| | Harp XX, Twentieth Century Compositons For Solo Harp CD Antonelli, Claudia CDS
Claudia Antonell is one of the most distinguished and important people in the Harp World, joining the list of a few world renowned harpist, including former Italian colleagues, Alberto Salvi (1893- 1983) and Clelia Gatti-Aldovani (1901-1989). Born in Rome, Italy, Ms. Antonelli studied at the famous Academia Santa Cecilia, participated in master classes with world acclaimed harp virtuosos and teachers, Pierre Jamet, Paris, and Susanna Mildonian at the Conservatory of Music in Brussels.She is the first place winner of the Ottorino Respighi Award and the International Harp Competition, among several others.Ms Antonelli has performed as soloist in all major concert halls worldwide such as Carnegie Hall, Queen Elizabeth Hall, Konzertgebow, Wienerkonzerthaus, Musikhalle and Beethovenhalle, to name a few. She has performed extensively in the United States, Canada. Europe, South American, Australia, and Asia.Her solo Italian recitals are often heard at S. Cecilia in Rome, La Scala, Spoleto Festival, Biennale Venezia and Accademia Chigiana.As a concert soloist with leading symphonies Ms Antonelli has performed with conductors, Igor Markevitch, Giuseppe Sinopoli, Eduardo Mata, Peter Maag and Hans Graf; and with instrumentalist such as Jean-Pierre Rampal, Severino Gazzeloni, Wolfgang Schulz, Andras Adorjan, Dino Asciolla, Garth Knox, Bruno Ciuranna and Vladimir Mendelsohn, to name a few.Many well known contemporary Italian composers have dedicated some of their works to her such as Petrassi, Donatoni, Bussotti, Sciarrino, Pennisi, Mortari, Bortoletti, Testi, Ugoletti, Renosto, Vandor, Mirigliano, Langana amd De Rossi Re, with Ms Antonelli performing the world premiere works.Presently Ms Antonelli teaches master classes at S. Cecilia in Rome, Italy. She has an extensive discography, and records on the Arts and Naxos label. Harp XX, Twentieth Century Compositons For Solo Harp Music Harp XX, Twentieth Century Compositons For Solo Harp Review
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$18.35 Step Up CD is truly created for the Intermediate levels of ballet, \"Step Up\" is the sequel to \"First Steps.\" Classical selections are played with very little improvisation and a moderate increase in steady tempo. Each track includes a four count introduction and 22 of 29 tracks offer 128 count bands. Wide and colorful elections of music makes this CD a great addition to the intermediate level of training.Whitefeather ProductionsWhitefeather Productions believes that there is a demand for ballet class music designed specifically for the needs of beginning, intermediate, advanced and pre-professional levels of training, and that each level of training requires a different musical emphasis. Founders Margarita White, Tatyana Featherman and Melinda Pendleton also feel that the process of early ballet training should include music of artistic merit, and as students progress onto more advanced levels of training their musical accompaniment should aid that process by growing with them. This high standard is the philosophy that underlies each Whitefeather product.Tatyana Featherman - PianistTatyana Featherman was born in the former Soviet Union, where she received her elementary music education in the Ukrainian city of Lvov. Upon completing her education in Odessa, Tatyana was engaged as an accompanist with Vodnic, a prestigious rhythmic gymnastic school. In 1982, Tatyana immigrated to the United States where she began working as an accompanist for Margarita and John White, directors of the Pennsylvania Academy of Ballet. During the ensuing years, Tatyana recorded three albums for ballet classes - \"Spirit of Movement,\" \"Harmony in Motion\" and \"Fire Within.\" While studying ballet at the academy, she attended John White\'s teacher\'s seminar, and began teaching ballet in addition to her work as accompanist.Margarita WhiteMargarita White, born Margarita de Saá in Havana, Cuba, studied ballet with Fernando and Alicia Alonso. Margarita joined the newly formed Ballet Nacional de Cuba rising through the ranks from corps de ballet to principal dancer. In addition to her dancing responsibilities, she learned the Vaganova teaching method from Soviet ballet masters, and taught in the new state school, Cubanacan. Margarita left Cuba with her husband, John White. In 1969, they were invited to join the Pennsylvania Ballet company where they remained until 1974, when they founded their own school, the Pennsylvania Academy of Ballet in Narberth, Pennsylvania. Margarita is considered an authority in the world of ballet. The Academy trains over 300 students each year, and many graduates ...
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