| | Soulhead Kiminokiseki/ Itsumademo CD - Import Soulhead Discography of CDs
Kiminokiseki/ Itsumademo Music | List Price | $17.99 (You save $0.90) | | Category | World Albums, Japanese CDs | | Label | Phantom | | CD Universe Part number | 7324732 | | Catalog number | 644159 | | Discs | 1 | | Release Date | Dec 12, 2006 |
Soulhead Kiminokiseki/ Itsumademo Songs | 1. | I Just |
| 2. | I Believe... |
| 3. | I Just (Instrumental) |
| 4. | I Believe... (Instrumental) |
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Kiminokiseki/ Itsumademo Review
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Originally released on Swallow (6011) in 1965 and Swallow (6019) in 1974. Includes French and English translations.
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In the '80s, college towns all across both the United States and England suddenly sprouted bands that took the urgency of punk and post-punk music and married it to music that was altogether more polite and inviting, featuring catchy, jangly guitars and artless, naïve vocals. A few of these bands went on to bigger things -- you might have heard of a couple little bands called R.E.M. and the Smiths -- but most of them lasted for a couple of singles, maybe an EP, occasionally a full album, before breaking up when the bass player decided to go back to his chemistry degree. A similar fate might befall Human Television, a quartet from the Southern college town of Gainesville Florida, which would be a shame. This EP's worth of short, tuneful songs featuring (mostly) rushed tempos and (always) chiming guitar lines and vocals that dance right on the edge of off-key is a shambling mess, in the most endearing way possible. The minimalist lyrics of songs like "Saw You Walking By" ("Saw you walking by the other day/I said hey...hey hey hey-hey") and "Tell Me What You Want" (two sets of lyrics sung over each other three times in a row) fit their invitingly offhand melodies to a tee, and every one of these songs is a miniature marvel of rackety indie pop. The white-vinyl 12" edition includes one song not found on the CD. ~ Stewart Mason
You know those late night moments, where you find yourself sitting in front of the TV, flipping through channel after channel, wishing there was something-anything-on that you'd actually like to watch? Or when you're driving through the darkness, scanning the radio dial from end to end, desperately searching for a song that won't offend your ears? Human Television not only understand these moments, but embody an alternative. "Our primary motivation for writing music is to make more music that sounds like the music we like to listen to," says band frontman Billy Downing, matter-of-factly. And clearly, he's onto something. After all, maybe the reason we can't always find something on that we enjoy is because so many people are so busy trying to create the next big craze that they forget what made them want to create in the first place. Human Television, on the other hand, didn't have to go through a period of experimentation and self-discovery to know what they were about. In fact, all it took was a rough demo, a handful of shows, and a little over a year of making music together for the Gainesville, Florida-based band to find themselves picked up by Gigantic Music for doing exactly what they set out to do. They simply made more of the music they liked.The bands that made that music originally, the ones that inspired Downing and his bandmates - guitarist Boyd Shropshire, drummer Mario Lopez and bassist Richard Davis - are some of the big names from the past. The Wedding Present is the most common parallel drawn to Human Television, but the group will also name New Order, R.E.M., the Kinks, and even Sam Cooke among its influences. Throw it all together and you get the kind of quirky, minimal indie-pop that makes up the band's debut EP, All Songs Written By: Human Television. It's a seven-song release that doesn't so much contribute to any kind of new wave revival as actually catapult you completely back into the past. Sandwich the disc between a Talking Heads album and a Wire release, and you'll forget the millennium ever even rolled over."As musicians, we have basically devoted our lives to the pursuit of that inexplicable characteristic in certain songs that makes a person want to listen to them 50 ...
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