| | Rachel Proctor Where I Belong CD Rachel Proctor Discography of CDs
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West Virginia singer Rachel Proctor may have scored a hit with her debut album, but hers is not an overnight success story. Proctor started singing country music and writing songs when she was still in her teens. After moving to Nashville, she played in a band with future star Blake Shelton and later had one of her songs cut by Martina McBride. All this experience surely went into the recording of WHERE I BELONG.
Proctor's first album finds her solidly on the contemporary side of country. There are some twangy guitars and weeping pedal-steel lines here and there, but arena-sized pop/rock and power balladry are dominant elements; Proctor sounds like she's listened to as much Elton John and Journey as anything out of Nashville. Nevertheless, she avoids gimmicky songs in favor of a more intimate approach. This is exemplified in the lyrics of "Me and Emily," a heartfelt song about a mother and her young daughter that sounds drawn from personal experience. With her pop smarts and down-home roots, the top of the country charts is clearly where Proctor belongs.Entertainment Weekly (p.89) - "[S]he hits her stride with songs of strong, independent women..." - Grade: B Rachel Proctor Where I Belong Songs Where I Belong Review
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Purchase Where I Belong CD To buy, Click on price to add to cart | Linda Ronstadt Heart Like A Wheel CD (1974) Gold; Remastered
Where I Belong album
$25.65 There are just no two ways about it: if you call yourself a fan of '70s music, you simply must have Linda Ronstadt's HEART LIKE A WHEEL. Like Fleetwood Mac's RUMOURS and The Eagles HOTEL CALIFORNIA, this is a masterpiece that has earned a spot in every record collection that's worth its salt. Ronstadt, the '70s queen of southern California country-rock, is in pristine form. Her angelic voice is flawless as each track flows from one to the other like a gentle stream.
Not only do you get the hit "You're No Good" and the Everly Brothers' classic "When Will I Be Loved," but the sorrowful title track and Hank Williams' "I Can't Help It (If I'm Still In Love With You)" give testament to Ronstadt's legendary feel for driving the emotion home. What's more, if the powerful "Willing" doesn't ...
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| | Kluster 1969-1971 CDs (2008)
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$21.89 The first three records by Kluster (later to be known as Cluster) are triumphs in the outgrowth of Krautrock, although rather illogically, they have nothing to do with rock. Recorded during 1970 and 1971 by the trio version of Kluster (comprised of Hans-Joachim Roedelius, Dieter Mobius, and the soon to depart Conrad Schnitzler), they were determinedly experimental creations that predated sampling technology by applying the techniques of musique concrète -- usually found sounds such as marbles in a bowl, heavily processed with the studio techniques of honorary Kluster member Conny Plank. A pivotal member of the team, Plank was an engineer extraordinaire who provided the direct link between musique concrète and Krautrock (he assisted Edgard Varèse in some of his early creations). And perfectly befitting the late-'60s counterculture, Kluster were not shy about politicizing their recordings. The trio included on its first two albums -- Klopfzeichen and Zwei-Osterei -- a series of spoken word passages written by poets who were critical of contemporary German society, both the indifference of the establishment and the political detachment of youth in general. The usefulness of the three-disc Water reissue 1970-1971 is at least ...
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