| | Jenny Steam Dumbarton's Drums CD - Import Jenny Steam Discography of CDs
Jenny Steam Dumbarton's Drums Songs | 1. | Dumbarton's Drums |
| 2. | Westering Home |
| 3. | Leaving Nancy |
| 4. | It's Good To See You |
| 5. | Cotton Jenny |
| 6. | Smuggler |
| 7. | Mormond Braes |
| 8. | The Band Playing Waltzing Matilda |
| 9. | South Australia |
| 10. | Today |
| 11. | A Man's A Man |
| 12. | Home To The Kyles |
| 13. | Love Is Teasing |
| 14. | Sergeant, Where's Mine |
| 15. | Yellow's On The Broom |
|
Dumbarton's Drums Review
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Loreena McKennitt's A MEDITERRANEAN ODYSSEY collection includes an 11-track anthology of her more Mediterranean-influenced works entitled OLIVE AND THE CEDAR, as well as a ten-track live performance recorded in 2009 called FROM ISTANBUL TO ATHENS. McKennitt's transition from Celtic balladeer ...
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While a name like The Ultimate Tribute to U2 gives off an air of finality and officialese, nothing could be further from the truth with this earnest Cleopatra offering. Goth and industrial tributes from established bands like Dead or Alive ("Even Better Than the Real Thing"), the Mission UK ("All I Want Is You"), and Heaven 17 ("With or Without You") provide interesting takes on some of the Irish quartet's best-known anthems. But it's the erratic inconsistency in quality that makes this disc fail to live up to its name. An inexplicable ...
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KISS OF LIFE
by MYRIAM G.S. MESTIAENGraphic Artist/Painter/Pianist/Composer Who the f*** is Myriam G.S. Mestiaen?
(written by Chris Van Camp / English translation by Jessica Ballenger)
Around two decades ago, when a guy came up to you twirling his car keys around and launched a courageous "Don't I know you from somewhere?" -it meant that you had a high "wow-factor" in his eyes. Then the inevitable happened. You danced together to a slow song, had three kids, and he called you "honey", or some variation of this, for the rest of your days together.

Today, everything's different. It's no longer a slightly tranparent pick-up line, but more of a variation on Nero's verdict. If they don't know you from somewhere, you'll get a thumbs down and be banished to obscurity. If they do know you from somewhere-it doesn't matter if it was the Miss Strawberry pageant or the Nobel Prize for Kids-you'll get a thumbs up. After all, fame in itself opens every door these days. The modern Renaissance man is a V.I.P.; living it up in every possible artistic discipline and void of any visible talent.

It's very likely that a publisher can praise your work to high heaven, but not know how to market it to the public because...nobody knows you.
Maybe it's always been this way. Otherwise, why was Van Gogh abandoned in his poverty and Kafka left to languish in his room? Why did Anais Nin have to publish Henry Miller's work and her own diaries on a hand press before it had a right to exist?

Apparently it's very difficult to recognize a genius even when they're right under your nose. So God forgive the publisher who first realized how good the material was and then closed the books with a "but...who the F*** is Myriam G.S. Mestiaen?". Being a psychic doesn't even have to be one of your hobbies to predict that this exact question in the mind of the publisher takes priority over any form of uninhibited value judgement of the work itself.

But sometimes, if you're lucky, you get struck by a sudden flash of insight. The understanding that someone unique has crossed your path. Myriam Mestiaen is that kind of someone. Her passion alone, which enabled her to add something everyday since 1999 to her mammoth work. The subtlety of her humor. The "outsider"-perspective she provides in situations she's actually taking part in. The way she can take a few telling lines, some small details, and above all leave out the frills and in doing so hold up a mirror to ourselves. She takes you through a seemingly innocent exhibition of her honest drawings, but along the way she unmasks the emptiness of the art scene, the vanity of insecure people, and her own personal angst. There's ...
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In his first year performing full time as a solo, Kolstad made his debut on \"A Prairie Home Companion\" and was chosen to represent Minnesota at the International Blues Competition in Memphis. Kolstad began his performing career as keyboardist with Stockcar Named Desire.Chris Riemenschneider of the Minneapolis StarTribune wrote about Cadillac Kolstad. \"You can\'t miss him when he\'s in the room with you. Which is one of the reasons he seems like such an oddball choice for a happy hour act. Usually, musicians who play to early-evening crowds are inconspicuous and mellow. They\'re meant to fade into the background. Not Kolstad, who stands out like fluorescent wallpaper at his three weekly happy-hour gigs. With his greased-up mound of hair and vintage suits or tuxedo jackets and bow-ties--like a cross between a young Johnny Cash, Pee Wee Herman and an extra in \"The Outsiders\"--the 26 year old boogie-woogie piano man attracts attention even before he starts performing. Kolstad started the night at The Nomad, ...
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