Naomi Aquarium CD

Aquarium Music

List Price	$17.98 (You save $3.09)
Category	Rock/Pop Albums, Rock CDs, Jazz Instrument, Dance, Electronica, Classics (Silents / Avant Garde)
Label	Alfa Matrix
Orig Year	2006
All Time Sales Rank	272938
CD Universe Part number	7301182
Catalog number	73
Discs	1
Release Date	Nov 07, 2006
Studio/Live	Studio
Mono/Stereo	Stereo

Naomi Aquarium Songs

1.	Personal Big Bang
2.	Gone
3.	Another Bite of the Apple
4.	Perfect Day in Hell
5.	Relax She Said
6.	Anything Can Change
7.	Nothing
8.	Needle on the Record
9.	Just a Habit
10.	How Many Loves	$0.99
11.	Sorry Mister Please
12.	All I Need
13.	I Am Here

Aquarium Review

Guidelines
Remember to focus your comments on Naomi Aquarium CD.
Check our review guidelines for specific details regarding customer review policy.

To submit your review, please fill out the above form and click "Submit Review." A staff member will then verify your review meets our guidelines. Upon approval, your review will be published within a few days.

Please do not use this form to comment on web site errors or for order related questions. If you have concerns of this nature, please contact customer service by filling out this form.

To buy, Click on price to add to cart

Also Bought

Up, Bustle & Out One Colour Just Reflects Another CD (1996)

Aquarium album

$12.89

Also Bought

G B H Punk Singles 1981-1984 CD (2002)

Aquarium CD music

$10.45

Also Bought

Klaus Schulze Drums 'N' Balls CD (2006) Bonus Track; Reissue

Aquarium music CDs

$14.59

First released in 1997 under the Wahnfried moniker, then reissued in 2006 under Klaus Schulze's Wahnfried, Drums 'n' Balls is actually a solo Schulze CD. The man had been sporadically using the Richard Wahnfried alias since the late '70s, whenever he felt like releasing a collaboration project. Upon its original release, Drums 'n' Balls was credited to a number of musicians, including percussionists Joe "Dum Dum" Loevenstone and Sloto Olatunye, and bassist Venus Dupond, but those turned out to be bogus names. On the other hand, the album didn't sound or feel like a typical Schulze CD, so the man resorted to his alter ego one last time. Drums 'n' Balls is basically a dub record with keyboard patches thrown in. The drum machine occupies a central role throughout, as does a synth bass, the prime mover of the whole album. The title track is just that, drum machine and bass keyboard, intertwining in a dance at first languorous, later sedate. "Percussy" follows in a similar vein, with a bit more keyboard textures thrown in. After a pompous overture, "House of India" proposes samples from an Indian singer, followed by ...

Also Bought

John Mayer Battle Studies CD (2009)

Aquarium songs

$11.18

It's no secret that John Mayer is a 21st Century Fox, wining and dining women all through tabloid headlines, so it's about time he delivered an album that traded upon his loverman persona -- and Battle Studies is that record in spades. Retaining more than a modicum of the slick, soul-blues undertones of Continuum, Mayer fashions a modern groove album, a record that maintains a smooth seductive vibe so thoroughly it spills into a one-man band cover of "Crossroads." Mayer remains somewhat of a disciple of Slowhand, but he shows an unusual interest in the big AOR stylings of Journeyman, along with Stevie Ray Vaughan's In Step, creating a coolly clean blend of synths and Strats, one that's as much about texture as it is about song.something perfectly appropriate for a make-out album like this. Sometimes, Mayer dips too heavily toward the texture, but he can't resist a good, tight melody and builds the bulk of Battle Studies upon them: the elegant "Half of My Heart," the softly soulful "Perfectly Lonely." Here, Mayer is effortlessly seductive and somewhat irresistible, and it's easy to see why the ladies love cool John. It's no secret that John Mayer is a 21st Century Fox, wining and dining women all through tabloid headlines, so it's about time he delivered an album that traded upon his loverman persona -- and Battle Studies is that record in spades. Retaining more than a modicum of the ...

Also Bought

Tom Petty Live Anthology CDs (2009)

Aquarium album

$19.34

It's a commonly held opinion among fans and band alike that Tom Petty & the Heartbreakers' lone live album, 1986's Pack Up the Plantation, didn't quite capture the group at its peak, so there has been a long-standing need for another live set, which 2009's Live Anthology finally provides. Like its closest cousin, Bruce Springsteen's Live 1975-1985, Live Anthology almost overcompensates for the long wait by offering almost too much music, cherrypicking highlights from 1978 to 2007. In its simplest incarnation, Live Anthology is a super-affordable, four-disc box set running 48 tracks, which is eight cuts longer than Springsteen's box, plenty long enough for most fans, but in its deluxe version, available only through Best Buy, there's an additional CD, plus two previously unreleased DVDs -- a 1978 New Years Eve concert from Santa Monica, a documentary called 400 Days shot during the Wildflowers tour -- a Blu-Ray edition of all 62 tracks on the five-CD version, a vinyl copy of the 1976 Official Live 'Leg LP, plus a book and lithograph, along with other assorted bonuses. Certainly, the deluxe ...

Also Bought

Slayer World Painted Blood CDs (2009) With DVD; Deluxe Edition; Digipak

Aquarium CD music

$19.89

Bong Water Taffy CD (1996)

Aquarium music CDs

$12.05

Joe Cocker Luxury You Can Afford CD (1978) (Import)

Aquarium songs

$15.75

Luxury You Can Afford was Joe Cocker's only album for Asylum Records. Released in 1978 and produced by Allen Toussaint, it had all the pedigree to be a great recording. With Cocker's trademark wounded, Ray Charles-derived vocal style and Toussaint's genius with fluid, soulful horn charts, it really should have been another high-water mark in Cocker's career. That it only partly succeeds is the disappointment, but with this reissue from Wounded Bird Records, a reappraisal seems in order, and with hindsight, Luxury You Can Afford was much more solid an outing than it first appeared to be. Cocker's version of Bob Dylan's "Watching the River Flow" is a perfect cover, and Toussaint's horns give the arrangement a solid swing, and some swagger and punch as well. "I Can't Say No," written by John Bettis and Daniel Moore, could stand in as an autobiography of Cocker's early years, and lines like "I can't say no/I never could" sung in Cocker's woozy, world-beaten voice carry the ring of absolute truth, as does the soulful and wounded resignation of Cocker's signature rasp on "Wasted Years," a song written by Phil Driscoll. The lead track, the wonderful "Fun Time" (penned by Toussaint), was hyped ...