| | Miyuki Nakajima Lullaby Singer CD - Import Miyuki Nakajima Discography of CDs
Lullaby Singer Music | List Price | $54.99 (You save $3.74) | | Category | World Albums, Japanese CDs | | Label | Phantom | | CD Universe Part number | 7314021 | | Catalog number | 640639 | | Discs | 1 | | Release Date | Nov 28, 2006 |
Lullaby Singer Review
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$10.39 Released, not coincidentally, just before 2004's festival, this 13-track recap of the 2003 show is an adequate, sometimes exhilarating, always interesting overview of the yearly event. With more than 130 acts playing over three days (September 19-21, 2003), this sampler barely scratches the surface. That is especially frustrating because it is 15 minutes short of the possible CD time. But everything here is well played, beautifully recorded, and indicative of the musical breadth of the lineup. Interestingly, only Steve Earle and Jack Ingram are Texas-bred. But the organizers and album compilers mix things up musically, even though all the acts are guitar-based, American (Steve Winwood lives in the U.S. now), and extol a rootsy sensibility. Anyone attracted by a live cut from one of his or her favorites will probably enjoy the rest. The set does an excellent job of introducing worthy and relatively obscure performers such as rockers Kings of Leon, singer/songwriter Abra Moore, Southern flame-keepers Drive-By Truckers, Martin Sexton, and the emo of Bright Eyes. Only Robert Randolph is joined by guests (North Mississippi Allstars' Luther and Cody Dickinson), and with the amount of cross-pollination at the festival, it's disappointing not to hear other one-off collaborations. The song choices are unusual, since no artists are represented by their most popular material. Drive-By Truckers opt for the sludgy ballad "Outfit," Bright Eyes rushes through the little-known "Spent On Rainy Days" like frontman/singer Conor Oberst needs to get to the rest room, and Jack Ingram's midtempo, simplistic "Keep On Keepin' On" probably won't end up on his greatest-hits album. Only Nickel Creek are unplugged for their "Smoothie Song" bluegrass instrumental, which is strange for a lineup so steeped in Americana. Still, this is a sturdy and consistently enjoyable compilation. With its various genres, styles, and talents, it should expose deserving new names to those who enjoy the PBS show that sponsors the event. ~ Hal Horowitz
Recording information: Zilker Park, Austin, ...
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$15.39 Believe it or not, Gold is the first compilation with U.S. distribution to provide a fair and rather thorough glance at Kool & the Gang's career from 1969 through 1987. Dozens upon dozens of other sets either focus on one of the group's distinct eras or attempt clumsily to appease those who want "Jungle Boogie" and "Joanna" in one spot. The Chronicles catalog division of Mercury realized that roughly 90 percent of Kool & the Gang's chart hits can fit neatly on two discs, so this is an ideal package for casual fans who can appreciate raw '70s funk and slick, radio-friendly '80s R&B. It would be impossible to plot a thorough introductory course across two discs, since the group's catalog runs too deep. There wasn't enough room for the likes of "Steppin' Out," "Jones vs. Jones," "Slick Superchick," or "Take It to the Top," all of which were popular on black radio stations, and the compilers' decision to focus on the biggest singles means that a lot of subdued album cuts -- such as "Breeze and Soul" and "Winter Sadness" -- aren't factored in. A lot of care went into the presentation, with plenty of photos, thorough chart-placement information, and insightful liner notes from group associate Cleveland Brown. No Kool & the Gang compilation can be flawless, but this is one of the best ones out there. ~ Andy Kellman
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