| | Rebekka Bakken I Keep My Cool CD - Import Rebekka Bakken Discography of CDs
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Recording information: Amann Studios, Vienna, Austria; Hafner Studio, Vienna, Austria; Rainbow Studio, Oslo, Norway; Rommaro Studio, Stockholm, Sweden; SuperSound Studios, Trondheim, Norway.
Photographer: Torkil Gudnason.
Translator: Rebekka Bakken.
Personnel: Rebekka Bakken (vocals); Eivind Aarset (guitar); Martin Kubík (violin); Robert Nagy (cello); Kjetil Bjerkestrand (piano, keyboards); Per Lindvall (drums).
Audio Mixer: Bjorn Nessjo.
Rebekka Bakken I Keep My Cool Songs I Keep My Cool Review
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Purchase I Keep My Cool CD To buy, Click on price to add to cart | Norah Jones Fall CD (2009)
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With The Fall, Norah Jones completes the transition away from her smooth cabaret beginnings and toward a mellowly arty, modern singer/songwriter. Jones began this shift on 2007's Not Too Late, an album that gently rejected her tendencies for lulling, tasteful crooning, but The Fall is a stronger, more cohesive work, maintaining an elegantly dreamy state that's faithful to the crooner of Come Away with Me while feeling decidedly less classicist. Some of this could be attributed to Jones' choice of producer, Jacquire King, best-known for his work with Modest Mouse and Kings of Leon, but King hardly pushes Norah in a rock direction; The Fall does bear some mild echoes of Fiona ...
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Much like 2001's SONGS I HEARD and 2004's ONLY YOU, 2009's YOUR SONGS finds vocalist/pianist Harry Connick, Jr. coming up with an urbane, passionate set of American popular standards and contemporary pop classics that he both performs and orchestrates. While his previous recordings leaned toward the classicist side--ONLY YOU featured songs of the '50s and '60s--YOUR SONGS features a more eclectic mix of standards and pop songs, with Connick's own lush orchestration lending an overall aesthetic of languid romanticism. To this end, Connick turns Billy Joel's ...
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Beginning with a fragile acoustic guitar and the forlorn voice of Jennifer (like the rest of her bandmates in Shiny Around the Edges, preferring to go only by her first name in the album credits), Holy Roller suggests any number of reference points perhaps overfamiliar in recent years among indie rockers -- Appalachian murder ballads, lo-fi bedroom recordings, even some alt country. But when the full band kicks in on "Crosses" with a sweeping, angry pulse that invokes the majesty of Swans ...
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