| | Melissa Ferrick In The Eyes Of Strangers CD Melissa Ferrick Discography of CDs
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Melissa Ferrick specializes in a frenetically strummed guitar style and strong vocal delivery that hold nothing back emotionally, and yet never overwhelm with bombast or pathos. On her twelfth full-length album (her sixth self-released one) she explores the vicissitudes of love, particularly that delicious period when the rush of new romance gives way to a more grounded devotion ("Never Give Up"), and the joyful feeling of giving your all without expecting anything back ("Everything You Get").
Recording information: Q Division Studios, Somerville, MA.
Personnel: Melissa Ferrick (vocals, acoustic guitar, E-bow, background vocals); Ethan Allen (electric guitar, grand piano); Erin McKeown (electric guitar, background vocals); Natalia Zukerman (dobro, background vocals); Rachael Davis (banjo, background vocals); Julie Wolf (accordion, grand piano, Fender Rhodes piano, Clavinet, Wurlitzer organ, keyboard bass, background vocals); Daren Hahn (drums, percussion); Tegan Quin (background vocals).
Audio Mixer: Ethan Allen.
In The Eyes Of Strangers Music | List Price | $16.98 (You save $3.43) | | Category | Rock/Pop Albums, Rock CDs, Alternative | | Label | Right On | | Orig Year | 2006 | | All Time Sales Rank |  84575  | | CD Universe Part number | 7301354 | | Catalog number | 62007 | | Discs | 1 | | Release Date | Oct 24, 2006 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Melissa Ferrick; Ethan Allen; Ethan Allen; Melissa Ferrick | | Engineer | Ethan Allen; Rafi Sofer; Ethan Allen | | Personnel | Tegan Quin - background vocals
Erin McKeown - electric guitar, background vocals
Julie Wolf - accordion, grand piano, Fender Rhodes piano, Clavinet, Wurlitzer organ, keyboard bass, background vocals
Daren Hahn - drums, percussion
Melissa Ferrick - vocals, acoustic guitar, E-bow, background vocals
Natalia Zukerman - dobro, background vocals
Natalia Zukerman - dobro, background vocals
Ethan Allen - electric guitar, grand piano
Rachael Davis - banjo, background vocals
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Melissa Ferrick In The Eyes Of Strangers Songs In The Eyes Of Strangers Music Review Purchase In The Eyes Of Strangers CD To buy, Click on price to add to cart | Melissa Ferrick Valentine Heartache CD (2001)
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| | Melissa Ferrick Listen Hard CD (2002)
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Melissa Ferrick has been around for several years, but emotionally she still seems like a twenty-something, with the seesaw of emotion characterized by youth rather than maturity. That works here and there -- after all, who wants to grow up and take responsibility for everything, especially in rock & roll? -- but a whole album of it becomes a little worrying. She's a fair guitarist, not too big on subtlety (although subtlety has never ...
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The first 35,000 copies sold included a limited edition bonus CD, including tracks from Richard Thompson's 1000 YEARS OF POPULAR MUSIC show and footage from his BBC documentary.
Finding refuge in the arms of indie label Cooking Vinyl after years of wandering the deserts of the major labels, Richard Thompson strips his band down considerably in conjuring up the rich material that graces THE OLD KIT BAG. Longtime Thompson fans will be pleased to find the man rocking along quite convincingly, whether its with the steady build of tension found in the wiry opener "Gethsemane," the chiming and chugging "I'll Tag Along," or the rollicking chant "Jealous Words," (featuring Linda-like accompaniment by background vocalist Judith Owen.)
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| | Melissa Ferrick Other Side CD (2004)
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"Look at me, I'm tough as nails" Melissa Ferrick sings on "Nebraska," a track from her 2004 release The Other Side on Right On Records. She says she can sing back the wind, but her strength is in her soul, unleashing it all with great determination. It's a really powerful, outstanding track on a disc where the singer plays all the instruments à la Paul McCartney's first solo ...
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The early-'90s pop-punk sound of Green Day (or if you're of a previous generation, the late-'70s pop-punk sound of the Buzzcocks) will never die. That is, not as long as youngsters like the guys in ...
| | Wheat Per Second, Per Second, Per Second... CD (2003)
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Wheat's fourth full-length effort arrives -- finally -- from Aware via Columbia, a full four years after the attractive indie fuzz of Hope and Adams. The label woes that caused the delay are notable only in their role as threshers for shucking Wheat from limbo to Aware, and turning Per Second, Per Second, Per Second...Every Second into the perfect record to shop at the end of 2003. In many ways, the Cambridge, MA, trio is like a Toad the Wet Sprocket for the 21st century. Just as Glen Phillips ...
| | Indian Meditation CDs (2005) Boxed Set
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| | Joe Walsh Barnstorm CD (1972)
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All songs by Joe Walsh except "Giant Behemoth" (J. Vitale), "I'll Tell The World" (A. Gordon/A. Jacobs), "Turn To Stone" (J. Walsh/Terry Trebandt), "Mother Says" (Walsh/Vitale/Passarelli).
Barnstorm, Joe Walsh's first solo album after leaving the James Gang, garnered him fame not only as a guitarist but also as a songwriter. While it's true that Walsh established himself as a late-'60s/early-'70s guitar hero on the Gang's more boogie-oriented rock numbers, it's Walsh's love of lushly textured production and spacy, open-ended songs featuring both acoustic and electric guitars that is showcased here on this wildly adventurous and forgotten unqualified masterpiece. Recorded at the Caribou Ranch in Nederland, CO, Barnstorm reflects the big sky and wide open spaces. Accompanied by bassist Kenny Passarelli and drummer Joe Vitale, Walsh freely indulges himself with fat guitars and keyboards, beautiful choruses, country tinges, and pastoral pop hooks, as evidenced by the glorious opener, "Here We Go." This segues, via the sound of a spooky lonesome wind, into the hauntingly beautiful psychedelic country tune "Midnight Visitor," with elegantly woven acoustic guitars, fat carnival organ sounds, and -- of course -- the sound of the wind before it slips out the back door. And so it goes with the nearly Baroque psychedelic suite of "One and One," which slides seamlessly into "Giant Bohemoth" (sic) and the rollicking "Mother Says." Everywhere on the album's front half, reverie and American mythological archetypes and history weave together, displacing the listener from the here and now. The openly pastoral country-tinged rock of the album's second half signifies Walsh's considerable gifts as a songwriter who uses his guitar as a dreamy, mercurial narrative device, as signified by the masterpiece "Birdcall Morning" -- one of the greatest rock & roll ...
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