| | Goo Goo Dolls Let Love In CD Goo Goo Dolls Discography of CDs
The Goo Goo Dolls' transformation from thrashy alternative rockers to polished mainstream pop-rock stars was complete by the early 1990s, so it's no surprise that 2006's LET LOVE IN continues the sound that brought the band their greatest commercial success. In fact, LET LOVE IN is the group's cleanest and slickest effort, packed front to back with melodic, mid-tempo, and ballad-oriented MOR rock that borders at times on adult contemporary pop.
Thanks in large part to the production of Glen Ballard (who has produced Alanis Morissette and the Dave Matthews Band) there are few of the Goo Goo Dolls' original edges left. Yet this shouldn't bother fans who came to love the band after albums like A BOY NAMED GOO. The pleasant, well-crafted music here should please fans of any style of mainstream rock that's not too hard on the ears.
The first studio album since 2002 from this favorite band. The special DVD features the entire Goo Goo Dolls experience: studio, live, video and acoustic.
Stay With You
Feel The Silence
Without You Here
Can't Let It Go
We'll Be There (When You're Gone)
Black Ballroom
Better Days (acoustic)
We'll Be There (When You're Gone) (Acoustic)
DVD Features:
DVD Includes:
LIVE & INTIMATE:
MUSIC VIDEOS:
Let Love In
Better Days
Listen
Strange Love
Iris
Become
Broadway
Here Is Gone
BONUS AUDIO:Rolling Stone (p.59) - 3 stars out of 5 -- "[The album] outfits its trademark mix of stylized arena-rock guitars and huge romantic choruses with subtle atmospherics and a bright pop sheen."
Q (p.112) - 3 stars out of 5 -- "Tempering their Bon Jovi-style bombast with chiming, U2-inspired atmospherics, this is music precision-built for vast stadiums." Goo Goo Dolls Let Love In Songs Let Love In Review
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Purchase Let Love In CD To buy, Click on price to add to cart | David Bowie Best Of Bowie CDs (2002) Bonus CD; Remastered; 2 CDS
Let Love In album
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This edition of BEST OF BOWIE will only be available 12.2.2003-3.31.2004.
Ably serving as a substitute for the excellent but out-of-print collection BOWIE: THE SINGLES 1969-1993, the two-CD BEST OF BOWIE serves as an outstanding career-spanning retrospective featuring material from as recent as 2002. Above all reflecting the visionary aptitude of a restless creative genius who switched into different musical guises the way some people change suits, these 38 cuts trace David Bowie's path from space-rock folkie ("Space Oddity") and glam god ("Ziggy Stardust") to blue-eyed soulster ("Young Americans"), and cutting-edge futurist ("Fashion").
21st-century kids might be aware of Bowie via covers by Nirvana ("The Man Who Sold The World") or the Wallflowers ("Heroes"), but it's equally likely they've heard playlist war-horses like '80s alt-pop classics "Let's Dance," "Modern Love," and "China Girl." Not to be missed are this icon's stellar collaborations with a wide range of talent including John Lennon ("Fame"), ...
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Combining the complex instrumentation and composition of 70s progressive rock with a more catchy pop sensibility, Asia were catapulted to the top of the charts ...
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Of all the acts with whom Adrian Sherwood worked during the late '70s/early '80s, few have been so cruelly overlooked as Playgroup, a studio collective built along similar lines to the New Age Steppers, who were responsible for two of the most eclectic albums in the catalog. The musicians themselves were familiar members of the On-U collective: Bruce Smith, Sean Oliver, Charlie Eskimo Fox, Nick Plytas, Style Scott, Steve Beresford, "Deadly Headley" Bennett, John Waddington, Bonjo Iyabinghi Noah, and George Oban all feature across the two Playgroup albums, both of which (as its title suggests) are combined onto this single disc. The music, for the most part, is the heavy, scratchy dub for which Sherwood is best known, haunting effects-riven instrumentals with the power to shake the solidest walls. But enough variables are shot through the brew to ensure that period critics had a hell of ...
| | Holly Near Crushed! The Love Song Collection CD (2002)
Let Love In songs
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Holly Near would be the first to admit that love songs are not her métier, and in fact, she admits it right up front in her liner notes to this compilation: "I was never much for writing love songs," she writes. "My passion was in social change music." But there have been a few love songs over the years, and now that she is repackaging her old Redwoods Records recordings into new thematic collections for Calico Tracks Music, she has assembled some of them here. The obvious exception to her aversion for love songs -- and the one that proves the rule -- is her 1987 album Don't Hold Back, on which she decided to try her hand at making a conventional pop/rock LP. With its synthesizers and heavy drums, its guest vocalists (Bonnie Raitt, Kenny Loggins), and its unconvincing songs, it was her weakest album. And it is compressed into the first eight tracks here, sounding no better (in fact, given the trendiness of its sound, a little ...
| | Gelbison 1704 CD (2004)
Let Love In album
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Edo Kahn: singer/guitaristPeter Farley: bass/horns/vocalsNadav Kahn: sonic keys/harp/vocalsArt Wilson: drums/cello1704 is a gentle and complex album that arouses both mind and body. Produced by good pal/music lover, Ian Ball of Gomez, 1704 was recorded in a somewhat spontaneously haphazard style on portable recording equipment in various make-shift locations across the globe and finally mixed at Peter Gabriel's Real World Studios in a tiny town called Box, in the UK. Formed just over two years ago and having performed one show together, Gelbison recorded a self-titled EP (their first collaboration with Ball) in a Bondi lounge room and released it through their own label Cheap Lapels. The EP version of the track Modern Station found its way onto the Triple J airwaves not long after. This was followed by a buzz of activity including the album's recording, signing to Virgin Australia, a UK tour, and the initial success already garnered by Metal Detector, Homelands and Good God the first three singles off the album. ~~~~~~~~~~~~What the critic's are saying about "1704":"...from ...
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| | Donald Byrd Royal Flush: RVG Series CD (1961)
Let Love In songs
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In the early 1960s, long before he'd pursue a funkier, electric direction, Donald Byrd was one of the leading trumpeters on the American jazz scene. Recorded in autumn 1961, ROYAL FLUSH is hard-swinging (with the baritone sax of Pepper Adams, how could it not be?) and deep-grooving hard bop. It does, however, point to aspects of jazz's future--note the poignant "Requiem," contributed by a young Herbie Hancock (this session's pianist) and the inventive drumming of Billy Higgins.
In the early 1960s, long before he'd pursue a funkier, electric direction, Donald Byrd was one of the leading straight-ahead trumpeters on the American jazz scene. ROYAL FLUSH, recorded in autumn 1961, is bold, swinging (with the baritone sax of Pepper Adams, how could it not be?), and deep-grooving hard bop. Yet, it does at times point to aspects of jazz's future--note the poignant "Requiem," contributed by a young Herbie Hancock (this session's pianist) and the inventive drumming of Billy Higgins.
Donald Byrd was at ...
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Let Love In album
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