| | Uji Oma'Oma'O Aloha! Hawaiian Skguitar CD Uji Oma'Oma'O Discography of CDs
Aloha! Hawaiian Skguitar Music Uji Oma'Oma'O Aloha! Hawaiian Skguitar Songs | 1. | Hula Blues |
| 2. | Pua Lena/E Huli Ho'I Mai/Kealoha |
| 3. | Pua Sadinia |
| 4. | Maunaloa/Pauoa Liko Ka Lehua |
| 5. | Kimo's Slack Key |
| 6. | Kaulana Na Pua |
| 7. | Adios Ke Aloha (Prince Leleiohoku) Paniolo Fandango |
| 8. | Molok'I Waltz |
| 9. | Nanea Kou Maka I Ka Le'ale'a |
| 10. | Paniolo Fandango |
| 11. | Manini |
| 12. | Opihi Moemoe |
| 13. | Maori Brown Eyes |
| 14. | Paniolo Slack Key |
| 15. | Kanaka Waiwai |
| 16. | Ahe Lau Makani |
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Aloha! Hawaiian Skguitar Review
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To the songwriter/musician who has neither burned, bailed nor sold out, there comes a time when he or she turns from writing about who they are in the current moment to writing about who they have always been, addressing head-on their roots, sources and influences. SISTER HOLLER, the newest and 14th career release from Nerissa and Katryna Nields, is a "roots album," but with a difference. Rather than simply reinterpret or re-record the music what brung 'em, the sisters from Western Massachusetts, have decided in Sister Holler to retool, assimilate and flat out burgle the music they grew up with to create something new. They tell the listener right up front that they're even going to lift entire lines from some of the best songs ever written, and then they do it, right before your very ears. The result is a delightful oxymoron of songs simultaneously familiar and surprising.On Sister Holler, the Nields’ "Moonlighter" revisits the old folk song, "Moonshiner" (about an alcoholic in love with the bottle) with songwriter Nerissa incorporating the actual lines, "I'll eat when I'm hungry, I'll drink when I’m dry." But in Nerissa's version the new narrator is in love with an unattainable lover. "Abington Sea Fair" is "Scarborough Fair" from a woman's point of view, with genders swapped. "This Train" is a populist anthem for today and kind of a commentary on the state of the nation, particularly the polarization between Republicans and Democrats. "We'll Plant an Oak" is a post-modern response to "The Water is Wide". On the song "Endless Day", Nerissa made the decision to use the progression from Johann Pachabel's "Canon in D", commenting, "but Blues Traveler used it. Sophie B. Hawkins used it. You can find it all over the place." Indeed, part of the fun of Sister Holler is listening for the references.Nerissa and Katryna Nields have been the darlings of the coffeehouse/festival scene since 1991, with tunes ranging from off-the-hook idiosyncratic to kicking to heartbreaking. "Our parents were total folkies," says Nerissa. "Their first date was a Pete Seeger concert and their second was a Harry Bellefonte concert. We used to go to a family camp in the Adirondacks every summer where people sat around a fire. That's where I learned how to finger pick. The music teacher at our school, ...
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