| | Harry And The Potter Voldemort Can't Stop The Rock CD Harry And The Potter Discography of CDs
Voldemort Can't Stop The Rock CD
Harry And The Potter Voldemort Can't Stop The Rock Music Harry And The Potter Voldemort Can't Stop The Rock Songs | 1. | Voldemort Can't Stop The Rock! |
| 2. | The Weasle |
| 3. | The Missing Arm Of Victor Krum |
| 4. | Fred And George |
| 5. | Keeping Secrets From Me |
| 6. | Cornelius Fudge Is An Ass |
| 7. | Dumbledore's Army |
| 8. | These Dreams Are Dark |
| 9. | Stick It To Dolores |
| 10. | SPEW |
| 11. | The Human Hosepipe |
| 12. | Luna Lovegood Is Ok |
| 13. | The Godfather: Part II |
| 14. | The Weapon |
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Voldemort Can't Stop The Rock Review
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Glitter and Doom Live, a double-disc set, marks Tom Waits' third live effort in his nearly 40-year career, each one summing up his career to the point of its release. The first, Nighthawks at the Diner issued in 1975 on Asylum, is regarded by many as one of the greatest live albums of all time. The second was Big Time, released during his tenure at Island in 1986. The musical performances on disc one of Glitter and Doom Live were culled from Waits' historic sold-out tour of the U.S. and Europe. He compiled and sequenced the set himself, intending to make them sound like a single show. The material leans, understandably, on his recordings with the Anti label. There are stellar performances here, such as "Get Behind the Mule" from The Mule Variations, "Trampled Rose" from Real Gone, and a haunting version of Leadbelly's "Fannin Street" from Orphans: Brawlers, Bawlers & Bastards, to mention just three of the 17 cuts here. But he goes back to his Island albums too. For instance, there are completely re-visioned readings of "Lucky Day" and "I'll Shoot the Moon" from 1993's Black ...
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A HARD DAY'S NIGHT presents a fictionalized day in the life of the Beatles as they give a performance on a live television show. Filmed just a month after their appearance on the Ed Sullivan Show in February 1964, this film--the Beatles' first--introduces us to the unique personalities of each member of the band. The film opens with the Fab Four boarding a train mobbed with adoring young fans (mostly women) as they attempt to travel to the television studio in London. The antics of the band ...
| | Horatio's Drive America's First Horatio's Drive: America's First Road Trip CD (2003) Soundtrack
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On May 19, 1903, Horatio Nelson Jackson, a 31-year-old doctor from Burlington, VT, made a 50-dollar bet that he could drive an automobile from San Francisco to New York City in less than three months. Four days later, he left California in a two-cylinder "horseless carriage" (with a top cruising speed of 30 miles per hour) and began America's first transcontinental road trip. Horatio's Drive is the soundtrack to a Ken Burns documentary on Jackson's historic cross-country jaunt and features reinterpretations of popular songs of the day ("Bill Bailey, Won't You Please Come Home"), rags ("Mississippi Rag," "Tiger Rag"), traditional pieces ("Cripple Creek," "Rovin' Gambler") and contemporary songs that fit the motif ("Back 'N' Forth in Pahrump, Nevada"), recorded by the likes of Tony Ellis, John McKuen, and Bobby Horton, as well as brief talking interludes by Tom Hanks (as the voice of Horatio) and cameos by Tom Bodett and George Plimpton. Although much of the music here becomes incidental when divorced from the visual portion of the documentary, it is bright and pleasant on its own, and there are several highlights, including Ellis' pretty banjo piece, "Straw Dolls," Todd Phillips' slowed-down take on J.P. Nestor's fiddle romp, "Train on the Island," and Bobby Horton's guitar version of Jimmie Strothers' odd "Blood-Stained Banders." In all, Horatio's Drive feels like a facsimile of the music for America's first road trip and it works as such, but there is no dust, dirt, or grit here, and one kind of wishes Burns could have licensed the old 78s for some of these songs -- scratches and all. ~ Steve ...
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Boldly hacking his way through ...
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Living in Austin produced a decidedly "Texas" sounding first CD for Paul Eddy ("Frozen By Fire") with mixes of honky tonk, country, and folk, but heading back to the northwest meant heading back to his roots. As a young person growing up in Washington State, it was the inventive sounds of The Beatles, The Beach Boys, and Yes that first ignited the musical fire in Eddy. Strange combination? Not when you consider that all three focused on complex songwriting and arrangements ...
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