| | Blue October Foiled CD Blue October Discography of CDs
Yet Blue October are admirably restless, and seldom rely on formula. FOILED also ranges from subtle and introspective numbers ("18th Floor Balcony") to edgy hard rockers ("Drilled a Wire Through My Cheek") to electro-dance ("X Amount of Words"), making for a rock album with dimension, polish, and substance.
UK pressing of the Texas rockers' third studio album featuring two bonus tracks: 'Independently Happy' and 'Chameleon Boy'. 15 tracks total including the hit single 'Hate Me'. Island. 2006.
Texas outfit Blue October have been gaining notoriety since the late 1990s with their brand of eclectic alt rock. 2006's FOILED builds on the band's past accomplishments, and represents one of their most focused and ambitious efforts. "Hate Me," the album's first single, shows that Blue October are no strangers to catchy, radio-ready songcraft, a quality that helps endear the group to many.
Blue October: Justin Furstenfeld (vocals); CB Hudson (guitar); Ryan Delahoussaye (violin); Matt Noveskey (bass guitar); Jeremy Furstenfeld (drums).
Foiled Review
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Purchase Foiled CD To buy, Click on price to add to cart | Rod Stewart Soulbook CD (2009)
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Foiled CD music
$16.24 Initially planned solely as a standard double-disc reissue in the wake of the blockbuster success of The Fame, Lady Gaga decided to release the new material as a separate EP called The Fame Monster in addition to the standard two-CD set, where it's tacked onto a now standardized version of her debut. It's a nice move for fans, plus it helps emphasize the new material, which does act as a bridge from the debut to a forthcoming full-length. Everything on The Fame Monster bears a galvanized Eurotrash finish, as evident on the heavy steel synths of "Bad Romance" and the updated ABBA revision "Alejandro," as it is on the rock & roll ballad "Speechless" -- its big guitars lifted from Noel Gallagher -- and the wonderful, perverse march "Teeth." Even the stuttering splices on "Telephone," a duet with Beyoncé, leans to the other side of the Atlantic, which just emphasizes the otherness that's become Gaga's calling card. And even as she's becoming omnipresent, with her songs mingling with those who co-opt her on the radio, she still is slightly skewed, willing to go so far over the top she goes beyond camp, yet still ...
| | Neil Young Harvest Moon Live CD (2009)
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$14.44 Unlike previous entries in Neil Young's Archives series, Dreamin' Man Live '92 does not capture a specific gig. Instead, it's a compilation of highlights from the tour he took prior to recording Harvest Moon, as he aired the album's ten songs alone with his guitar (or on one occasion each, his piano and banjo). ...
| | Mariah Carey Merry Christmas CD (1994)
Foiled songs
$8.75 At this stage of her career Mariah Carey does not need to prove herself, but her voice is so powerful that with each new recording she, once again, reminds you: "Listen to what I can do." Vocal gymnastics and Christmas songs are not often thought of as a compatible combination, but on MERRY CHRISTMAS Mariah jumps, climbs, crawls, twirls and dashes her way through both traditional fare and original Christmas songs.
She shifts through styles, offering fans from all musical camps a gift of their own. Her "Silent Night" shows off a studied vocalization where liquid ...
| | Jethro Tull: Live At Madison Square Garden 1978 DVDs (2009) With CD
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| | Rammstein Liebe Ist Fur Alle Da CDs (2009) Bonus Tracks; Deluxe Edition; Digipak
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$17.59 Anyone familiar with the industrial-metal band's dark sense of irony should take one look at the title of Rammstein's 2009 album LIEBE IST FUR ALLE DA ("Love Is There For Everyone") and conclude that this one is a mean monster. Combining the tightness and punch of their 1998 album SEHNSUCHT with the musicianship and elaborate textures of their later work, LIEBE IST is a grand achievement, skillfully dividing its time between razor sharp metal rockers like "B********" or the opening theme song "Rammlied" and nostalgic, cabaret pieces that conjure the spirits of Weil and Brecht at a goth club. Best of the latter is the naked and haunting closer "Roter Sand" but little touches of a sinister yesteryear are everywhere, like the fake vaudeville music in "Haifisch" or the soundtrack strings of "Wiener Blut" which are eventually overcome by a guitar crunching juggernaut. This strange ...
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| | High Dials New Devotion CD (2003)
Foiled music CDs
$12.65 A quartet from Montreal, the High Dials are firm believers in the three Bs: the Beatles, the Byrds, and British psychedelia as purveyed by the Who and the Pretty Things. Their second record, A New Devotion, is a pleasant trip back to the '60s that is also a quaint concept album dealing with the travails of Silas, an average guy trapped in a futuristic nightmare. As with most concept records, the narrative flow is kind of fuzzy, but that is no big deal because the songs themselves (like the dreamy "Desiderata," the subdued "Leaving Alphaville," and the peppy "Morning's White Vibration") are mostly pretty decent. The group blends the soaring harmonies and jangling guitars of the Byrds with the charging songcraft of the mid-period Beatles and tops it all off with a heady dose of pastoral psychedelia in the lyric department and on the occasional tune like the trippy "Can You Hear the Bells?" The melodies are strong and the performances convincing, and if you dig where the bandmembers are coming from, it is hard not to be impressed at the skill with which they capture the feeling of the mid-'60s. The only faults with the record: at a little over an hour, the disc is about 20 minutes too long, and the band doesn't seem too interested in the thing that helped make the three Bs so groundbreaking -- a sonically imaginative and exciting sound. The High Dials are too polite-sounding and too willing to play things straight to truly measure up to their heroes in any meaningful way. Too many of the songs feel like rote imitations; by the end of the record one is left with ...
| | Bobby Darin Big Sur CD (2004)
Foiled songs
$11.79 The period in the late 1960s during which Bobby Darin turned to a sort of vague folk-rock style has always been difficult to grasp. In part, that's because some of the recordings (particularly those on his own Direction label) have been difficult to find, whether on the original vinyl or via reissue; in part, that's because his folk-rock material was interspersed with other releases during the same era in which he recorded in much different styles. Songs From Big Sur does collectors and Darin fans a favor by assembling much of his more obscure folk-rock-ish 1965-70 material in one place, largely taken from his 1968-70 Direction releases (both on LP and 45), although there are also a couple of little-known Atlantic singles. Best of all, from the hardcore Darin fanatic's viewpoint, there are also eight previously unreleased tracks, as well as two done for Atlantic that were not released at the time they were cut.
So, does it add up to a major chapter of Darin's discography? Not really, though it was an interesting one. It was a time where Darin was moving to more personal ...
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