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Push To Talk - Push To Talk CD Cover Art
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Push To Talk CD - Import

 Push To Talk Discography of CDs

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 Our Price: $35.49  CD
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Push To Talk Music


Detailed Push To Talk Music Information



List Price $37.99 (You save $2.50)
Category Rock/Pop Albums, Rock CDs
Label Bad News Japan
CD Universe Part number 7295695
Catalog number 136
Discs 1
Release Date Nov 08, 2006
Additional Info Bonus DVD; Bonus Track; Japan
Push To Talk Songs


Push To Talk Album Track Listing



1.Haunting 56th St
2.Walk It Off$0.99
3.Problems$0.99
4.Lose My Head$0.99
5.Rock & Roll Will Never Save Your Soul$0.99
6.Give Up$0.99
7.Yes Takes A No$0.99
8.Talk Is Cheap$0.99
9.How'd You Get To Be That Way?
10.Oceans Still$0.99
11.Way Around The World$0.99
12.Take It Slow$0.99
13.When You Return$0.99
14.Wake Up
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Betty's Hits Vol. 1
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After a 33-year hiatus, song stylist Betty Johnson continues to celebrate her return with this album compiling her most popular recordings of the 1950s. It was during that period that she became popular not only through her recordings, but also as a regular on the high-profile Don McNeil's Breakfast Club radio program broadcasted daily out of Chicago and the original version of The Tonight Show. Featuring her clear, sparkling voice, this collection highlights Johnson's amazing versatility as she takes on a wide variety of styles. There's Eddy Arnold's enduring "I'll Hold You in My Heart," which was recorded by everyone from the composer to Eddie Fisher. Sounding like Doris Day when Doris was wearing her "sweet young thing from next door" persona, Johnson is appropriately coy on such songs as "I Dreamed" and "Beginner's Luck." Her "Little White Lies" recalls the throaty sobbing of another popular singer from the period, Johnny Ray. "I'll Wait" is done in R&B style and sounds like "The Great Pretender." Johnson and her producers used (quite effectively) all the musical accoutrements indulged in by pop stars of those days. They're all here: numerous background singers, the Mitch Miller-like sparkling strings, the "champagne music" arrangements of Lawrence Welk, the wah-wah brass of Russ Morgan (on "Does Your Heart Beat for Me?"), and the whimsical lyrics as sung to kids at bedtime (on one of her biggest hits, "Little Blue Man" recorded for Atlantic). This album drips with nostalgia and shows the development of a singer who had just left one of the most popular religious singing groups in the country (the Johnson Family Singers) to strike out on her own. While she later turned to classic standards as steady fare, she never completely discarded country, folk, and 1950s pop material, some of which stayed in her repertoire even when working at such sophisticated venues as the Copacabana, Coconut Grove, and Blue Angel. For 1950s buffs (including those who might want to be) and Betty Johnson fans, this album is recommended. ~ Dave Nathan Hits of the 5o's- a collector's item!BillBoards top 100High-Profile hits- I Dreamed'56-Little White Lies '57 Little Blue Man "58. On a ranking of most promising female vocalists in the late 50's Billboard placed her ahead of E.Gorme, Patsy Cline, Brenda********Dear Betty,I received my Volume One CD yesterday and can't tell you how excited I am. I was also surprised to find out how many of the songs I recognized. The main song I wanted the CD for ...
David Occhipinti
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"...couldn't ask for a better showcase than his eponymously titled debut... a postmodern acoustic date that thrives on the guitarist's memorable, contemporary-sounding tunes...while recalling ...
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Jim Croce Collection CD  (1992) Import

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Pocketrock
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Quindembo Afromusic La Mag
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"I'm always pleasantly surprised when a room full of people goes quiet when they hear me sing for the first time," mentions singer/songwriter ...
La Faccia Che Ho
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Sunlight
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This is the story behind the chemistry of Freedom Hawk. It started with T.R. and Mark in 1996, two guys that had been just playing their instruments by themselves. They met through a mutual friend who played music. For years they just goofed off, jamming with different drummers, but never got anything together. T.R. moved to Florida, but they both continued to play on their own with other musicians. T.R. moved back in 2000 and had a four track and they started to record their jams. They met Lenny through a mutual friend in 2004 who had been in a ton of bands before they met. Lenny is a pure jam drummer who also clicked. He was interested in and liked the style of music they were playing; raw sloppy rock but they all felt the changes and knew which direction to go next. They continued for about a year, when Lenny wanted to put some structure to the jams and turn them into songs. T.R. wanted to fatten up the sound and add another guitarist. They found and played with a couple of guitarists but it didn't work out. That's when Mark's brother Matt came in 2005 and also clicked. Matt was an awesome lead guitarist, and was musically trained, which helped them further the sound. He was the final piece that made the band complete. They recorded a demo that tightened up four songs and showed them the way to tighten up the rest.The first name they came up with was Down Green Well, which came from where they practiced. They played a few shows under that name but the band didn't want to keep it. T.R. didn't feel it represented the sound and changed it to Freedom Hawk without consulting band. It was supposed to change from Freedom Hawk to something else but never did. The band embraced the name and has continued to soar and attack the mainstream since day one!The first show they played under the name Freedom Hawk was with Year Long Disaster and Throttlerod. Since the first show the band has not slowed down....putting out multiple EPs in 2006/2007 and a full length (Sunlight) 2008. They continue ...
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