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the cubethe cube are the Australian indie spoken word electronica duo of Terry McArthur ( spoken word vocals ) and Phil Rigger ( vocals, keys,and programming ). "Permanent Scars" is the name of their highly acclaimed debut album. SAIN MAGAZINE "Intelligent, irreverent, melodic rap with a real story-tellers eyes for detail ... the cube are a Sydney band on the rise"IN PRESS"The love child of Right Said Fred and Jack Kerouac. Party music is so much better when it has brains...scathing swipes at the subcultural stereotypes of the modern condition disguised as throwaway witticisms " THE MUSIC NETWORK "a distinct originality, a breath of fresh air ..."DAILY TELEGRAPH"Digital Gyspies" Permanent Scars Music | Category | Spoken Albums | | Label | CD Baby | | CD Universe Part number | 7310871 | | Catalog number | 105399 | | Discs | 1 | | Release Date | Sep 26, 2006 |
Cube Permanent Scars Songs | 1. | Deadman's Tales |
| 2. | Fuck 'em |
| 3. | Gravity |
| 4. | Cubism |
| 5. | Refugee |
| 6. | Doing Time In Eternity |
| 7. | How The Hurricane Started |
| 8. | Permanent Scars |
| 9. | Healing Vine |
| 10. | Maybe |
| 11. | Walking Skin |
| 12. | One Scars |
| Permanent Scars Review
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$17.09 I first met "Billy Mo" in '76; it was the American Bicentennial and we were freshman at The Maryland Institute College of Art. I believe it was early autumn and I was a greenhorn poet going to my first group reading at the urging of my poetry instructor, Joe Cardarelli. At that time, performance art was a big deal and I used props as visual aids in my poetry. I carried my beat up suitcase full of weird objects to the reading. Walking down the street from the opposite direction was "MO" also carrying a suitcase. We climbed the steps of the main building asking each other what was in the suitcases. As it turned out "MO" also had a bunch of weird junk in his luggage. At the reading, I read a piece about the City Fish Market Master being arrested for molesting little boys and the article told a sordid tale. His sister was a Catholic nun and no one knew of his perverse hobby. My props included rubber fish, a crucifix, a rosary, and underwear, among other stuff I do not recall. As I read the poem, I would pull objects from the suitcase which illustrated the story and then tossed them into a nearby garbage can. Then "MO" came on to do his poetry. He opened the suitcase and started puling out paper plates that had comic faces drawn on them. A mother, a small boy, a father among others too numerous to remember. He held the face plates in front of his head and became the characters in voice and gesture. It was hilarious as he switched from one paper plate to the next. I believe we were the first prop poets, mixing tragedy, comedy and poetry to create a new form. From that night on we became brothers in the world of art, music and poetry. As time passed we began doing one act plays and poetry readings all the time, everywhere. Growing more dissatisfied with the status quo of the art/poetry world at that time, we dropped out of college, in 1977 and started a band called "Da Moronics", Baltimore's first punk rock band, formed in 1977. He sang and I played guitar and we wrote songs together. For the next five years we lived a crazy life of anarchy, chaos and punk rock. We traveled to N.Y.C. and played C.B.G.B.'S. We played in D.C. at the original 9:30 Club. We were living the life of original PUNK ROCK GODS. As The 80'S creeped up on us, and punk rock died a quiet death, the band broke up and Billy MO pursued his other passion, painting. His images were so striking and fantastic at the time. Looking back now, they seem prophetic. Large canvases of clowns with guns and bombs wreaking havoc on ordinary people, like the terrorism we deal with on a daily basis. Ordinary images of a pie ...
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