| | Michael Mayer Immer 2 CD - Import Michael Mayer Discography of CDs
Rumors about an Immer sequel started long before the delay of its release became prolonged. The wait shaped it into what must be one of the most anticipated dance releases in years. This is baffling in that it's a mix album based around previously released material, that it comes from a DJ who is often criticized for lack of flash and an emphasis on sequencing over traditional mixing, and that the DJ had issued two other mix albums since Immer. Conversely, it's a testament to Immer's durability and the DJ's near-iconic status in spite of an ego-less and relatively hands-off approach. It's also doubtful that any other active jock would hatch the idea of a mix album and spend well over a year waiting for all the components to make themselves available. In fact, going by the release dates of the selections on Immer 2, it's possible that Michael Mayer had the sequence of the first third of the mix in place for months, only to put it on the shelf for nearly half a year before resuming. All told, five of the 12 tracks came out in 2004 or 2005, which is another characteristic that flies in the face of conventional mix-album design. Mayer is evidently more concerned with putting together a set that won't lose its effect over the course of a year or two -- one that doesn't necessarily scream "November 2006." For its first 20 minutes, Immer 2 continues the stealth night-crawling quality of its predecessor and is even more sedate, slowly intensifying up a slight gradient. Ian Simmonds' "The Dog" is somewhat disarming in that it could've just as easily come from one of Barry Adamson's smoldering spybeat albums; and, on its own, Frank West's "2nd Booty" is surprisingly trad house by Mayer's standards, but both tracks are somehow bolstered by context. The mix takes a rather drastic turn toward the big and spacious with Justus Köhncke's "Advance," a track bold enough to sample the shuffling drums and snapping bass from (of all things) Boz Scaggs' soft-disco classic "Lowdown." The blitzing Todd Terje remix of Lindstrom's "Another Station" quickens the pace even more and seems like it was dropped in from an entirely different mix, as if Mayer had been spinning live and caved in to a persistent request. Once it fades away, the sequence resumes as it was before then, sounding every bit like Immer's younger sibling. For the most part, Mayer's knack for latching tracks onto one another is on full display. The truly stimulating moments are not as common as they are on Immer or Fabric 13, but expecting Mayer to maintain that degree of excellence is pushing it. ~ Andy Kellman
2006 release from the co-founder and co-owner of the Cologne-based Kompakt label and record store. His Fabric and Immer releases have been championed by fans and press alike. This mix CD brings together pulsating tracks from Frank West, The Rice Twins, Someone Else,DK7, Geiger and many others. Kompakt. Michael Mayer Immer 2 Songs Immer 2 Review
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$10.15 Midsummers - sleeve notes.Over a period of 18 months, 20 songs were written. In the process of selecting which songs to record for a CD, it became apparent that, unconsciously, many of the songs included consistent seasonal and pastoral themes. From the 20 songs written, these ones, threaded around feelings and elements of Summer, form Midsummers. Sumer Is A Cumen In: An English rounds song composed sometime between 1280 and 1350, marking Spring's end and the approaching Summer. Its appearance at the climax of film 'The Wicker Man', is one of the most evocative uses of a song anywhere in cinema. It's such a great song that we recorded three entirely different versions of it. Greenwood: A song conceived as part of an alternative soundtrack to the film 'Valerie and Her Week of Wonders'. Blood and Bones (2009): A new (very different) version of a song that originally appeared on our download-only release 'folk devils and moral panics', and the pysch-folk compilation 'Beyond The Pale'. An extended 2009 version will appear on a darkly folk compilation near the end of 2009. Corndolly: The making of Corn Dollies from the last sheaf of the harvest is a custom dating back to Pagan times. This song was originally going to be called either 'Countryman's Favour' or 'Corn Maiden' - both of which are forms of Corn Dollies. The Paper Owl and Golden Hare: This song was inspired by, amongst other things, a beautiful old folk art tile (thanks Lori) of an owl, an extremely tatty old hare, and partly from the 'The Owl Service' novel and its 1970s children's TV adaptation. Spinning and Singing: An updated version of another song appearing on 'folk devils!.'. Written somewhere between Trumptonshire, a Canterbury Tale and three (derelict) windmills surrounding an oft-remembered and still familiar village. Midsummers: Marking the journey from the end of Spring, through the death of Summer with the burning of the fields, and the start of Autumn (which is another story, another set of songs in fact). Midsummers reviews: Review by - The Shadows ...
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