| | Paul Weller Hit Parade CD - Import Paul Weller Discography of CDs
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Our Price: $19.69  CDFor Sale Usually ships in 1-2 days
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Hit Parade Music | List Price | $20.99 (You save $1.30) | | Category | Rock/Pop Albums, Rock CDs | | Label | Phantom | | CD Universe Part number | 7328944 | | Catalog number | 644910 | | Discs | 1 | | Release Date | Nov 14, 2006 |
Hit Parade Review
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There's no shortage of legendary producers in line to work with music world titans U2; when work with Rick Rubin broke off, Brian Eno and Daniel Lanois stepped in. The resulting NO LINE ON THE HORIZON, 2009's offering from the Irish rockers, continues in the grand U2 tradition, as soaring pop anthems like opening single "Get on Your Boots" pair with experimental melanges like "Tripoli," on a striking album featuring touches of all the albums come before, yet hinting at new worlds for Bono to conquer.
After spending the 1990s experimenting with electronic music and returning to arena-ready rock during the first few years of the 21st century, U2 stakes out territory somewhere between those two points on 2009's NO LINE ON THE HORIZON. Enlisting its go-to production trio of Brian Eno, Daniel Lanois, and Steve Lillywhite, the Irish quartet seems intent on crafting a quirkier companion piece to HOW TO DISMANTLE AN ATOMIC BOMB, and they succeed with restless tracks such as "Get on Your Boots," which sounds like "Vertigo" hijacked by T. Rex, and "Stand Up Comedy," a wiry number that lets the Edge cut loose with barbed guitar lines. ...
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John Denver's music always had a warm, home-spun quality to it, so it isn't surprising that his 1975 holiday effort, Rocky Mountain Christmas, is a wonderfully low-key and friendly Christmas album. Divided between classic carols and new numbers, such as the fine "Aspenglow" and "Christmas for Cowboys," the album is an appealing, pretty record, perfect for late nights by the fireside. The 1998 CD reissue adds five bonus tracks: "Jingle Bells," ...
| | Gary Burton Astor Piazzolla Reunion: A Tango Excursion CD (1998)
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The track "Mi Refugio," features Gary Burton overdubbed on a rare solo performance by Astor Piazzolla.
Gary Burton has had many stellar moments over the years, and in the 1990s, one of his finest achievements was Astor Piazzolla Reunion, a heartfelt tribute to the late Argentinean tango innovator and bandoneon master. Having toured and recorded with Piazzolla in the 1980s, Burton clearly had a strong appreciation of his legacy, and that appreciation comes through in a major way on arrangements of "Tanguedia," "Romance Del Diablo," and other gems by Piazzolla (whose risk-taking approach to tango generated as much controversy in tango circles ...
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NE ME QUITTE PAS features the sophisticated vocal stylings of international cabaret star Jacques Brel.
One of the seemingly innumerable Philips-era Jacques Brel compilations issued during the 1970s, Ne Me Quitte Pas is a double-album extravaganza rounding up five songs apiece from his first, second, and fourth albums and three from his too-frequently overlooked third, then rounded out by an apparently random selection of EP cuts. There are, of course, few surprises in store. The title track (better known to the Anglo-American public as "If You Go Away") and "Quand on N'a Que l'Amour," Brel's first hit single, are the most immediate selling points for purchasers seeking a quick introduction to the catalog -- "Sur La Place," "Les Flamandes," and "La Mort" ("My Death" can be similarly highlighted. Where the interest lies for the more serious fan is in the inclusion of such seldom heard sides as "Voir," "Le Prochain Amour," and the duet "Demain L'on Se Marie." None rank among the best of Brel, but, in breaking the domination of album cuts, they do offer something different -- and that, in the fast-filling world of Brel collections, is certainly nothing to be sneezed at! ~ Dave Thompson
Much was made of Jacques Brel's decision to retire from the music industry in 1968, a resolution which, a handful of soundtrack recordings notwithstanding, he maintained until 1977, the year before his death. In fact, his silence was not as profound as is generally believed. In 1972, Barclay prevailed upon him to return to the studio to re-record 11 of the better-known songs which he cut for the Philips label at the outset of his career. Of course these would subsequently be disseminated over a string of future compilations; Ne Me Quitte Pas, however, draws them all together in one collection. Brel's original recordings were cut with a variety of arrangers and orchestras; here he is paired with his longest-standing allies: arranger Francois Raubert and pianist Gerard Jouannest. Their instinctive sympathy and understanding is this set's most noticeable asset -- Brel in the ...
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