Real Abba Gold Dancing Queen CD

Dancing Queen Music

List Price	$15.98 (You save $2.19)
Category	Rock/Pop Albums, Rock CDs
Label	Phantom
CD Universe Part number	7320463
Catalog number	642135
Discs	1
Release Date	Oct 24, 2006

Dancing Queen Review

Guidelines
Remember to focus your comments on Real Abba Gold Dancing Queen CD - Import.
Check our review guidelines for specific details regarding customer review policy.

To submit your review, please fill out the above form and click "Submit Review." A staff member will then verify your review meets our guidelines. Upon approval, your review will be published within a few days.

Please do not use this form to comment on web site errors or for order related questions. If you have concerns of this nature, please contact customer service by filling out this form.

To buy, Click on price to add to cart

Also Bought

Slayer World Painted Blood CD (2009)

Dancing Queen

$9.55

Also Bought

Katatonia Night Is The New Day CD (2009)

Dancing Queen

$14.38

Also Bought

Michael Jackson Thriller CD (1982) Bonus Tracks; Remastered; Special Edition

Dancing Queen

$3.99

Also Bought

Van Der Graaf Generator: Live At The Paradiso DVD (2009)

Dancing Queen

$14.02

Also Bought

Let It Rock: The Jerry Garcia Collection, Volume 2 CDs (2009) Digipak

Dancing Queen

$14.34

Also Bought

Epica Design Your Universe CD (2009)

Dancing Queen

$13.14

Dutch pomp-metal band Epica, fronted by classically trained mezzo-soprano Simone Simons, released their second album for Nuclear Blast only a year after their label debut, ...

Brandon Fields Fields & Strings CD (1999)

Dancing Queen

$9.09

One of the greatest cultural blessings of the past century is the legacy of the popular song. No matter the passage of time or circumstance, the first few notes of a treasured standard has the power to set the heart soaring and the mind reflecting. An artist and musician whose personal resume is as stylistically expansive as his personal collection of influences, saxophonist Brandon Fields has, since the mid-1980s, built an impressive jazz discography upon an exciting blend of colorful originals and artful covers of be-bop and modern R&B classics. On the aptly titled Fields and Strings, Fields -- working with an orchestra led and contracted by his wife Gina Kronstadt and the magnificent arrangements of Grammy winner Jorge Calandrelli -- pays homage to a bygone era in modern music with new and inspired interpretations of 12 of his favorite all-time pieces. Not surprisingly, the project took shape as something of a family activity, with Mr. and Mrs. Fields acting as executive producers and Kronstadt -- a veteran concertmaster whose strings have backed everyone from Sarah Vaughn to Earth, Wind & Fire -- playing violin and contracting the orchestra. Kronstadt had worked extensively in the past with Jorge Calandrelli, well-known for his arrangements for such diverse artists as Yo-Yo Ma, Tony Bennett, Eddie Daniels, Gloria Estefan, and Barbra Streisand. Fields had always loved the arranger's unique and intricate combination of harmonic sophistication and overall beauty of presentation. A 40-piece string section (violin, violas, cello) creates masterful mood swings and atmospheres behind the principal quartet of Fields on alto, tenor, and soprano saxes, Alan Pasqua on piano, Dave Carpenter on bass, and Peter Erskine on drums. Fields and Strings begins with Fields' wistful soprano melody creating a dreamy counterpoint to the increasing rhythm of the strings ...

G G Allin Rock 'N' Roll Terrorist CD (2003)

Dancing Queen

$31.45
ROCK 'N' ROLL TERRORIST has two discs full of songs and spoken word tracks (with titles too vulgar to print!) from extreme punk rocker G.G. Allin. G.G. Allin may just have been rock's premier carnival freak. Which is, all freaks considered, saying a lot. But for anyone who caught his act, or saw the documentary Hated, it would not seem such an outlandish claim. And like all great carnival freaks, it's hard to tell where the deformity ended and the cosmetics began. While Rock 'N' Roll Terrorist may not help solve this conundrum, it does provide an excellent -- though rather repetitive -- sketch of this guttersnipe enigma. Repetitive in that, once you've heard six or eight tracks/rants, you may feel like you've heard them all. And there's good reason for that. Again and again G.G. screeches about how much he hates the world and everyone in it; how he has his own perverse, "revolutionary" agenda; how he is prepared to commit any depraved act against any man, woman, or child; how violent death (preferably suicide) is the ultimate expression of non-conformity. Pretty quickly, one is inclined to believe that Allin's just utterly desperate to go "over the top" but doesn't quite have the vocabulary, or anti-musical smarts, to do it. At the same time, his work is the supreme mangled car wreck that you crane your neck to see. Heightening the experience on Rock 'N' Roll Terrorist is a slew of live cuts (make no mistake, Allin's prime "virtue" was as a live "artist"), and several not-so-obtuse spoken word pieces. Most of the songs of this two-hours-plus, two-disc set are badly recorded, badly played, grating punk -- though the playing tends not to be unbearable, genre considered, apart from a few absolutely appalling guitar solos that could not even take the escape hatch of "anti-music." And yet, like the guiltiest of guilty pleasures, there is some allure. Sometimes the lyrics click or the sonics blitz. Occasionally, the themes resonate a little and do indeed "beg the question." And just here and there, one is drawn to wondering to what extent this rock and roll freak/terrorist was for real. (At the end of "My Prison Walls/20645," Allin groans again and again, over howling guitar feedback, "That's not noise/That's just my mind going off in different directions/You see, it doesn't run concurrent with the rest of the world.") Therein lies the titillation and only cerebral stimulation to be had. Hence, G.G. Allin should not be dismissed out of hand. Any performer, however lowbrow, who can stir up so much controversy and critical perplexity, warrants a place in the annals of rock and, in ...