Genre | Classical Period / Symphony | | Date Written | 1775-1776 | | Period | Classical | | Country | Germany | | Venue | Air Studios, London, England | | Recording Date | 03/2006 | 2. Symphony for orchestra in D major (Orchester-sinfonien No. 1), H. 663, Wq. 183/1: 2. Largo (11:02) Windows Media Real Audio | | Common Name | Symphony For Orchestra | | Catalog No. | H 664 / WQ 183 | | Composer | Carl Philipp Emanuel Bach (1714 - 1788) | | Conductor | Andrew Manze | | Performer | George Stoppani (Cello) | | Genre | Classical Period / Symphony | | Date Written | 1775-1776 | | Period | Classical | | Venue | Air Studios, London, England | | Recording Date | 03/2006 | 3. Symphony for orchestra in D major (Orchester-sinfonien No. 1), H. 663, Wq. 183/1: 3. Presto (20:05) Windows Media Real Audio | | Common Name | No. 3 Concerto, Concerto For Cello Strings & Continuo | | Catalog No. | H 439 / WQ 172 | | Composer | Carl Philipp Emanuel Bach (1714 - 1788) | | Conductor | Andrew Manze | | Performer | George Stoppani (Cello) Alison McGillivray (Cello) | | Genre | Classical Period / Concerto | | Date Written | 1753 | | Period | Classical | | Country | Germany | | Venue | Air Studios, London, England | | Recording Date | 03/2006 | 4. Symphony for orchestra in E flat major (Orchester-sinfonien No. 2), H. 664, Wq. 183/2: 1. Allegro di (10:20) Windows Media Real Audio | | Common Name | Symphony For Orchestra | | Catalog No. | H 665 / WQ 183 | | Composer | Carl Philipp Emanuel Bach (1714 - 1788) | | Conductor | Andrew Manze | | Performer | George Stoppani (Cello) | | Genre | Classical Period / Symphony | | Date Written | 1775-1776 | | Period | Classical | | Venue | Air Studios, London, England | | Recording Date | 03/2006 | 5. Symphony for orchestra in E flat major (Orchester-sinfonien No. 2), H. 664, Wq. 183/2: 2. Larghetto (11:37) Windows Media Real Audio | | Common Name | Symphony For Orchestra | | Catalog No. | H 666 / WQ 183 | | Composer | Carl Philipp Emanuel Bach (1714 - 1788) | | Conductor | Andrew Manze | | Performer | George Stoppani (Cello) | | Genre | Classical Period / Symphony | | Date Written | 1775-1776 | | Period | Classical | | Venue | Air Studios, London, England | | Recording Date | 03/2006 |
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C.P.E. Bach: Symphonies 1-4; Cello Concerto In A
$25.29 About This CD Bach wrote six Suites for cello alone and six Partitas for violin alone. They were written in 1720; he was 35 years old. The most remarkable fact about these masterpieces is that they were written at all. In 1720, Bach was employed at the provincial court at Koethen, Saxony. His duties there were to provide music for specific occasions. Sunday services, weddings, and special events at court required his services as organist and composer, but there is no apparent reason for the writing of substantial works for cello or violin alone. There were no cello or violin masters in Bach's immediate vicinity. So, for whom were these works written and who played them? We don't know. One can only assume that Bach was flexing his compositional muscles in this labor of love. It is a lucky thing for us that he did. He was the first composer of stature to write for cello alone. In that, he was generations ahead of his time. Not until the 20th century do we find music comparable to Bach's for the solo cello. The Suite was a popular form in Bach's day. It came from France, as the French movement titles suggest, and was embraced by German composers as a neat way to compose dance-like music for public use. There are usually 6 movements in every Suite. The Prelude is the ...
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