| | Serpenteens Dead Men Walking CD Serpenteens Discography of CDs
SERPENTEENS were formed in late 1995 by Gee Grant and Mark Zap (known as “Fang Alphamayle” and “Bub Romero” when in character) as a side project to explore new musical and conceptual ideas not present within the context of their current bands at the time. Combining a passion for Horror and Zombie movies, with the love of theatrical bands (KISS, Misfits, Alice Cooper etc.), they began to lay the foundation for a concept. The look of the classic film "zombie" combined with a catchy "monsterpop" sound was to become a signature trademark.The project recorded a 4 song demo titled "Dead Men Walking", with Gee providing vocals, playing drums and guitars. Mark’s considerable talents were put to use for bass guitar duties and backing vocals. This rare demo became a favorite of underground tape traders worldwide. In 1997 (with the disintegration of both of the duos main musical projects) the two decided to revitalize the Dead Men Walking project and breathe into it new life - as a priority. A new name was chosen and the two recorded a follow-up 8 song demo titled "VoodooZombieSexDolls". These early demos were later released as a CD collection through MP3.com and sold almost 1,000 copies, as well as being distributed freely on the internet.Combining an infinite number of musical and theatrical influences the band has also created an unbelievably repertoire of well-crafted songs. In 2005 the band’s new lineup was rounded out by seasoned recording/touring veterans Frank Morin (Frank N. Stein) and Glenn Sorino (The Creature). In 2006 SERPENTEENS are back with new releases, songs and professional re-recordings of now-classic “monsterpop” material. Serpenteens Dead Men Walking Songs | 1. | X-Ray Eyes |
| 2. | Speak His Name |
| 3. | Silver Bullet |
| 4. | (Please Be My) Zombie Bride |
| 5. | Death Tripping |
| 6. | Hell California |
| 7. | All Around Me! |
| 8. | Day Of The Dead |
| 9. | Satana |
| 10. | More Than Human |
| 11. | Antennae |
| 12. | Calling All Monster Kids |
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Dead Men Walking Review
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Adiitional personnel includes: Veit Renn (conductor, guitar); Tony Battaglia (guitar); Brian Snapp (saxophone); Don Rogozinski, Rex Wertz, Scott Bliege (horns); Gary Carolla (keyboards, ...
| | Robert Urban Elegies CD (2000)
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This year 2000 CD release follows the 1997 critically acclaimed acoustic-rock debut "godless". Again, the multi-instrumentalist Urban performs all the vocals and nearly every instrument himself. Elegies combines elements of both heavy acid-rock and dreamlike balladic art-rock - and is laced throughout with orchestral, electric guitar & synthesizer textures.As provocative & introspective as ever, an additional air of haunting reminiscence pervades all the album's lyrics & music. Notably, this recording has enabled Robert to stretch-out and experiment on guitar - be it electric, acoustic, synthesized, bottlenecked, wah-wah'd, or wildly overdriven.Elegies consists of seven original songs, plus Robert's own novel, art-rock arrangements of works by 20th Cent "classical" composers Charles ...
| | Lazaro Piaui Forro Universitario CD (2005) (Import) Netherlands
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| | Members Uprhythm Downbeat CD (1982) (Import) Bonus Tracks; United Kingdom
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The punk-orthodoxy view of the Members is that after a string of promising reggae-tinged singles, the septet released one fine album in 1979's At the Chelsea Nightclub, then lost the plot completely with the follow-up, 1980: The Choice Is Yours, after which they're ignored with an embarrassed throat-clearing. In point of fact, however, the Members rebounded after their second album (which itself is actually not nearly as bad as many would have you believe, sort of the Members' own version of Sandinista! in its appealing looseness and lack of consistent focus) by ridding themselves of any lingering punk associations and going for a complete sonic makeover. The band joined up with producer Martin Rushent (Human League, Altered Images, the Go-Go's), who was a master of making unpromisingly non-commercial bands have big shiny hit records without losing their souls in the process. Rushent nailed it immediately with the Members, concocting the utterly delightful "Working Girl." A mixture of snarky lyrics about the joys of freeloading and a genuinely transcendent chorus, "Working Girl" is a classic '80s pop single and -- despite the protestations of the punker than thou -- easily the best thing the Members ever did. Yes, including "Solitary Confinement." Sadly, the rest of Uprhythm Downbeat doesn't reach the same heights, but the good outweighs the bad, including an inspired reggae version of Kraftwerk's "The Model," the self-celebrating "The Family" and "Boys Like Us," and another minor hit, "Going West." ~ Stewart Mason
The punk-orthodoxy view of the Members is that after a string of promising reggae-tinged singles, the septet released one fine album in 1979's At the Chelsea Nightclub, then lost the plot completely with the follow-up, 1980: The Choice Is Yours, after which they're ignored with an embarrassed throat-clearing. In point of fact, however, the Members rebounded after their second album (which itself is actually not nearly as bad as many would have you believe, sort of the Members' own version of Sandinista! in its appealing looseness and lack of consistent focus) by ridding themselves of any lingering punk associations and going ...
| | Thomas LeFevre River Of Grace CD (1999)
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Worship leader and singer-songwriter Thomas LeFevre's performing life began in the basement of a United Brethren church in Elkhart, Indiana. He was just old enough to stand up with his family in a church variety show. As a teenager, his love of music grew to include gospel, country, folk, and rock. "Way ...
| | WEED Inc Trampled, Beaten And Obeyed CD (1999)
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The ability of a three-piece rock band to create an incredibly rich, full sound has always been an amazement. Trampled, Beaten and Obeyed is an amazing recording. Without gimmicks and without generational angst, Weed, Inc. defies the musical trends of the moment and opts instead for earnest rock & roll convention. Acoustic guitars, touches of country rock, and a homespun element of sincerity fills the tracks on this recording, creating songs of immense emotion coupled with enjoyable lightheartedness. With wholesome goodness, "Bended Knee," "Queen Bee," and the thumping "King Eros" grab the listener with catchy hooks and memorable melodies. The influences of John Mellancamp and the Meat Puppets are easily identifiable, and that's what makes this disc such a welcome pleasure. ~ Roxanne Blanford
"Named after one of America's favorite plants, WEED Inc. play Post Grunge Power Pop with doubled male vocals and a low rumbling bass. The songs are memorable and worthy of uncontrollable foot tapping and the hand formation of the secret devil sign." -Listen.comAn alternative rock/pop trio from Portsmouth, NH, WEED Inc. delivers incredible melodies and emotionally-charged live performances, and is creating quite a buzz in the Northeast.Since forming in '98, WEED Inc., a NH supergroup, been honored with local awards for Best Alternative Band, Best Rock/Pop Band and Best Album ...
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