| | Italo Pop Hymns CD Italo Pop Hymns Discography of CDs
Italo Pop Hymns Songs | 1. | L'Italiano |
| 2. | Mamma Maria |
| 3. | Piccola E Fragile |
| 4. | Ci Sara |
| 5. | Tornero |
| 6. | Tu Sei L'Unica Donna Per Me |
| 7. | Ti Amo |
| 8. | Perdono |
| 9. | Laura Non C'E |
| 10. | Un'Estate Italiana |
| 11. | Nel Blu Dipintu Di Blu ( Volare) |
| 12. | Bambola |
| 13. | A Chi |
| 14. | Ti Dico Ti Amo ( Como Tu E Eu) |
| 15. | Donna Felicita |
| 16. | Mambo Italiano |
| 17. | A Far L'Amore Comincia Tu ( Liebelei) |
| 18. | Balla . . .Balla (Italian Hit Connection) |
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Italo Pop Hymns Review
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Purchase Italo Pop Hymns CD To buy, Click on price to add to cart | Pink Martini Splendor In The Grass CD (2009) Digipak
Italo Pop Hymns album
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Pink Martini follow the around-the-world-in-a-dozen-songs thrills of HEY EUGENE! with SPLENDOR IN THE GRASS, a mellower, simpler set of small pleasures. These are relative terms, however; the group's music is still well-traveled, with China Forbes singing in five languages (English, Spanish, Neapolitan, French, and Italian) instead of the six or so on EUGENE!. However, Pink Martini opt for a more unified sound here, one that draws on the more straightforward lounge-pop of ...
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It was not pure ego that led Buju Banton to title his 1993 album VOICE OF JAMAICA; his unique voice is a gruff, melodic instrument, and his lyrics are precise. He built his career on controversial hits and slacker anthems, but has since helped spearhead a movement to swing reggae's pendulum away from sex and violence, back towards conscious lyrics and Rastafarian themes. On `TIL SHILOH, the voice of Jamaica has visibly evolved.
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With help from musicians associated with the era and location (including Don Tosti, Lalo Guerrero, and Thee Midnighters' Little Willie G.) and studio musicians Jim Keltner, Jon Hassell, and legendary Tex-Mex accordionist Flaco Jimenez, Cooder has created a musical novel that richly celebrates the music, life, and lingering mythos of Chavez Ravine, an L.A. neighborhood razed by the city in the interest of big business (namely to build a stadium for the soon-to-be L.A. Dodgers). Stylistically, the album, performed in both Spanish and ...
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Many of the artists who were part of Britain's soul scene of the late '80s/early '90s, including Soul II Soul, Lisa Stansfield, and Caron Wheeler, took a high-tech, neo-soul approach, combining '70s-influenced R&B and disco with elements of hip-hop. The equally impressive Brand New Heavies, however, used technology sparingly, stressed the use of real instruments, and were unapologetically retro and '70s-sounding through and through. Drawing on such influences as the Average White Band and Tower of Power, the Heavies triumph by sticking with the classic R&B approach they clearly love the most. The band has a jewel of a singer in N'Dea Davenport, who is characteristically expressive on "Dream Come True" and "Stay This Way." Real horns -- not synthesizers made to sound like horns -- enrich those gems as well as the sweaty vocal funk of "People Get Ready" and "Put the Funk Back in It" and the jazz-influenced instrumental "BNH." ...
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Matthew Chicoine's third album under the name Recloose is like a fond look back at the more adventurous side of 1970s funk and soul, as seen through the lens of 1990s Detroit. He still has his sense of humor (each track on this album is exactly three minutes and 45 seconds long), and he still has connections with some very fine singers. Of all the influences that are audible on this very enjoyable program, the one that pops up most regularly is Parliament/Funkadelic -- you hear that Clinton/Bootsy echo especially strongly in the elephantine beat of "Solomon's Alive" and in the slightly frantic "Can It Be," both of which are OK songs built on spectacular grooves. What their predecessors had, and these songs lack, are really great hooks. ...
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