| | Vixen Live & Learn CD - Import Vixen Discography of CDs
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For Live & Learn, Vixen's first new studio release in nearly ten years, one of the few all-female heavy metal bands to prosper in the '80s continues to focus on highly commercial, mainstream rock. But unlike the last studio album credited to Vixen, 1998's Tangerine, the players are completely different. The only remaining original Vixen member left in attendance is guitarist Jan Kuehnemund (who did not even appear on the aforementioned album), who is now supported by an all-new cast -- singer Jenna Sanz-Agero, bassist Lynn Louise Lowrey, and drummer Kathrin Kraft. Although released in 2006, close your eyes and Live & Learn will transport you back to the late '80s -- as evidenced by such selections as the title track and "Don't Want It Anymore" (the latter of which proves that Sanz-Agero has her Stevie Nicks-isms down pat). With only a single original member left, perhaps it's time to nix the Vixen moniker. ~ Greg Prato
Vixen, the queen's of metal, the female Bon Jovi, however you have heard Vixen described, one of the things you will definitely know is that they were one of the most successful female rock bands in the world. Massive hits like 'Edge of a Broken Heart' and 'Love Is A Killer' heralded their position in the rock charts, and made them a permanent fixture on all the most popular rock compilation albums of the 90's. Live & Learn Music | List Price | $17.97 (You save $1.68) | | Category | Rock/Pop Albums, Rock CDs, Hard Rock | | Label | Demolition | | Orig Year | 2006 | | All Time Sales Rank |  311026  | | CD Universe Part number | 7322030 | | Catalog number | 156 | | Discs | 1 | | Release Date | Dec 12, 2006 | | Mono/Stereo | Stereo | | Producer | Dennis MacKay | | Engineer | Dennis MacKay | | Recording Time | 43 minutes | | Additional Info | England; United Kingdom |
Vixen Live & Learn Songs | 1. | Anyway |
| 2. | Live and Learn |
| 3. | I Try |
| 4. | Little Voice |
| 5. | Pacifist |
| 6. | Don't Want It Anymore |
| 7. | Love Song |
| 8. | Angry |
| 9. | I'm Sorry |
| 10. | You Wish |
| 11. | Suffragette City |
| 12. | Give Me Away |
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Live & Learn Music Review Purchase Live & Learn CD To buy, Click on price to add to cart | Styx One With Everything CD (2006) Import
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Continuing the grand tradition of hard-rock bands collaborating with full orchestras, the Styx live album, ONE WITH EVERYTHING, features the 1970s superstars ...
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| | Billy Squier Emotions In Motion CD (1982) Reissue
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Emotions in Motion, the excellent follow-up to Billy Squier's sophomore outing Don't Say No, saw Squier rise from theater headliner to bona fide arena rock sensation by delivering his most consistent solo record to date. Or at least one just as good as its predecessor. On this slice of AOR heaven, Squier expands on the Led Zeppelin-influenced exploits of Don't Say No. Right off the bat, Squier delivers an immediate blow to the head on the album's opening triumvirate "Everybody Wants You," "Emotions in Motion" (a distant cousin of Queen's "Get Down Make Love" no doubt), and the moody "Learn How to Live." Backed by longtime cronies -- drummer Bobby Chouinard, guitarist Jeff Golub, and keyboard player Allan St. John -- Squier effortlessly leads his ace band through the boogie-woogie of future concert staple "Keep Me Satisfied." Squier also takes a few chances by veering into Rolling Stones territory on the horn-laced "Catch 22." Borrowing heavily from "Tumbling Dice," "Catch 22" foreshadows a style that would become more prevalent ...
| | Twisted Sister Stay Hungry CDs (1984) Bonus CD; Remastered; Deluxe Edition
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Motley Crue may have been the glam metal kings of the '80s. But, for a while at least, Twisted Sister gave them heated competition. While the Crue and their L.A. cohorts (Ratt, Dokken, etc.) were dead-serious in their approach, Twisted Sister's music and videos always contained an element of humor-something most bands of the era sorely lacked. 1984's STAY HUNGRY was Twisted Sister's double-platinum breakthrough, its popularity spurred by the imaginative (and hilarious) videos for the hits "We're Not Gonna Take It" and "I Wanna Rock."
The Long Island-based Twisted Sister built a solid following, gigging constantly since the early '70s and riding on the strength ...
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| | Beyond Space Presents, Vol. 1 CD (2003)
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| | Kris Tiner There, Just As You Look For It CD (2005)
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TIN/BAG, the bi-coastal duo of California trumpeter Kris Tiner and New York guitarist Mike Baggetta deals with a music that is spare, ethereal, and highly exploratory, "clearly cut from cloth that hasn't been designed yet..." (–Improvijazzation Nation). Both are among a generation of young creative musicians who are contributing original new music and pushing a re-examination of the roles and possibilities of their instruments. Tiner and Baggetta have toured the United States presenting their original duo compositions and improvisations, having performed at CBGB's (NYC), The Luggage Store Gallery (San Francisco), Zeitgeist Gallery (Boston), Line Space Line (LA), Bowery Poetry Club (NYC), High Mayhem (Santa Fe) and Café Metropol (LA) among others. Their debut CD for pfMENTUM, There, Just As You Look For It, was met with enthusiastic reviews and continues to receive international airplay. TIN/BAG’s latest CD And Begin Again, recently released on Evander Music, finds the two reinterpreting the idea of the duo with several new compositions along with two extended works for quartet that feature virtuoso L.A. clarinetist Brian Walsh and rising jazz percussionist Harris Eisenstadt.: : :"Careful listening is always evident as the two play off of each other, whether shadowing lines or counterbalancing densities and textures of the freely evolving pieces… What stands out is the tension the two create as they shape the improvisational forms with the juxtaposition of raw extended technique and resonating tones and hanging harmonics… the two maintain a taut, insightful approach to duet interaction."– Michael Rosenstein, Cadence Magazine“Tiner plays through a spectrum of tones and approaches, well matched by Baggetta’s inventive, wiry guitar inventions. Both embrace an aural adventurousness that leads the listener to unforeseeable soundscapes and ear dreams.”– Rex Butters, All About Jazz Los Angeles“Space is the canvas, timing is relative. The full timbre and resonance of tones suspend ...
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